Beat or beats may refer to:
Beats is a rhythm-based video game for the Sony PlayStation Portable handheld gaming system. It was released in 2007 at the PlayStation Store.
In addition to downloading music from the Internet, users may also use their own music to play along to in the My Music Challenge mode. Beats automatically loads the track titles and artist names of the songs it finds on the user's PSP. However, the game will only read up to 127 tracks for the user to choose from. There is as yet no explanation from Sony for this limitation, nor is it obvious how the game determines which 127 tracks are loaded from the library. (What is known is that the game loads the same set of tracks from the user's /MUSIC directory each time.)
During the game, three stationary targets, or landing points, (just one in Novice mode) are spaced evenly at the center of the screen. Symbols appear from off the screen and glide towards these targets in rhythm with the music. The symbols represent notes that players are meant to synchronize their button presses to and are identified by the four PlayStation face buttons: circle, "x", square, and triangle. These notes are generated based on the rhythm of the music using a beat tracking algorithm. While often occurring on the beat, notes can also occur off the beat at times. Tracks with greater emphasis on rhythm, especially techno songs with a strong, well-defined beat or powerful bass lines, generate the best in-game beat patterns.
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level (or beat level). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, beat can refer to a variety of related concepts including: tempo, meter, specific rhythms, and groove.
Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications.
Metric levels faster than the beat level are division levels, and slower levels are multiple levels. See Meter (music)#Metric structure. Beat has always been an important part of music.
The downbeat is the first beat of the bar, i.e. number 1. The upbeat is the last beat in the previous bar which immediately precedes, and hence anticipates, the downbeat. Both terms correspond to the direction taken by the hand of a conductor.
Coordinates: 37°58′53″S 145°04′09″E / 37.981494°S 145.069166°E / -37.981494; 145.069166
88.3 Southern FM is a community radio station based in Brighton, Victoria and is supported by the Community Broadcasting Foundation.
It is licensed by the Australian Broadcasting Authority to broadcast within guidelines prescribed by the Community Broadcasting Association of Australia.
Southern FM is the local community radio station for the south, south-eastern and bayside suburbs of Melbourne with a population of over 350,000.
The radio station was established in 1981 by former Australian Broadcasting Control Board member Dom Iacono and then former ABC engineer Jack Burgesson, who with a dedicated band of volunteers, first broadcast for a two-day broadcast from the Caulfield Town Hall.
The first test broadcast was not spectacular or particularly notable apart from the fact that it was the first test broadcast by the new group, and attracted much interest in the local area which the radio station was to eventually service.
SCB is an acronym for:
Banks
Institutions
Sports
SCB-125 was the United States Navy designation for a series of upgrades to the Essex class of aircraft carriers conducted between 1954 and 1959. These upgrades included the addition of an angled flight deck and other enhancements aimed at improving flight operations and seakeeping.
The SCB-125 modifications included
The SCB-125 upgrade program was first applied to the final three Essex-class carriers to undergo the SCB-27C modernization while they were still in the midst of their original refit. Ultimately every SCB-27 ship would undergo the SCB-125 modification with the exception of USS Lake Champlain (CV-39).
Despite the drastic alteration of the carriers' appearance, the SCB-125 refit involved relatively little modification of the ships' existing structure compared to SCB-27, and took around six to nine months as against the approximately two years of the earlier program. The original SCB-27A vessels, which were fitted with a pair of H 8 hydraulic catapults, were not upgraded with the C 11 steam catapults fitted to their SCB-27C sister ships due to machinery space limitations. The SBC-27As also did not receive the enlarged No. 1 (forward) elevator installed in the 27C ships as part of SBC-125.
Here my hands are tied to you
Forever and ever I'm stuck with you
I can't play now
'Cause the stars are out and so cool
And I can't go home
On my wall now
There's not a space for you
Here I turn and burn all night
Within there's a river and it roars and it screams
It rages with lust and fear and time
I'm stuck with you and I can't explain
I can't play now
'Cause the stars are out and so cool
And I can't go home
On my wall now
There's not a space for you
Now I whisper the words of truth
I'm stuck with you and it fucks me up
I can't play now
'Cause the stars are out and so cool
And I can't go home
On my wall now
There's not a space for you