Bitis is a genus of venomous vipers found in Africa and the southern Arabian Peninsula. It includes the largest and the smallest vipers in the world. Members are known for their characteristic threat displays that involve inflating and deflating their bodies while hissing and puffing loudly. The type species for this genus is B. arietans, which is also the most widely distributed viper in Africa. Currently, 14 species are recognized.
Members of the genus are commonly known as African adders,African vipers, or puff adders.
Size variation within this genus is extreme, ranging from the very small B. schneideri, which grows to a maximum of 28 centimetres (11 in) and is perhaps the world's smallest viperid, to the very large B. gabonica, which can attain a length of over 2 metres (6.6 ft) and is the heaviest viper in the world.
All have a wide, triangular head with a rounded snout, distinct from the neck, and covered in small, keeled, imbricate scales. The canthus is also distinct. A number of species have enlarged rostral or supraorbital scales that resemble horns. Their eyes are relatively small. They have large nostrils that are directed outwards and/or upwards. Up to six rows of small scales separate the rostral and nasal scales. All species have a well-developed supranasal sac. The fronts of the maxillary bones are very short, supporting only one pair of recurved fangs.
Karagöz (meaning blackeye in Turkish) and Hacivat (shortened in time from "Hacı İvaz" meaning "İvaz the Pilgrim", and also sometimes written as Hacivad) are the lead characters of the traditional Turkish shadow play, popularized during the Ottoman period and then spread to most nation states that comprised the Ottoman Empire and most prominently in Turkey and Greece.
The central theme of the plays are the contrasting interaction between the two main characters. They are perfect foils of each other: In the Turkish version Karagöz represents the illiterate but straightforward public, whereas Hacivat belongs to the educated class, speaking Ottoman Turkish and using a poetical and literary language. Although Karagöz has definitely been intended to be the more popular character with the Turkish peasantry, Hacivat is always the one with a level head. Though Karagöz always outdoes Hacivat’s superior education with his “native wit,” he is also very impulsive and his never-ending deluge of get-rich-quick schemes always results in failure. In the Greek version Hacivat (Hatziavatis) is the more educated Turk who works for the Ottoman state, and often represents the Pasha, or simply law and order, whereas Karagöz (Karagiozis) is the poor peasant Greek, nowadays with Greek-specific attributes of the raya.
Sie war wie alle andren war'n
Voll Lebensdurst, doch unerfahr'n.
In ihren Augen brannte heiss die Glut, die Glut, die Glut.
Wo was los war, war auch sie.
Man nannte sie nur Melanie.
Sie ging die Wege zwischen schlecht
Und gut und gut und gut und gut und gut.
Zu Hause war sie fortgerannt,
Weil man nicht gleiche Worte fand.
Und Liebe spuerte sie nie - Melanie ! Melanie !
Ihr Vater hatte niemals Zeit und
Wenn er da war, gab es Streit.
So ein Leben wollte sie nie mehr,
nie mehr, nie mehr, nie mehr.
Zu Hause war sie fortgerannt,
Weil man nicht gleiche Worte fand.
Und Liebe spuerte sie nie - Melanie ! Melanie !
Mal blieb sie von der Arbeit weg und
Suchte Halt in manchem Bett.
Doch was sie fand erlosch bei Tageslicht.
Ein Kind - sie wusste nicht von wem.
Sie wollte es trotz alledem.
Die Traenen, die sie weinte, sah man nicht.
Traenen sah man bei ihr nie.
Man misst das Leben nicht nach Jahren.
Doch sie, als ich sie wiedersah.
Das Kind an ihrer Seite lachte und