Bass or Basses may refer to:
In music theory, the bass note of a chord or sonority is the lowest note played or notated. If there are multiple voices it is the note played or notated in the lowest voice. (the note furthest in the bass) While the bass note is often the root or fundamental of the chord, it does not have to be, and sometimes one of the other pitches of the chord will be found in the bass. See: inversion (music).
In pre-tonal theory (Early music), root notes were not considered and thus the bass was the most defining note of a sonority. See: thoroughbass. In pandiatonic chords the bass often does not determine the chord, as is always the case with a nonharmonic bass.
Bass (/ˈbeɪs/ BAYSS; Italian: basso, deep, low) describes tones of low frequency or range from 16-256 Hz (C0 to middle C4). In musical compositions, these are the lowest parts of the harmony. In choral music without instrumental accompaniment, the bass is supplied by adult male bass singers. In an orchestra, the bass lines are played by the double bass and cellos, bassoon and/or contrabassoon, low brass such as the tuba and bass trombone and the timpani (kettledrums). In many styles of traditional music such as Bluegrass, folk, and in styles such as Rockabilly and jazz, the bass role is filled by the upright bass. In most rock and pop bands and in jazz fusion groups, the bass role is filled by the electric bass. In some 20th and 21st century pop genres, such as 1980s pop and Electronic Dance Music, the bass role may be filled with a bass synthesizer.
Played in a musical ensemble such an orchestra, such notes are frequently used to provide a counterpoint or counter-melody, in a harmonic context either to outline or juxtapose the progression of the chords, or with percussion to underline the rhythm. In popular music the bass part most often provides harmonic and rhythmic support, usually playing the root or fifth of the chord and stressing the strong beats. "The bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the larger harmonic organization of a entire work."
The Room mansion (房宿, pinyin: Fáng Xiù) is one of the Twenty-eight mansions of the Chinese constellations. It is one of the eastern mansions of the Azure Dragon.
Room is a 2005 independent drama film written and directed by Kyle Henry and starring Cyndi Williams. An overworked, middle-aged Texas woman embezzles from her employer and abandons her family to seek out a mysterious room that has been appearing to her in visions during seizure-like attacks.
The film currently holds an approval rating of 69% on Rotten Tomatoes.
Room (formerly Room of One's Own) is a Canadian quarterly literary journal that features the work of emerging and established women and genderqueer writers and artists. Launched in Vancouver in 1975 by the West Coast Feminist Literary Magazine Society, or the Growing Room Collective, the journal has published an estimated 3,000 women, serving as an important launching pad for emerging writers. Currently, Room publishes short fiction, creative non-fiction, poetry, art, feature interviews, and features that promote dialogue between readers, writers and the collective, including "Roommate" (a profile of a Room reader or collective member) and "The Back Room" (back page interviews on feminist topics of interest). Collective members are regular participants in literary and arts festivals in Greater Vancouver and Toronto.
The journal's original title (1975-2006) Room of One's Own came from Virginia Woolf's essay A Room of One's Own. In 2007, the collective relaunched the magazine as Room, reflecting a more outward-facing, conversational editorial mandate; however, the original name and its inspiration is reflected in a quote from the Woolf essay that always appears on the back cover of the magazine.