"Ugly" is a song by Jon Bon Jovi that was the final single released in 1998 from his second solo album, Destination Anywhere. The song features a music video which was released on the DVD Destination Anywhere: The Film.
Ugly is a 2014 Indian neo-noir psychological thriller film written and directed by Anurag Kashyap. The film was screened in the Directors' Fortnight section at the 2013 Cannes Film Festival. It also opened in the 2014 New York Indian Film Festival. The film stars Girish Kulkarni, Ronit Roy, Tejaswini Kolhapure, Vineet Kumar Singh and Surveen Chawla in pivotal roles. It also features model turned TV actor Rahul Bhat in an important role and TV actor Abir Goswami in his last film appearance before his death in 2013. The circumstances that led to the birth of Kali, the little girl, was separately made as 'Kali Katha': the prologue, and was released on YouTube. The digital poster of the film was released on 8 May 2013.
Produced by DAR Motion Pictures and Phantom Films, the film was theatrically released on December 26, 2014 after a delay about the inclusion of a warning about smoking. Upon release, the film received critical acclaim and has grossed over ₹138 million worldwide.
2NE1 (Korean: 투애니원, IPA: [tʰu.ɛ.ni.wʌn]) is a four-member South Korean girl group formed by YG Entertainment in 2009. The band consists of CL, Minzy, Dara, and Park Bom.
First appearing in "Lollipop", a commercial campaign with Big Bang for LG Electronics, 2NE1's debut single "Fire" was released on May 6, 2009. Since then, the group has released two eponymous extended plays, 2NE1 (2009) and 2NE1 (2011), and two studio albums, To Anyone and Crush. Their first EP spawned the number-one single "I Don't Care", which won them the "Song of the Year" award at the 2009 Mnet Asian Music Awards. Their follow-up singles, such as "Go Away", "Lonely" and "I Am the Best" were similarly successful, with "I Am the Best" winning 2NE1 their second "Song of the Year" award in 2011.
2NE1 officially debuted in Japan in September 2011 with a Japanese version of their second extended play titled Nolza. Since then, the group has released one studio album, Collection, and two physical singles in Japan. In 2012, The New York Times named 2NE1's performance at the Prudential Center in New Jersey as one of the "Best Concerts of 2012". In October 2012, Zack Greenburg of Forbes magazine noted that 2NE1 has sold 27 million digital downloads.
The following is a list of main characters in the Teenage Mutant Ninja Turtles franchise.
The Teenage Mutant Ninja Turtles are a team of mutant red-eared sliders named after four Renaissance artists and living in the sewers of New York City, where they train by day and fight crime by night as ninjas.
Leonardo is the tactical, courageous leader of the Ninja Turtles and a devoted student of Ninjutsu, usually wearing a blue mask and wielding two katanas.
Michelangelo is the most comical of the Ninja Turtles, usually wearing an orange mask and wielding a pair of nunchucks.
Donatello is the scientist, inventor, engineer and technological genius of the Ninja Turtles, usually wearing a purple mask and wielding a bo-staff.
Raphael is the bad boy of the Ninja Turtles, wearing a red mask and wielding a pair of sais.
Splinter is the mutant rat sensei and adoptive father of the Ninja Turtles, trained in Ninjutsu by his owner and master, Hamato Yoshi, in Japan.
War is a painting created by Portuguese-British visual artist Paula Rego in 2003.
War is a large pastel on paper composition measuring 1600mm x 1200mm. A rabbit-headed woman stands prominently in the center carrying a wounded child, surrounded by several realistic and fantastic figures recalling a style Rego describes as "beautiful grotesque".
For The Telegraph's Alastair Sooke, "The more you look at War, the curiouser and curiouser it becomes. Rego's white rabbits owe more to Richard Kelly's film Donnie Darko than Lewis Carroll's Wonderland."
The painting first appeared as part of Rego's "Jane Eyre and Other Stories" exhibition at Marlborough Fine Art in London in 2003. It was inspired by a photograph that appeared in The Guardian near the beginning of the Iraq War, in which a girl in a white dress is seen running from an explosion, with a woman and her baby unmoving behind her. In an interview conducted in relation to the Museo Nacional Centro de Arte Reina Sofía's 2007 exhibition, Rego said of this painting, "I thought I would do a picture about these children getting hurt, but I turned them into rabbits' heads, like masks. It’s very difficult to do it with humans, it doesn’t get the same kind of feel at all. It seemed more real to transform them into creatures."
