Big Shots | |
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200px | |
Genre | Comedy-drama Farce |
Created by | Jon Harmon Feldman |
Starring | Michael Vartan Dylan McDermott Christopher Titus Joshua Malina Nia Long Peyton List Jessica Collins Amy Sloan Paige Turco |
Country of origin | United States |
Language(s) | English |
No. of seasons | 1 |
No. of episodes | 11 (List of episodes) |
Production | |
Executive producer(s) | Jon Harmon Feldman |
Broadcast | |
Original channel | ABC |
Original run | September 27, 2007 – January 24, 2008 |
Chronology | |
Related shows | Sex and the City |
Big Shots is an American television drama created and executive produced by Jon Harmon Feldman. The pilot was directed by Charles McDougall.[1]
Contents |
Produced by Warner Bros. Television, the series was officially approved for broadcast and thirteen episodes were commissioned on May 11, 2007.[2] The show was added to the schedule on Thursday nights at 10:02 p.m. EST (9:02PM CT). It premiered on September 27, 2007 on ABC, following Grey's Anatomy.[3] It also premiered on CTV in Canada on the same date,[4] but was shifted to CTV's secondary A-Channel effective October 25, 2007.[5]
ABC pulled Big Shots from the schedule in December 2007, and filled its slot with repeats of Private Practice.[6][7][8] On December 15, 2007 ABC announced its mid-season schedule, and Big Shots was back on the schedule. Despite the original commission of thirteen episodes, as a result of the Writers Guild of America strike in Hollywood, only eleven were made. The final one aired on January 24, 2008. On May 13, 2008, ABC officially cancelled the series.[9]
The show was officially pitched as "the story of four friends at the top of their game... until the women in their lives enter the room. Lines between boardroom and bedroom blur when these competitive but dysfunctional CEOs take refuge in their friendship, discussing business, confiding secrets, seeking advice and supporting each other through life's surprising twists and turns."[3]
During the show's short run, each character had one or two major plot arcs that generally did not overlap. The principal characters were tied by their wealthy lifestyles, friendship and regular visits to their men's club, where they commisserated while engaging in leisure activities in the sauna, pool room, golf course and the like. James was promoted to the position of his late boss, but discovered that his wife had had an affair with the man. The fallout of the divorce, and his romantic relationship with his VP, Katie, were his main plot lines. Duncan tried to win back his first wife (the mother of his twenty-something daughter). His efforts were thwarted by personal scandal (sex with a transwoman) and the machinations of his professional and personal rival. Additionally, a mentally-troubled young man insinuates himself in Duncan's life, claiming to be his son. Karl takes up a mistress, but quickly ends the relationship. Ironically, his wife (who knows nothing of the affair) becomes the woman's best friend and she moves in with the couple. His story lines center on this ironic situation, along with the couple's infertility. Brody is characterized as hen-pecked at home, and the somewhat put-upon friend of the four. His connections often help them (especially Duncan) in their times of trouble. His chief actions surround his efforts to procure a higher clientele.
Though not universal, early critical response was generally negative. Referring to Desperate Housewives, Newsweek said "it's not into the toilet, which is where Big Shots spends its time both literally and figuratively." The Los Angeles Times said the show features "a quartet of rich guys so insufferable, self-centered and whiny that they make the men of feminist masterwork 'The Golden Notebook,' or even 'The Nanny Diaries,' look positively heroic."[10] People magazine called the show one of several "Sex and the City clones" and the characters "Entourage-wannabes".[11] Since the show was pitched as a behind-the-scenes look at male bonding pitched to a female target audience,[12] much of the critique focused on the show's failure in that regard. USA Today said simply "The problem with Big Shots is that the men don't sound like anyone at all, male or female."[13] Critics from The A.V. Club compared the show to AMC's Mad Men, saying that it was "contemporary and no where near as good".[14] In one notably positive review, The New York Times called the show "one of television’s rare examples of successful farce."[15]
In the following chart, "rating" is the percentage of all households with televisions that tuned to the show, and "share" is the percentage of all televisions in use at that time that are tuned in. "18–49" is the percentage of all adults aged 18–49 tuned into the show. "Viewers" are the amount of viewers, in millions, watching at the time.
