Basse und Selve (BuS) were German manufacturers of engines for automobiles, motorcycles, boats, aircraft and railcars, supplying engines for Selve cars built at the Selve Automobilwerke AG, but also various other manufacturers of automobiles and commercial vehicles, such as Beckmann, Mannesman, and Heim. The Altena factory was founded in 1908 by Gustav Selve, employing 2,000 workers, with Dr.Walther von Selve taking over the firm on the death of Gustav Selve, his father.
Basse und Selve aero-engines did not make a big impact on the aviation industry in Germany, but did find limited use, particularly in several large aircraft. The largest and most powerful fighter fitted with a Basse & Selve engine was the Hansa-Brandenburg W 34, asingle prototype of which was completed before hostilities ceased in 1918. Several large Riesenflugzeuge were also fitted with Basse & Selve engines, but they were generally replaced with Mercedes or Maybach alternatives as soon as possible.
Basse & Selve continued to build engines until closing its doors in 1932, two years before the closure of its sister company the Selve Automobilwerke AG which closed in 1934.
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Howard E. Barker (born 28 June 1946) is a British playwright.
Barker has coined the term "Theatre of Catastrophe" to describe his work. His plays often explore violence, sexuality, the desire for power, and human motivation.
Rejecting the widespread notion that an audience should share a single response to the events onstage, Barker works to fragment response, forcing each viewer to wrestle with the play alone. "We must overcome the urge to do things in unison" he writes. "To chant together, to hum banal tunes together, is not collectivity." Where other playwrights might clarify a scene, Barker seeks to render it more complex, ambiguous, and unstable.
Only through a tragic renaissance, Barker argues, will beauty and poetry return to the stage. "Tragedy liberates language from banality" he asserts. "It returns poetry to speech."
Barker frequently turns to historical events for inspiration. His play Scenes from an Execution, for example, centers on the aftermath of the Battle of Lepanto (1571) and a fictional female artist commissioned to create a commemorative painting of the Venetian victory over the Ottoman fleet. Scenes from an Execution, originally written for Radio 3 and starring Glenda Jackson in 1984, was later adapted for the stage. The short play Judith revolves around the Biblical story of Judith, the legendary heroine who decapitated the invading general Holofernes.