Baxter (film)

Baxter is a 1989 French horror film directed by Jérôme Boivin. The film is based on the novel Hell Hound (1977) by Ken Greenhall. The title character is a murderous white Bull Terrier who tells the story of his search for a proper master in voice-over narration.

Plot

Baxter, a bull terrier, is taken from the pens and given to an old woman. Baxter hates the old woman’s bland lifestyle and reacts to her habits with disgust. In contrast, he becomes obsessed with the young couple across the street as he observes their nightly lovemaking sessions. Baxter attempts to communicate his dominance over the old woman by causing her to stumble, but his plan backfires. The old woman’s condition deteriorates, and ultimately Baxter kills her in order to be adopted by the young couple.

Baxter enjoys his life with the young couple, splitting his time between the sensual woman and the earthy man. He brings them dead animals in an attempt to show them who he is. His idyll is broken when the couple has a baby and begins to neglect him. Baxter hates the weak and helpless child. He attempts to kill it, but his plans again backfire. Ignorant of Baxter’s murderous intentions, the couple gives Baxter to a neighborhood boy.

Baxter!

Baxter! is a 1973 British drama film directed by Lionel Jeffries and starring Patricia Neal, Jean-Pierre Cassel and Britt Ekland. A young boy struggles to overcome his speech problem and strained relationship with his parents. The film was based on a book by Kin Platt, called The Boy Who Could Make Himself Disappear.

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Baxter (name)

Baxter is an Anglo-Saxon and Scottish name, originally from the English occupational surname meaning "baker," from the early Middle English bakstere and the Old English bæcere. The form Bakster was originally feminine, with Baker as the masculine equivalent, but over time both names came to apply to both men and woman. Ancient variations in the spelling of the surname include Bakster, Baxstar, Baxstair, Baxstare and Baxster.

Notable people

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Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

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Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.