Junk may refer to:
Junk, known as Smack in the U.S., is a realistic novel for young adults by the British author Melvin Burgess, published in 1996 by Andersen in the U.K. Set on the streets of Bristol, England, it features two runaway teens who join a group of squatters, where they fall into heroin addiction and embrace anarchism. Both critically and commercially it is the best received of Burgess' novels. Yet it was unusually controversial at first, criticized negatively for its "how-to" aspect, or its dark realism, or its moral relativism.
Burgess won the annual Carnegie Medal from the Library Association, recognising the year's outstanding children's book by a British author. For the 70th anniversary of the Medal in 2007 Junk was named one of the top ten winning works, selected by a panel to compose the ballot for a public election of the all-time favourite.Junk also won the Guardian Children's Fiction Prize, a similar award that authors may not win twice. It is the latest of six books to win both awards.
"Junk" is a song written by Paul McCartney in 1968 while the Beatles were in India. "Singalong Junk" is an instrumental version of "Junk" that also appears on McCartney.
It was originally under consideration for The Beatles (also known as the White Album). It was passed over for that LP, as it was for Abbey Road. It was eventually released on McCartney's debut solo album McCartney in 1970. The version McCartney played for the rest of the Beatles, in May 1968, was among other songs demoed at George Harrison's Kinfauns home before the recording of The Beatles, and was released on Anthology 3 on 22 October 1996. The song's working title was "Jubilee", and also known as "Junk in the Yard". Take one appeared on the McCartney album as "Singalong Junk" and whereas take two was issued as "Junk".
Besides the exclusion of vocals, "Singalong Junk" features mellotron strings and the melody is played on a piano. The song also features more prominent drums. This version of the song is said to have been the original instrumental backing to which McCartney was planning on singing, but he opted for a simpler arrangement for the vocal version instead.
A lie is a statement that is known or intended by its source to be misleading, inaccurate, or false. The practice of communicating lies is called lying, and a person who communicates a lie may be termed a liar. Lies may be employed to serve a variety of instrumental, interpersonal, or psychological functions for the individuals who use them. Generally, the term "lie" carries a negative connotation, and depending on the context a person who communicates a lie may be subject to social, legal, religious, or criminal sanctions. In certain situations, however, lying is permitted, expected, or even encouraged. Because believing and acting on false information can have serious consequences, scientists and others have attempted to develop reliable methods for distinguishing lies from true statements.
As defined by Sartre, "bad faith" is lying to oneself. Specifically, it is failing to acknowledge one's own ability to act and determine one's possibilities, falling back on the determinations of the various historical and current totalizations which have produced one as if they relieved one of one's freedom to do so.
Élie is the French equivalent of "Elias" or "Elijah."
In obstetrics, the presentation of a fetus about to be born refers to which anatomical part of the fetus is leading, that is, is closest to the pelvic inlet of the birth canal. According to the leading part, this is identified as a cephalic, breech, or shoulder presentation. A malpresentation is any presentation other than a vertex presentation (with the top of the head first).
Thus the various presentations are:
"Ladies and gentleman we interrupt or program of dance music to bring you a special bulletin from the incontinental news."
The writing's on the wall, but no one cares at all
To convey the message that we wrote ourselves
Destroy the walls we mend and burn the candle at both ends
(I really think we are)
Becoming more mindless of the heart
(Becoming everything we hate)
Building our castles for the future
(A Trojan horse is at the gate)
Built by the enemy that we made
It's false sincerity, we hear celebrities
"Buy a hybrid if you can" with ten years of your food stamps
Caught myself listening to sheltered excuses for human beings
(So it becomes elite)
They separate then what have we got?
(Nothing in common with their wealth)
One clip can change public opinion
(One sin can send you straight to hell)
Learned how to lie and not get caught
More piss in the melting pot
Shut out majority with riches
(Their words become more valuable)
Then the voice of a million starving children
(That they have a million ways to solve)
Left freedom bleeding on the roadside,