Unless otherwise cited, the overnight rating and share information come from https://www.zap2it.com/tv/ratings/
# | Episode | Air Date | Time slot (EST) | Rating | Share | 18-49 (Rating/Share) | Viewers (m) | Rank (Overall) |
---|---|---|---|---|---|---|---|---|
1 | "Pilot" | September 27, 2007 | Thursday, 10:00 P.M | 7.8 | 13 | 4.7/13 | 11.10 | #29 |
2 | "Tall, Dark and Hairless" | October 4, 2007 | Thursday, 10:00 P.M. | 6.1 | 10 | 3.7/10 | 10.14 | #50 |
3 | "The Good, the Bad and the Really Ugly" | October 11, 2007 | Thursday, 10:00 P.M. | 6.3 | 11 | 3.9/11 | 9.28 | #53 |
4 | "Three's a Crowd" | October 18, 2007 | Thursday, 10:00 P.M. | 6.0 | 10 | 3.3/9 | 8.34 | #53 |
5 | "Greatest Amerimart Hero" | October 25, 2007 | Thursday, 10:00 P.M. | 5.7 | 9 | 3.3/7 | 8.08 | #61 |
6 | "Car Trouble" | November 1, 2007 | Thursday, 10:00 P.M. | 6.2 | 10 | 3.7/10 | 7.53 | #54 |
7 | "Who's Your Daddy" | November 8, 2007 | Thursday, 10:00 P.M. | 5.9 | 10 | 3.6/9 | 8.62 | #59 |
8 | "The Way We Weren't" | November 29, 2007 | Thursday, 10:00 P.M. | 4.1 | 7 | 2.4/7 | 5.98 | #79 |
9 | "The Better Man" | January 10, 2008 | Thursday, 10:00 P.M. | 4.7 | 8 | 2.6/8 | 6.76 | #52 |
10 | "Sex Be Not Proud" | January 17, 2008 | Thursday, 10:00 P.M. | 3.5 | 6 | 1.8/5 | 4.78 | #69 |
11 | "Who's the Boss" | January 24, 2008 | Thursday, 10:00 P.M. | 3.6 | 6 | 1.8/5 | 4.97 | N/A |
Based on average total viewers per episode of Big Shots on ABC:
Season | Timeslot (EDT) | Season Premiere | Season Finale | TV Season | Rank | Viewers (in millions) |
---|---|---|---|---|---|---|
1 | Thursday 10:00 P.M. (2007-2008) | September 27, 2007 | January 24, 2008 | 2007-2008 | #88 | 7.7 [16] |
Big Shot may refer to:
Big Shots is the only studio album by American hip hop duo Charizma & Peanut Butter Wolf. Recorded between 1991 and 1993 for Hollywood BASIC, the album was released on Stones Throw Records in 2003, 10 years after Charizma's death. The first single, entitled "My World Premiere", was originally released in 1996. The album reached number 3 on CMJ New Music Report's Hip-Hop chart in 2004.
Big Shots received favorable reviews from critics. Sam Samuelson of AllMusic gave the album 3 stars out of 5, calling it "a treasure that should be cherished by hip-hop fans the world over." Nathan Rabin of The A.V. Club commented that "[Peanut Butter Wolf's] gorgeously constructed tracks, flawless ear for melody, and extensive sonic quotations anticipate Madlib." Rachel Swan of East Bay Express felt that "[Charizma] might've turned into another Pharoahe Monch or J-Live." Todd Inoue of Metro Silicon Valley noted that "Charizma sounds like MC Shan blessed with youthful lung capacity while PB Wolf makes like Marley Marl programming beats in DJ Premier's lab." Ross Hogg of XLR8R wrote, "Charizma's voice brims with eagerness, enthusiasm and earnestness; Wolf's textured, jazzy beats epitomize boom bap and are a sign of great things to come."
Aiyo, we big shots, we big shots
And we done fucked all ya bitches, ya bitches
I only fucks wit' my niggas, my niggas
So we them true-to-life killas, killas
We takin' 'Other People Money', they money
And then we buyin' all the cars, the cars
Man bump 'em on chrome, chrome
Besides that yo we stars, we stars
I'm the Gafo DeGafo, boss of New York
Cover my mouth when I speak, feds watch what I talk
Throwin' hits at the judges in the criminal courts
Criminal thoughts, these streets wit' killas to sport
This is Mafia music to murder you wit', inserted the clips
Drive-bys, on convertible whips, the verdict is this
4/5th, burnin' my fist, pullin' shades down, murderous bitch
Anonymous threats, blueprints designin' ya death
Organize crime times, throw a bomb in ya Lex
Fadam or Begetz, killas might climb in ya rest
Two nickel nines left a dime in his vest, sometimes in his chest
Crime scenes covered in tape, blood in the gates
Black robes, funeral homes, shootin' 'ya wake
Kidnap, raised as children, to be rulin'
'Other People Money', we kill men
Aiyo, we big shots, we big shots
And we done fucked all ya bitches, ya bitches
I only fucks wit my niggas, my niggas
So we them true-to-life killas, killas
We takin' 'Other People Money', they money
And then we buyin' all the cars, the cars
Man bump 'em on chrome, chrome
Besides that yo we stars, we stars
My goods pull, like Sammy the Bull
Sin'll pop you, D.O.A.'ll bomb you
Mafia style, boss me? Body a child
When I get locked, it's like Gotti on trial
Five years in the pen, separated from friends
I'm only 21, kept the shakers and gun
Blow in ya face, stab you below ya waist
The type to chase death, like faces of death
Sippin' the Henny, pray, let the Lord forgive me
I know I spit hot like the Devil was in me
Claimin' my church, the type to put 'woke' in the church
If my gun jerk, more holes in ya shirt
Bustin' my gun, who you know fuck wit' dunn
Put six in ya burners, I ain't feelin' you son
Stop the bull, ya ain't got guns to pull
Ya still yappin', ain't enough gun clappin'
Aiyo, we big shots, we big shots
And we done fucked all ya bitches, ya bitches
I only fucks wit my niggas, my niggas
So we them true-to-life killas, killas
We takin' 'Other People Money', they money
And then we buyin' all the cars, the cars
Man bump 'em on chrome, chrome
Besides that yo we stars, we stars
Aiyo, we big shots, we big shots
And we done fucked all ya bitches, ya bitches
I only fucks wit my niggas, my niggas
So we them true-to-life killas, killas
We takin' 'Other People Money', they money
And then we buyin' all the cars, the cars
Man bump 'em on chrome, chrome