Belly (film)

Belly is a 1998 American crime drama film, directed by music video director Hype Williams, in his film directing debut. Filmed in New York City, the film stars rappers DMX and Nas, alongside Taral Hicks, Method Man, dancehall artist Louie Rankin and R&B singer T-Boz. Besides starring in the film, Nas also narrates and collaborated with Hype Williams on the film's script along with DMX (who, uncredited, also narrates the beginning and the end parts of the film).

Plot

The film begins in early 1999, with two young New York street criminals Tommy Bunds ("Bundy") (DMX) and Sincere ("Sin") (Nas), along with their associates in crime Mark and Black. The four violently rob a nightclub, murdering five people. Escaping in a stolen car, they cheer their success. Black goes to dump the car while the rest retreat to Tommy's house, where they celebrate and joke around (The movie Gummo is playing on the TV), waking Tommy's girlfriend Keisha (Taral Hicks). Sincere soon leaves and is followed in gesture by the others. He returns home to his girlfriend Tionne (Tionne "T-Boz" Watkins) and infant daughter Kenya. Meanwhile, Tommy learns of a new form of heroin which he takes as a lucrative business opportunity.

Belly

Belly may also refer to:

Individuals

Music

Other

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: