Rest, released April 1, 2008, is the second full-length album by Virginian post-rock band Gregor Samsa. The band posted the tracks online at Imeem before the album was released. The album was released in five formats, digital (April 1), unlimited (May 13), limited (April 24), collector's, and vinyl.
Rest are an instrumental rock group from Cork, Ireland. The group's sound has evolved over the course of their existence to incorporate elements of progressive rock, tech-metal, post-rock, doom, black metal and math rock. The groups sound is characterised by intricate harmonised riffs, complex drum patterns, unconventional song structures, a heavy emphasis on dynamics and alternating time signatures. As well as releasing one album and an EP on Limerick independent record label Out on a Limb Records, the band has also toured Ireland and the United Kingdom, sharing stages with the likes of Isis, Cult of Luna, Oxbow, Baroness, Torche, Zu, Red Sparowes and Explosions in the Sky.
The following is a glossary of traditional English-language terms used in the three overarching cue sports disciplines: carom (or carambole) billiards referring to the various carom games played on a billiard table without pockets; pool (pocket billiards), which denotes a host of games played on a table with six pockets; and snooker, played on a large pocket table, and which has a sport culture unto itself distinct from pool. There are also hybrid pocket/carom games such as English billiards.
The term "billiards" is sometimes used to refer to all of the cue sports, to a specific class of them, or to specific ones such as English billiards; this article uses the term in its most generic sense unless otherwise noted.
The labels "British" and "UK" as applied to entries in this glossary refer to terms originating in the UK and also used in countries that were fairly recently part of the British Empire and/or are part of the Commonwealth of Nations, as opposed to US (and, often, Canadian) terminology. The terms "American" or "US" as applied here refer generally to North American usage. However, due to the predominance of US-originating terminology in most internationally competitive pool (as opposed to snooker), US terms are also common in the pool context in other countries in which English is at least a minority language, and US (and borrowed French) terms predominate in carom billiards. Similarly, British terms predominate in the world of snooker, English billiards and blackball, regardless of the players' nationalities.
A bed ( listen ) is a piece of furniture used as a place to sleep or relax. It has a secondary use as a place to engage in sexual relations.
Most modern beds consist of a soft mattress on a bed frame, with the mattress resting either on a solid base, often wooden slats, or a sprung base. Many beds include a box spring inner-sprung base, a large mattress-sized box containing wood and springs that provide additional support and suspension for the mattress. Beds are available in many sizes, ranging from infant-sized bassinets and cribs, small beds for a single child or adult, to large queen and king-size beds designed for two adults. While most beds are single mattresses on a fixed frame, there are other varieties, such as the murphy bed, which folds into a wall, the sofa bed, which folds out of a sofa, and the bunk bed, which provides two mattresses on two tiers. Temporary beds include the inflatable air mattress and the folding camp cot. Some beds contain neither a padded mattress nor a bed frame, such as the hammock.
Bed is the third solo album by Juliana Hatfield, released in 1998.
all songs by Juliana Hatfield
Bed is a short story collection by Tao Lin, published in 2007.
1. LOVE IS A THING ON SALE FOR MORE MONEY THAN THERE EXISTS
2. THREE-DAY CRUISE
3. SUBURBAN TEENAGE WASTELAND BLUES
4. SINCERITY
5. LOVE IS THE INDIFFERENT GOD OF THE RELIGION IN WHICH UNIVERSE IS CHURCH
6. CULL THE STEEL HEART, MELT THE ICE ONE, LOVE THE WEAK THING; SAY NOTHING OF CONSOLATION, BUT IRRELEVANCE, DISASTER, AND NONEXISTENCE; HAVE NO HOPE OR HATE—NOTHING; RUIN YOURSELF EXCLUSIVELY, COMPLETELY, AND WHENEVER POSSIBLE
7. NINE, TEN
8. INSOMNIA FOR A BETTER TOMORROW
9. SASQUATCH
Stories in Bed first appeared in Mississippi Review, Cincinnati Review, Portland Review, Other Voices, among other magazines. The first story was the winner of One Story's annual story contest.
Bed, received little, but mostly positive reviews. Time Out Chicago said of it: "Employing Raymond Carver’s poker face and Lydia Davis’s bleak analytical mind, Lin renders ordinary—but tortured—landscapes of failed connections among families and lovers that will be familiar to anyone who has been unhappy." KGB Lit Journal said of it: "This is the territory of the young—college students, graduate students, recent graduates—and the stories are mainly concerned with the characters' romantic relationships. In structure and tone, they have the feel of early Lorrie Moore and Deborah Eisenberg. Like Moore's characters, there are a lot of plays on language and within each story, a return to the same images or ideas—or jokes. And like Moore, most of these characters live in New York, are unemployed or recently employed, and are originally from somewhere more provincial (Florida in Lin's case, Wisconsin in Moore's). However, Lin knows to dig a little deeper into his characters—something we see in Moore's later stories, but less so in her early ones.
Baby, I wish I could hold you
Promise I'll never let go of you
Baby, you got me gone
Baby, I wish I could hold you
Promise I'll never let go of you
Baby, you got me gone
I don't know why I'm still so sad and blue
And I don't know why I just can't get over you, ooh
'Cause you didn't go far, you didn't do me harm
You make sure I get all that I want
So I don't know why I'm so sad and blue
When you give me all of you
You got me on bed rest, I'm hurtin' for love
You got me on bed rest, it's like I'm givin' life up
Pillows and thoughts, not takin' no calls
And never get up, baby
You got me on bed rest, I'm hurtin' for love
I didn't get the respect that I deserve
It'll take time before I can find the will to get up
The will to get up
I want the dark
Could somebody cut the lights off? Cut the lights on
Tryna get a rise on gone like the sun till the morning
And I can't lie when the day goes by
I'm missin' you, I'm so horny
Baby, I wish I could hold you
Promise I'll never let go of ya
Baby, you got me gone, gone, gone, gone
Oh baby, eh, eh, eh, eh, eh, eh
Oh baby, eh, eh, eh, eh, eh, eh
I don't know why my eyes don't open till noon
And even when they do, they seem to close back at two
I don't wanna get up, I don't wanna get up, no
You got me gone, I'm so on
Every time you give me exactly what I want
So I don't know why I'm so sad and blue
When you always give me all of you
You got me on bed rest, I'm hurtin' for love
You got me on bed rest, it's like I'm givin' life up
Pillows and thoughts, not takin' no calls
And never get up, baby
You got me on bed rest, I'm hurtin' for love
I didn't get the respect that I deserve
It will take time before I can find the will to get up
The will to get up
I want the dark
Could somebody cut the lights off? Cut the lights on
Tryna get a rise on gone like the sun till the morning
And I can't lie when the day goes by
I'm missin' you, I'm so horny
Baby, I wish I could hold you
Promise I'll never let go of ya
Baby, you got me gone, gone, gone, gone
Oh baby, eh, eh, eh, eh, eh, eh
Oh baby, eh, eh, eh, eh, eh, eh
Oh baby, eh, eh, eh, eh, eh, eh
Oh baby, eh, eh, eh, eh, eh, eh
Oh baby, eh, eh, eh, eh
Oh baby, eh, eh, eh, eh
Oh baby, eh, eh, eh, eh
Oh baby, eh, eh, eh, eh