Stan Getz | |
---|---|
![]() With his granddaughter Katie in 1987 at the Lincoln Center |
|
Background information | |
Birth name | Stanley Gayetzky |
Born | Philadelphia, Pennsylvania, United States |
February 2, 1927
Died | June 6, 1991 Malibu, California, United States |
(aged 64)
Genres | Jazz Bossa nova West coast jazz Cool jazz |
Occupations | Saxophonist |
Instruments | Tenor saxophone, Baritone Saxophone |
Years active | 1943–1991 |
Labels | Verve Records |
Associated acts | Kenny Barron, Bill Evans, J.J. Johnson, Bob Brookmeyer, Dizzy Gillespie, Charlie Byrd, Chet Baker, Gary Burton, Cal Tjader, Woody Herman, João Gilberto, Tom Jobim, Victor Lewis |
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophone player. Getz was known as "The Sound" because of his warm, lyrical tone, his prime influence being the wispy, mellow timbre of his idol, Lester Young.[1] Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow[2] as "one of the all-time great tenor saxophonists". Getz went on to perform in bebop, cool jazz and third stream, but is perhaps best known for popularizing bossa nova, as in the worldwide hit single "The Girl from Ipanema" (1964).
Contents |
Getz was born on February 2, 1927, in Philadelphia, Pennsylvania. His parents were Ukrainian Jews who emigrated from the Kiev area in 1903. The family later moved to New York City for better employment opportunities. Getz worked hard in school, receiving straight As, and finished sixth grade close to the top of his class. Getz's major interest was in musical instruments, and he felt a need to play every instrument in sight. He played a number of them before his father bought him his first saxophone at the age of 13. Even though his father also got him a clarinet, Getz instantly fell in love with the saxophone and began practicing eight hours a day.
He attended James Monroe High School (New York) in the Bronx. In 1941, he was accepted into the All City High School Orchestra of New York City. This gave him a chance to receive private, free tutoring from the New York Philharmonic's Simon Kovar, a bassoon player. He also continued playing the saxophone. He eventually dropped out of school in order to pursue his musical career, but was later sent back to the classroom by the school system's truancy officers.[1]
In 1943 at the age of 16,[3] he was accepted into Jack Teagarden's band, and because of his youth he became Teagarden's ward. Getz also played along with Nat King Cole and Lionel Hampton. After playing for Stan Kenton, Jimmy Dorsey, and Benny Goodman, Getz was a soloist with Woody Herman from 1947 to 1949 in "The Second Herd", and he first gained wide attention as one of the band's saxophonists, who were known collectively as 'The Four Brothers', the others being Serge Chaloff, Zoot Sims and Herbie Steward.[3] With Herman, he had a hit with "Early Autumn" and after Getz left "The Second Herd" he was able to launch his solo career. He would be the leader on almost all of his recording sessions after 1950.
In the mid to late 1950s working from Scandinavia, Getz became popular playing cool jazz with Horace Silver, Johnny Smith, Oscar Peterson, and many others. His first two quintets were notable for their personnel, including Charlie Parker's rhythm section of drummer Roy Haynes, pianist Al Haig and bassist Tommy Potter. A 1953 line-up of the Dizzy Gillespie/Stan Getz Sextet featured Gillespie, Getz, Oscar Peterson, Herb Ellis, Ray Brown and Max Roach.[1]
Returning to the U.S. from Europe in 1961, Getz became a central figure in introducing bossa nova music to the American audience. Teaming with guitarist Charlie Byrd, who had just returned from a U.S. State Department tour of Brazil, Getz recorded Jazz Samba in 1962 and it became a hit. The title track was an adaptation of Antonio Carlos Jobim's "One Note Samba". Getz won the Grammy for Best Jazz Performance of 1963 for "Desafinado", from the same album. It sold over one million copies, and was awarded a gold disc.[4] As a follow-up, Getz recorded the album, Jazz Samba Encore!, with one of the originators of bossa nova, Brazilian guitarist Luiz Bonfá. It also sold more than a million copies by 1964, giving Getz his second gold disc.[4]
He then recorded the album Getz/Gilberto, in 1963,[5] with Tom Jobim, João Gilberto and his wife, Astrud Gilberto. Their "The Girl from Ipanema" won a Grammy Award. The piece became one of the most well-known latin jazz tracks. Getz/Gilberto won two Grammys (Best Album and Best Single). A live album, Getz/Gilberto Vol. 2, followed, as did Getz Au Go Go, a live recording at the Cafe Au Go Go. Getz's affair with Astrud Gilberto brought an end to his musical partnership with her and her husband, and he began to move away from bossa nova and back to cool jazz. While still working with the Gilbertos, he recorded the jazz album Nobody Else But Me, with a new quartet including vibraphonist Gary Burton, but Verve Records, wishing to continue building the Getz brand with bossa nova, refused to release it. It eventually came out 30 years later, after Getz had died.