The Six-Day War (Hebrew: מלחמת ששת הימים, Milhemet Sheshet Ha Yamim; Arabic: النكسة, an-Naksah, "The Setback" or حرب ۱۹٦۷, Ḥarb 1967, "War of 1967"), also known as the June War, 1967 Arab–Israeli War, or Third Arab–Israeli War, was fought between June 5 and 10, 1967 by Israel and the neighboring states of Egypt (known at the time as the United Arab Republic), Jordan, and Syria.
Relations between Israel and its neighbours had never fully normalized following the 1948 Arab–Israeli War. In the period leading up to June 1967 tensions became dangerously heightened. As a result, in reaction to the mobilisation of Egyptian forces along the Israeli border in the Sinai Peninsula, Israel launched a series of preemptive airstrikes against Egyptian airfields on June 5. The Egyptians, whose defensive infrastructure was in a poor state, were caught by surprise, and nearly the entire Egyptian air force was destroyed with few Israeli losses, giving the Israelis air superiority. Simultaneously, the Israelis launched a ground offensive into the Gaza Strip and through the northern and central routes of the Sinai, which again caught the Egyptians by surprise. After some initial resistance, the Egyptian leader, Gamal Abdel Nasser, ordered the evacuation of the Sinai. On June 6 and 7, Israeli forces rushed westward in pursuit of the Egyptians, whose retreat was disorganized and chaotic. The Israelis inflicted heavy losses on the retreating Egyptian forces. By June 7 the Israelis had reached the Suez Canal and had taken Sharm el Sheikh in the south of the peninsula. Conquest of the Sinai was completed on June 8 when Israeli forces reached the peninsula's western coast.
"Bells" is the first episode of the BBC sitcom Blackadder II, the second series of Blackadder, which was set in Elizabethan England from 1558 to 1603. Although "Bells" was the first to be broadcast on BBC1, it was originally destined to be the second episode. It was the only episode of the series to feature location filming, at Wilton House in Wiltshire.
The episode also marks the first appearance of the Bob/Kate and Flashheart archetypes that appear again in Blackadder Goes Forth. Rik Mayall, who played Lord Flashheart, allegedly designed the character's costume himself.John Lloyd has said that Mayall virtually rewrote his part to feature "loads of jokes", which annoyed the writers, Curtis and Elton.
The plot of the episode, of a young woman disguising herself as a man to go into service and falling in love with her employer, is particularly based on a significant plot thread of William Shakespeare's Twelfth Night.
Kate, an attractive young woman, is attempting to comfort her father upon her mother's death – even though her mother is alive and has run off with Kate's uncle, leaving them destitute. He suggests that Kate become a prostitute to solve their money troubles. Kate refuses indignantly and decides to go to London to seek her fortune, over her father's objections ("Why walk all the way to London when you can make a fortune lying on your back?!")
