Beefcake is a performance or photograph depicting a large and muscular male body. Beefcake is also a publication genre. A role a person plays in a performance may be called beefcake. The term was believed to be first used by Hollywood columnist Sidney Skolsky.
Beefcake poses by male actors were used far less frequently than cheesecake layouts of actresses. Nevertheless, as early as the 1920s photographs were taken of such stars as Rudolph Valentino and Ramón Novarro to highlight their physical appeal. Male physique shots of famous stars were even less frequent during the early talking picture era outside of stars of jungle films such as Johnny Weissmuller (Tarzan) and Buster Crabbe. The 1940s saw a rise in shirtless shots of such handsome stars as Tyrone Power, Guy Madison, Sterling Hayden and Victor Mature; and in the 1950s movie magazines began running swimsuit shots of actors such as Tony Curtis, Rock Hudson, Tab Hunter, Jeff Chandler, Robert Conrad and Robert Wagner almost as frequently as they would of actresses. This period also included the rise of bodybuilding magazines, which continue to be popular to the present day, as well as musclemen movie stars such as Steve Reeves who were often barely dressed in their action/adventure films.
Beefcake (1999) is a docu-drama homage to the muscle magazines of the 1940s, '50s, and '60s—in particular, Physique Pictorial magazine, published quarterly by Bob Mizer of the Athletic Model Guild. It was inspired by a picture book by F. Valentine Hooven III (published by Taschen) and was directed by Thom Fitzgerald.
The film stars Daniel MacIvor, Carroll Godsman, Jack Griffin Mazieka, Jonathan Torrens, and Joshua Peace in pastiche recreations of life at the Athletic Model Guild, mixed with interviews with models and photographers whose work actually appeared in the early magazines, including Jack LaLanne and Joe Dallesandro. The film was shot in Nova Scotia.
Beefcake premiered at the Sundance Film Festival in 1999 and was released by Strand Releasing in the USA; it was nominated for three Genie Awards.
Beefcake is a body shape.
Beefcake may also refer to:
The hilt (rarely called the haft) of a sword is its handle, consisting of a guard, grip and pommel. Also meaning To the limit; completely: played the role to the hilt. Idiom: to the hilt. The guard may contain a crossguard or quillons. A ricasso may also be present, but this is rarely the case. A tassel or sword knot may be attached to the guard or pommel.
The pommel (Anglo-Norman pomel "little apple") is an enlarged fitting at the top of the handle. They were originally developed to prevent the sword slipping from the hand. From around the 11th century in Europe they became heavy enough to be a counterweight to the blade. This gave the sword a point of balance not too far from the hilt allowing a more fluid fighting style. Depending on sword design and swordsmanship style, the pommel may also be used to strike the opponent (e.g., using the Mordhau technique).
Pommels have appeared in a wide variety of shapes, including oblate spheroids, crescents, disks, wheels, and animal or bird heads. They are often engraved or inlayed with various designs and occasionally gilt and mounted with jewels. Ewart Oakeshott introduced a system of classification of medieval pommel forms in his The Sword in the Age of Chivalry (1964) to stand alongside his blade typology. Oakeshott pommel types are enumerated with capital letters A–Z, with subtypes indicated by numerals.
Hilt may refer to one of the following.
Hilt was a collective group of Vancouver musicians, usually referred to as a side project of the group Skinny Puppy. The group comprised Alan Nelson, a seminal member of many local Vancouver rock and punk groups, on vocals, with cEvin Key and D.R. Goettel on instruments.
Originally named The Flu, the group was assembled whenever cEvin and Dwayne lived temporarily in Toronto while away from touring/recording with Skinny Puppy. They released a few cassettes in Europe, composed of material that was very much a precursor to Hilt. In 1989, Key and Goettel's label Nettwerk made a bet with the group that they could not produce and record an album for a low budget, reputedly $15,000. They accepted, and the result is the lo-fi debut Call the Ambulance (Before I Hurt Myself). An EP followed in 1991, entitled Orange Pony, with the follow-up LP Journey to the Center Of the Bowl.
During the years of 1992-1995, Key and Goettel focused on Skinny Puppy, putting Hilt on the side. After the untimely ends of both Skinny Puppy and Goettel, Key continued recording his many side projects, which included Hilt. Sessions with Al Nelson continued in 1996, with three songs recorded as a result. Al Nelson died from complications due to diabetes on January 23, 2000. Key lamented (verbatim): "Al was the nicest and most real person I have ever known. He had a sense of humour that could make anyone smile. He was incredibly talented. He was very dedicated to his friends, and his heart was beautiful. He will be greatly missed."