"Before the Law" (German: "Vor dem Gesetz") is a parable in the novel The Trial (German: Der Prozess), by Franz Kafka. "Before the Law" was published in Kafka's lifetime, while The Trial was not published until after Kafka's death.

Contents

Plot summary [link]

"Before the Law" [link]

A man from the country seeks the law and wishes to gain entry to the law through a doorway. The doorkeeper tells the man that he cannot go through at the present time. The man asks if he can ever go through, and the doorkeeper says that it is possible. The man waits by the door for years, bribing the doorkeeper with everything he has. The doorkeeper accepts the bribes, but tells the man that he accepts them "so that you do not think you have failed to do anything." The man did not attempt to murder or hurt the doorkeeper to gain the law, but waits at the door until he is about to die. Right before his death, he asks the doorkeeper why even though everyone seeks the law, no one else has come in all the years. The doorkeeper answers "No one else could ever be admitted here, since this gate was made only for you. I am now going to shut it."

In some English translations of the original German text, the word "Law" is capitalized. It is important to keep in mind, however, that this is the prerogative of the translator who might wish to focus attention on the myriad connotations of the word beyond its simple juridical meaning; for example, in religious (law as moral or God's law) or psychoanalytic (Freud's "Law of the Father") contexts. In the original German, the capitalization of the word Gesetz ("Law") reflects a standard adherence to the rules of German orthography, which require that all nouns be capitalized, and does not necessarily have wider significance.

[edit] In The Trial

Josef K has to show an important client from Italy around a cathedral. The client doesn't show up, but just as K is leaving the cathedral, the priest calls out K's name, although K has never met the priest. The priest reveals that he is a court employee, and he tells K the story (Before the Law), prefacing it by saying it is from "the opening paragraphs [introductory] to the Law." The priest and K then discuss interpretations of the story before K leaves the cathedral.

Significance [link]

The section is a lucid example of absurdity in Kafka's works. It also clearly demonstrates the concept of existentialism, as the man from the country can only enter the gate using his own, individual path. This claim, though, is questionable; the man from the country is assigned the particular gate, because of which no one else can enter the law. Could this not mean that before the law is the law itself?

The fable is referenced and reworked in the penultimate chapter of J.M. Coetzee's novel Elizabeth Costello. Jacques Derrida's essay also titled "Before the Law" examines the meta-fictional aspects within the structure and content of Kafka's fable (for instance the situation of the title before the body of the text and also within the first line of the text itself). Derrida's essay incorporates Immanuel Kant's notion of the categorical imperative as well as Freudian psychoanalysis in its reading of Kafka's fable.

In the film After Hours the conversation between Paul and the bouncer at Club Berlin is partially lifted from "Before the Law".

External links [link]


https://wn.com/Before_the_Law

Fargo (season 2)

The second season of the American anthology black comedycrime drama television series Fargo premiered on October 12, 2015, on FX. Starring Kirsten Dunst, Patrick Wilson, Jesse Plemons, Jean Smart and Ted Danson, the season consisted of ten episodes and concluded its airing on December 14, 2015.

The season is set in Luverne, Minnesota; Fargo, North Dakota; and Sioux Falls, South Dakota, in March 1979, and follows beautician Peggy Blumquist (Dunst) and her husband, butcher Ed Blumquist (Plemons), as they cover up the hit-and-run and murder of Rye Gerhardt, son of Floyd Gerhardt (Smart), matriarch of the Gerhardt crime family in Fargo. Meanwhile, Lou Solverson (Wilson), a Minnesota State Trooper who served as Swift-boat officer in Vietnam, and Rock County Sheriff Hank Larsson (Danson) are investigating three murders committed by Rye Gerhardt.

Cast

Main cast

  • Kirsten Dunst as Peggy Blumquist
  • Patrick Wilson as State Trooper Lou Solverson
  • Jesse Plemons as Ed Blumquist
  • Jean Smart as Floyd Gerhardt
  • The Law

    The Law may refer to:

    Music

  • The Law (band), an English rock group
  • The Law (The Law album)
  • The Law (Scotland band), an indie rock band from Scotland
  • The Law (Exhorder album)
  • "The Law", a song by Leonard Cohen on the album Various Positions
  • "The Law", a song by King Adora
  • Film

  • The Law (1974 film)
  • The Law (1959 film), with Gina Lollobrigida (original title: La Legge)
  • The Law (1990 film), also known as Tilaï
  • The Law (TV series), Emmy Award-, Humanitas Award-, Writers Guild of America Award-, Edgar Allan Poe award-winning mid-1970s TV show.
  • Books

  • The Law (book), an 1850 book by Frédéric Bastiat
  • The Law (novel), a 1957 novel by Roger Vailland (original title: La Loi)
  • Hills

  • The Law, a peak of the Ochil Hills
  • Law, Dundee (locally referred to as "the Law"), an extinct volcanic peak at the centre of the Scottish city of Dundee
  • Other uses

  • Live Audio Wrestling (known as "The LAW") is a Canadian sports radio talk show that primarily covers news and events surrounding professional wrestling and mixed martial arts.
  • The Law (1943 film)

    The Law is a Bollywood film. It was released in 1943.

    References

    External links

  • The Law (1943 film) at the Internet Movie Database

  • The Law (book)

    The Law, original French title La Loi, is an 1850 book by Frédéric Bastiat. It was written at Mugron two years after the third French Revolution and a few months before his death of tuberculosis at age 49. The essay was influenced by John Locke's Second Treatise on Government and in turn influenced Henry Hazlitt's Economics in One Lesson. It is the work for which Bastiat is most famous along with The candlemaker's petition and the Parable of the broken window.

    In The Law, Bastiat says "each of us has a natural right – from God – to defend his person, his liberty, and his property". The State is a "substitution of a common force for individual forces" to defend this right. The law becomes perverted when it is used to violate the rights of the individual, when it punishes one's right to defend himself against a collective effort of others to legislatively enact laws which basically have the same effect of plundering.

    Justice has precise limits but philanthropy is limitless and government can grow endlessly when that becomes its function. The resulting statism is "based on this triple hypothesis: the total inertness of mankind, the omnipotence of the law, and the infallibility of the legislator". The relationship between the public and the legislator becomes "like the clay to the potter". Bastiat says, "I do not dispute their right to invent social combinations, to advertise them, to advocate them, and to try them upon themselves, at their own expense and risk. But I do dispute their right to impose these plans upon us by law – by force – and to compel us to pay for them with our taxes".

    Podcasts:

    PLAYLIST TIME:

    The Law

    by: Scanner

    They ride across the mountains
    Over their God-given land
    Following their destination
    Independent barons
    Fight behind their king
    With a sword in their hands' back to back
    The law
    People pray
    When they ride into nowhere
    One dies for all
    Dyin' for glory
    This was the law of the sword
    All die for one
    Dyin' for glory
    A law that was sold for some gold
    They were forced to look straight
    Into the eye of the storm
    Superior forces were waiting
    There was a rear man
    A traitor to the nation
    The odds were not even anymore
    The law
    People pray
    When they ride into nowhere
    One dies for all
    Dyin' for glory
    This was the law of the sword
    All die for one
    Dyin' for glory
    A law that was sold for some gold
    Thousands were biting
    The dust for some glory
    In the blood of their horses they stood
    For an unreal solution
    For sanctification
    An order mandatious divine
    The law
    People pray
    When they ride into nowhere
    One dies for all
    Dyin' for glory
    This was the law of the sword
    All die for one
    Dyin' for glory
    A law that was sold for some gold
    The law
    The law
    The law
    The law




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