Yeah, yo
Give me the cue
Skip the introduction, prosate the lip function
The junction get rushed by some grimy people bustin weed
Splatter your belly like some Attica fellas
Use a firearm good, bloods go for hard swelling
Insert the spasm, yes the dirty hurt has them
Thoroughbred thugs insert the fantasm
Verbal smarts, spark the word, visit my scripture
Exotic wine, holding nine, Picasso pictures
When the rhyme pivot you now, limit your chance
Bodyguard the lyric with unlimited stance
Words seem to zing on down to Bejing
When we touch down you crown renowned kings
There's no honor amongst theives, street pharmaceutical
Stack like Genovese, the four devil tempt mad men
But not these, we profound hardcore sound
To MC's thumbs down, prepare
Killa bees it be warfare, this the year
Niggaz gotta take you off of here, hold the square
If we go there we go gritty
And spread fear through this rap city, call the mayor
My razor sharp darts be like cold stairs
The smell of fear makes my nostrils -- flair, truth or dare
Ask yourself can you compare
to these niggaz in the hood, Johnny B. Goode
or he be gone, yeah
The struggle goes on, you've been warned
P.L.O. from here to Lebanon, how many bombs
Must we drop in the Ninety-Now
Walk a mile in my shoes, get the street news, from Meth-Tical
You gots to be kidding, you gots to be kidding
Aiyyo kid, you gots to be kidding, my glocks'll be spitting
You gots to be kidding, yo
It's common sense how I master my circum-fer-ence, you dense
I get locked the fuck up, released on my own recognizance
Can't be judged, young bloods bust back like scuds
Wu-Tang harvest one thousand notches above
MC level, yo, I stay high as like treble
Foes who oppose get plucked like rose pedals
Arresting and holding, penetrate for better regions
Wack MC's only lasted one season
The morale was low at the corral
Adjective pronouns had no style, yo, we propose our
aim the official, initial, is Ruler Zig-Zag-Zig Allah
All that other bullshit ain't permissable
Annual increase of the Wu-Tang Manual
Handles to a keyboard is true hip hop set tangible
illegible, every egg ain't edible
My tracks remain Unforgettable, like Ol' Nat Cole
Got to catch this paper to buy Shaquasia a glacier
Throw chairs to deck a skyscraper
Understand that the continents of Africa and Asia
and free the black man from the enslaved labor, Wu-Tang
The weight of the fam is on our back and we can't fall
Victim to this long hall of fame, meaning nuttin
We came to punish the glutton with a substance
That can't be contained, Wu-Tang
Motherfuckers
We be seeing y'all asses when we walk up in the club
Y'all all in the back
Scared to speak the speak cause you scared
Punk motherfucker, we know what time it is
"All you been seeing is upsets in the box and shit right
It's like come on man
This nigga fucked up motherfuckin Whittaker"
"Dang, he caught Whittaker"
"Mmmmhmmm"
"He caught Whittaker a long time ago"
"Mike got touched"
"Then Mike got touched by Holyfield"
"Holyfield"
"Yeah, word up"
"Hey, Mike's -- Mike's gonna forfeit this fight"
"He ain't fighting McDermit"
"He ain't fightin?"
"Nope"
"Whattup?"
"You talkin bout he -- what he, what he, what he did?"
"Told them he cut his eye, in sparring"
Style adoral rap pressing, David Berkowitz
Einstein birth to hit, now nurture it
M.G.M. front row seat tonight, no gens
Purified cleanse, ran into some beef up in the men's
Fix your sawed off, Wu-Tang throw me off the cross
All you saw was white meat, skin hangin off
These is words from the Arch Bishop, some call it six up
The Betty Crocker, marvel cake stakes admissor
Wax janitor, black Jack Mulligan from Canada
Slam dance, tarantula style, youse a fan of the
Monopoly king, Slavic poetry
Carnegie Hall's off the hook, let's push through the armory
Mack truck hitting soloist, soul controllers
Behold of the thousand teeth fist, swift and boneless
You know, cause Wu-Tang is invincible, youknowhatI'mean?
It's Wu-Tang Forever God (invincible)
Knahmsaying? We gonna get down with that W
You gonna get down with that W
That's that Wu, that's that Wisdom
YouknowhatI'msayin? That's the Wisdom of the Universe
That's the truth, of Allah, for the Nation, of the Gods
YouknowhatI'msayin? We breakin egg through these days God
YouknowhatI'msayin? We got the fuckin way
We got the medicine for yo' sickness
Out here, ya knowhatImean?
I was telling Shorty like --
Yo Shorty, you don't even gotta go to summer school
Pick up the Wu-Tang double CD
And you'll get all the education you need this year
YouknowhatImean?
(Their poisoned minds can't comprehend this shit)
Word man, it's Wu-Tang Forever God
Niggaz can't fuck with these lyrics God
YouknowhatI'msayin? Knahmean?
(Oh hell no, none of this shit)
C'mon man -- beats, lyrics man, y'all niggaz
(Niggaz can't even understand half this shit)
Nah (man, no)
I think niggaz ain't gonna figure it out til the year Two-G
(Wax niggaz ass for free or fee) Word
Yo, you know what? The next Wu-Tang album ain't even
comin out until Two Thousand
YaknowhatImean? That's just gonna come back with a comet
You hear, we gonna bring a comet
(Check for that shit in the millenium)
YouknowhatImean? So, yo, y'all niggaz man
(Be the ressurection) The Gods is here man
Born Gods is here