Splash! (UK TV series)

Splash! is a British television series that follows celebrities as they try to master the art of diving. The celebrities perform each week in front of a panel of judges and a live audience in an Olympic-size diving pool with the result each week partly determined by public vote. Gabby Logan and Vernon Kay present the show, whilst Team GB Olympic Bronze Medal winning diver Tom Daley is the expert mentor to the celebrities. It is filmed at the Inspire: Luton Sports Village, which is based in Stopsley, Luton. The show premiered on ITV on 5 January 2013 winning the ratings battle for its 7.15pm-8.15pm slot with an average audience of 5.6 million viewers, a network share of 23.6%, however, it was cancelled on 15 February 2014 after just two series.

The format for the show originated from the Celebrity Splash! franchise created by television production company Eyeworks in the Netherlands, and was broadcast on SBS 6 as Sterren Springen Op Zaterdag (Celebrities Jumping On Saturday).

Splash! (B'z song)

"Splash!" is the forty-second single by B'z, released on June 7, 2006. This song is one of B'z many number-one singles in Oricon charts. Splash! was re-recorded in 2012 with English lyrics and released as part of the band's iTunes-exclusive English album

Track listing

Limited Edition I

CD+DVD Ai no Bakudan

Limited Edition II

CD+DVD Fever

Limited Edition III

CD+DVD Pulse

References

External links

Splash! (festival)

The Splash! Festival is one of Europe's biggest hip hop and reggae festivals. It used to take place at the Oberrabenstein reservoir near Chemnitz, Germany until 2006. In 2007 and 2008 the festival was held on the Pouch peninsula in Bitterfeld, Saxony-Anhalt. Since 2009 the Ferropolis in Gräfenhainichen is the ground for the Splash! festival.

The first Splash! took place in 1998 in the inner city of Chemnitz, in a former powerhouse. From 1999 on, it was hillside the Oberrabenstein reservoir.

In the early years there were two stages, one for hip hop, and one for reggae. In 2006, the festival had extended to six stages and four party tents. The hip hop stage is adjacent to the reservoir, visitors can see the concerts while bathing. The tents house, amongst hip hop and drum and bass DJs, dancehall and reggae sound systems, a graffiti contest and ITF matches.

The name "Splash" hints at the waterside location of the festival and the phrase "to make a splash".

History

Bass (sound)

Bass (/ˈbeɪs/ BAYSS; Italian: basso, deep, low) describes tones of low frequency or range from 16-256 Hz (C0 to middle C4). In musical compositions, these are the lowest parts of the harmony. In choral music without instrumental accompaniment, the bass is supplied by adult male bass singers. In an orchestra, the bass lines are played by the double bass and cellos, bassoon and/or contrabassoon, low brass such as the tuba and bass trombone and the timpani (kettledrums). In many styles of traditional music such as Bluegrass, folk, and in styles such as Rockabilly and jazz, the bass role is filled by the upright bass. In most rock and pop bands and in jazz fusion groups, the bass role is filled by the electric bass. In some 20th and 21st century pop genres, such as 1980s pop and Electronic Dance Music, the bass role may be filled with a bass synthesizer.

Musical role

Played in a musical ensemble such an orchestra, such notes are frequently used to provide a counterpoint or counter-melody, in a harmonic context either to outline or juxtapose the progression of the chords, or with percussion to underline the rhythm. In popular music the bass part most often provides harmonic and rhythmic support, usually playing the root or fifth of the chord and stressing the strong beats. "The bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the larger harmonic organization of a entire work."

Miami bass

Miami bass (booty music or booty bass) is a subgenre of hip hop music that became popular in the 1980s and 1990s. Its roots are directly linked to the electro-funk sound of the early 1980s.

The use of the Roland TR-808 sustained kick drum, raised dance tempos, and frequently sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami's historically black neighborhoods such as Liberty City and Overtown".

Miami bass has never found consistent mainstream acceptance, though it has had a profound impact on the development of Baltimore club, West Coast hip hop, funk carioca, and other genres.

History

1980s

During the 1980s, the focus of Miami bass tended to be on DJs and record producers, rather than individual performers. Record labels such as Pandisc, HOT Records, 4-Sight Records and Skyywalker Records released much material of the genre. Unterberger has referred to James (Maggotron) McCauley (also known as DXJ, Maggozulu 2, Planet Detroit and Bass Master Khan) as the "father of Miami bass", a distinction McCauley himself denies, choosing rather to confer that status on producer Amos Larkins.

Bass 305

Bass 305 was a Miami bass group founded by brothers David and Mark Watson. Bass 305's first release was in 1992 on their own independent label, DM Records. Bass 305 has been active for nearly two decades, producing 11 studio albums.

Discography

Studio albums

Singles

References

Rhythm

Rhythm (from Greek ῥυθμός, rhythmos, "any regular recurring motion, symmetry" (Liddell and Scott 1996)) generally means a "movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions" (Anon. 1971, 2537). This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to millions of years.

In the performance arts rhythm is the timing of events on a human scale; of musical sounds and silences, of the steps of a dance, or the meter of spoken language and poetry. Rhythm may also refer to visual presentation, as "timed movement through space" (Jirousek 1995, ) and a common language of pattern unites rhythm with geometry. In recent years, rhythm and meter have become an important area of research among music scholars. Recent work in these areas includes books by Maury Yeston (Yeston 1976), Fred Lerdahl and Ray Jackendoff, Jonathan Kramer, Christopher Hasty (Hasty 1997), Godfried Toussaint (Toussaint 2005), William Rothstein, and Joel Lester (Lester 1986).