"Mon Homme" is a popular song known by its English translation, "My Man". The song was originally composed by Jacques Charles, Channing Pollock, Albert Willemetz, and Maurice Yvain.
Although the song originated in France – where it was a hit for Mistinguett in 1916 – it was popularized in the English speaking world in the 1920s with the 1921 recording by Ziegfeld Follies singer Fanny Brice. The song was a hit, and the record eventually earned a Grammy Hall of Fame Award for Brice in 1999.
The ballad version recorded by Brice was modified by Billie Holiday, who introduced a jazz/blues recording of "My Man". Holiday's version was also successful, although the song continued to be associated with Brice. Over the years, other artists from both the United States and abroad covered the song, though none of the artists achieved as much success as Brice and Holiday. One notable version was a 1940s recording by Edith Piaf, the most notable recording of "Mon Homme" in its original language.
My Man (French: Mon Homme) is a 1996 French drama film written and directed by Bertrand Blier. It was entered into the 46th Berlin International Film Festival where Anouk Grinberg won the Silver Bear for Best Actress.
In J. R. R. Tolkien's Middle-earth books, such as The Hobbit and The Lord of the Rings, the terms Man and Men refer to humankind – in contrast to Elves, Dwarves, Orcs and other humanoid races – and does not denote gender.
The Elves call the race of Men Atani in Quenya, literally meaning "Second People" (the Elves being the First), but also Hildor (Followers), Apanónar (After-born), and Fírimar or Firyar (Mortals). Less charitably they were called Engwar (The Sickly), owing to their susceptibility to disease and old age, and their generally unlovely appearance in the Elves' eyes. The name Atani becomes Edain in Sindarin, but this term is later applied only to those tribes of Men who are friendly to the Elves. Other names appear in Sindarin as Aphadrim, Eboennin, and Firebrim or Firiath.
The race of Men is the second race of beings created by the One God, Ilúvatar. Because they awoke at the start of the Years of the Sun, while the Elves awoke at the start of the First Age during the Years of the Trees, they are called the Afterborn by the Elves.
Manfred Gnädinger (Dresden 1940 – Camelle, 28 December 2002) a.k.a. Man or O Alemán was a German hermit and sculptor who lived in the village of Camelle, on the Costa da Morte, in Galicia (Spain). He lived a very simple and natural life, building sculptures on the beach where he lived and tending to his small garden. In November 2002, when the oil spill of the Prestige destroyed his sculptures and the ecosystem of the area he lived in, it is thought that Man let himself die of melancholy and sadness, thus becoming a symbol of the destruction unleashed by the oil spill.
Man arrived in the small village of Camelle in 1962, from Boehringen in the south of Germany. His whereabouts before this period are unknown, although he was described as having been well-dressed and educated when he arrived. It is said that he went mad after falling in love with the teacher of the village and being refused. A few years later, after becoming sensitized to ecological issues, he built himself a small hut on the beach of the village, next to the Atlantic Ocean, and spent the next forty years in this place, where he quickly became a curiosity of the village. Inhabitants referred to him in Galician as O Alemán (the German), then just "Man", a name he eagerly accepted for its symbolism. Tall, with a long beard, and dressed only with a loincloth in any weather, he would swim out in the Ocean, even after he was fifty years old. He had no electricity or running water in his hut, and was a strict vegetarian, eating only from the small organic garden he had created.
Man is the third studio album by the Welsh psychedelic/progressive rock band Man and was released March 1971. It was the first album by this line-up, Terry Williams having replaced Jeff Jones on drums, while Martin Ace replaced Ray Williams on bass.
As well as a change in personnel, the album also represented a change in record label from Pye to United Artists (released under the UA stable "Liberty" imprint) with whom the band would remain until 1976. Reviews were mixed, particularly regarding the long tracks "Would the Christians...." and "Alchemist" which were an attempt to recreate some of the longer improvised jams that the band performed on stage, but which did not have the same impact on vinyl.
The album contained three shorter tunes: "Country Girl" that showed a clash of direction but showcases some fine Welsh harmonies. "Daughter of the Fireplace", a Leonard-penned rocker, which became a stage favourite (and highlight of Man's 1972 live LP Live at the Padget Rooms, Penarth) while "Romain", a bluesy-shuffle, was written as a reaction to Martin Ace's treatment by a Belgian police officer of the same name when he attempted to intervene in a situation at a music festival; the song remains in the Man live set to the present day.
New York city space ship on a moonlight mass
Tall black coffee everything is outclassed
The bench warming brother just kills for a gas
When the L train starts moving I just know it's going to last
Be my man, be my man
Oh, could Tom and Jerry be my man?
I wanna give that Michael Moore a dollar
Oh, could Tom and Jerry be my man?
It's hard to keep me hungry on a noonday walk
Still life frozen but this girly won't talk
That X rated violence make it old mixed with new
Just what's truly outrageous I'm just dieing to be true
Be my man, be my man
Oh, could Tom and Jerry be my man?
I wanna give that Michael Moore a dollar, man
Oh, could Tom and Jerry be my man?
Hard to keep me hungry on a noonday walk, baby
Hard to keep me hungry on a noonday walking to you
Hard to keep me hungry on a noonday walk, be my man