Reanimator may refer to:
R. U. Reddy (Winthrop Roan, Jr.) is a mutant and a member of the Thunderiders. He first appeared in Captain America #269 (May 1982), and was created by J. M. DeMatteis and Mike Zeck. Winthrop Roan, Jr. was the singer in a rock band known as Ruff Stuff. With Honcho and Wolf, he formed the professional motorcyclist team called Team America, which was eventually known as the Thunderiders. R.U. Reddy is a mutant who shares a mental link with the four other members of the Thunderiders. The five mutants can project their collective physical skills, strength, and knowledge into another person without diminishing their own abilities in any way.
Radion the Atomic Man first appeared in Marvel Two-in-One #9 (May 1975), and was created by Steve Gerber, Chris Claremont and Herb Trimpe. Exposure to radioactive isotopes caused Dr. Henri Sorel to mutate into an inhuman being who could generate blasts of nuclear energy, and warped his personality. The Puppet Master agreed to assist Radion in exchange for his help. Radion amplified the radiation in the Puppet Master's clay, enabling him to use Thor to attack the Fantastic Four. When Wundarr the Aquarian arrived to help, he absorbed Radion's powers, causing Radion to flee. Sorel then constructed a suit of armor to contain his energies and protect himself from reaching critical mass. He renamed himself the Ravager and traveled to London. He is also known as the Atom.
Bass or Basses may refer to:
Bassé is a town in the Bourzanga Department of Bam Province in northern Burkina Faso. It has a population of 2,138.
In music theory, the bass note of a chord or sonority is the lowest note played or notated. If there are multiple voices it is the note played or notated in the lowest voice. (the note furthest in the bass) While the bass note is often the root or fundamental of the chord, it does not have to be, and sometimes one of the other pitches of the chord will be found in the bass. See: inversion (music).
In pre-tonal theory (Early music), root notes were not considered and thus the bass was the most defining note of a sonority. See: thoroughbass. In pandiatonic chords the bass often does not determine the chord, as is always the case with a nonharmonic bass.