Bears (film)

Bears is a 2014 nature documentary film about a family of brown bears living in the coastal mountain ranges of Alaska. Directed by Alastair Fothergill and Keith Scholey and narrated by John C. Reilly, Bears was released theatrically by Disneynature on April 18, 2014, making it the studio's seventh nature documentary.

Plot

An Alaskan brown bear mother named Sky gives birth to two cubs named Amber and Scout in her den on a mountain slope. When April comes the bears will be ready to leave the den. As the bears leave the oncoming summer brings with it a threat of avalanches. Fortunately the bears are able to avoid disaster. Upon reaching the lush valley below, the cubs meet the other bears, some of which pose a threat to the cubs; among these bears are Magnus, a big healthy male, and Chinook, an older male. The family works together to survive the spring, with Sky keeping the cubs safe from Tikaani, a pesky gray wolf. The cubs get to know how to defend themselves in encounters with Tikaani. Also the family must stay clear of the frequent dominance fights between Magnus and Chinook.

Bears, Friesland

Bears or Beers is a small village in the Dutch province of Friesland. It is located in the municipality Littenseradiel, about 8 km southwest of Leeuwarden.

Bears has a population of about 120.

The official name of the village is in Frisian ("Bears"), like all villages in Littenseradiel. "Beers" is the Dutch name.

Notable buildings

External links

Media related to Bears (Fryslân) at Wikimedia Commons

References

Bear (disambiguation)

A bear is a type of mammal. It can also be a verb meaning to hold up, carry, or support; further, it can mean to give birth to, but in this sense occurs almost always in the passive form to be born.

Bear or Bears may also refer to:

Geography

Radio stations

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.