In 1972, Getz recorded in the fusion idiom with Chick Corea, Tony Williams and Stanley Clarke, and in this period experimented with an Echoplex on his saxophone. He had a cameo in the film The Exterminator (1980).
In the mid-1980s Getz worked regularly in the San Francisco Bay area and taught at Stanford University as an artist-in-residence at the Stanford Jazz Workshop until 1988.[6] In 1986, he was inducted into the Down Beat Jazz Hall of Fame. During 1988, Getz worked with Huey Lewis and the News on their Small World album. He played the extended solo on the title track, which became a minor hit single.
His tenor saxophone of choice was the Selmer Mark VI.
Getz married Beverly Byrne, a vocalist with the Gene Krupa band, on November 7, 1946; they had three children together.
Getz became involved with drugs and alcohol while a teenager. In 1954, he was arrested for attempting to rob a pharmacy to get a morphine fix. As he was being processed in the prison ward of Los Angeles County-USC Medical Center, Beverly gave birth to their third child one floor below. Getz tried to escape his narcotics addiction by moving to Copenhagen. He married Swedish aristocrat Monica Silfverskiöld on November 3, 1956, and had two children with her: Pamela and Nicolas. Getz divorced Monica in 1987.
Zoot Sims, who had known Getz since their time with Herman, once described him as 'a nice bunch of guys', as a consequence of the wide behavioural range of which Getz was capable. Getz died of liver cancer in June 6, 1991. His body was cremated and the ashes scattered at sea, off the coast of Malibu, California.
In 1998, the 'Stan Getz Media Center and Library' at Berklee College of Music was dedicated through a donation from the Herb Alpert Foundation.
The suffix -stan (Persian: ـستان -stān) is Persian for "place of" or "country". It appears in the names of many regions, especially in Central and South Asia, but also in the Caucasus and Russia; areas where significant amounts of Persian culture were spread or adopted. The suffix is also used more generally, as in Persian and Urdu rigestân (ریگستان) "place of sand, desert", Pakistan "land of the pure", Hindustan "land of the Hindus", golestan (گلستان) "place of flowers, garden", etc.
The suffix, originally an independent noun, but evolving into a suffix by virtue of appearing frequently as the last part in nominal compounds, is of Indo-Iranian and ultimately Indo-European origin: It is cognate with Sanskrit sthā́na (Devanagari: स्थान [st̪ʰaːna]), meaning "the act of standing", from which many further meanings derive, including "place, location", and ultimately descends from Proto-Indo-Iranian *sthāna-.
The Proto-Indo-European root from which this noun is derived is *steh₂- (older reconstruction *stā-) "to stand" (or "to stand up, to step (somewhere), to position (oneself)"), which is also the source of English to stand, Latin stāre, and Ancient Greek histamai (ἵσταμαι), all meaning "to stand" and Russian стан (stan, meaning "settlement" or "semi-permanent camp"). In Polish and Ukrainian, stan means "state" or "condition", while in Serbo-Croatian it translates as "apartment" (a Slovenian word "stanovanje" means apartment or other closed space of living is an obvious derivative of stan) in its modern usage, while its original meaning was "habitat". In Czech and Slovak, it means "tent" or, in military terms, "headquarters". Also in Germanic languages, the root can be found in Stand ("place, location"), and in Stadt (German), stad/sted (Dutch/Scandinavian), stêd (West Frisian) and stead (English), all meaning either "place" or "city". The suffix -stan is analogous to the suffix -land, present in many country and location names.
Stan! (born Steven Brown on 16 October 1964 in Brooklyn, New York City, United States) is an American author, cartoonist, and game designer. He is sometimes credited as Stan Brown.
Brown was born and grew up on Long Island and attended Binghamton University. Brown began publishing fiction, cartoons, and games professionally in 1982, usually under the pen name "Stan!." He is the author of numerous short stories, novels, roleplaying products, comics and cartoons. He has served as a graphic designer and line editor for West End Games; an editor and game designer for TSR, Inc.; and an author, senior game designer, and creative director for Wizards of the Coast, Inc. He has also been the creative content manager at Upper Deck Entertainment.
In 2007, R. Hyrum Savage formed a subsidiary of his OtherWorld Creations with Brown called Super Genius Games. He has also worked as the creative content manager for Upper Deck Entertainment, and the creative vice president for The Game Mechanics, Inc. Brown is the Creative Director for Super Genius Games. He co-founded The Game Mechanics with JD Wiker, Marc Schmalz, and Rich Redman.
Östanå is a village situated in Östra Göinge Municipality, Skåne County, Sweden with 221 inhabitants in 2005.