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Time Is Ticking

by: Bazz Boyz

Come On Come
love you like you need, come on come
Time is ticking and my heart is beating, baby
Help me breathing need your love to living so can
See me running to you, break the walls behind you
Let me love you like you need, come on come.
Time is ticking every sec. I need it, yes and
No one other ,trust my love is no dust to you
i know everything of you, please let me give my love
and can be sure that i, always right for you so.
Time is ticking and my heart is beating, baby
Help me breathing need your love to living so can
See me running to you, break the walls behind you
Let me love you like you need, come on come.
Time is ticking every sec. I need it, yes and
No one other ,trust my love is no dust to you
i know everything of you, please let me give my love
and can be sure that i, always right for you so.
Come On Come
love you like you need, come on come




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More interesting are the controls for Bass Boost, Voice Clarity, and Compressor ... Weak bass at low volume ... If you turn the volume up to the upper third, the bass comes through better and music is much more enjoyable.

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He pioneered beatboxing — mimicking the sounds of various instruments, drums, bass and others, using just his mouth, lips, tongue and voice — listening to records by Grandmaster Flash, Spoonie Gee, and Funky 4 + 1, and humming along.

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They chose to do a concert featuring solely Soviet Era works ... Bass Junhan Choi has an excellent voice, and he was able to hit some of the higher notes beautifully while capturing the dark, bellowing tone needed for the lower ones ... —Staff writer Nate H.

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He is a one-man band, working a rig that allows him to create and loop bits of music and modulate his voice to generate sounds akin to a powerful electric guitar, deep bass and booming drums ... (Mark Meszoros - The News-Herald) ... ‘Ash’ review ... ‘Stardust.

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Under the direction of Dr Amy Kotsonis, 65 voices accompanied by flute, bass, percussion and piano will perform a varied repertoire including pieces based on works by local poets, Sarah Orne Jewett and Celia Thaxter.

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The pair established rules, agreeing on track lengths and to only use things they could find in their homes – Fundowicz’s contribution includes microcassettes he bought on eBay which had voice recordings left on them.

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The track begins with a brooding, grunge-tinged guitar and bass, setting a pensive yet magnetic atmosphere. VANNGO’s soulful and raspy voice narrates the calm of an LA morning, suddenly shattered by an unstoppable blaze ...Streaming Links.

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With roots, rock, bluegrass, jazz and classical influences, George (on guitar) and Charles (on bass) create a unique blended voice, at once enthralling and intimate, groovy and serene.

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