Bass

Bass or Basses may refer to:

Fish

Music

Bass note

In music theory, the bass note of a chord or sonority is the lowest note played or notated. If there are multiple voices it is the note played or notated in the lowest voice. (the note furthest in the bass) While the bass note is often the root or fundamental of the chord, it does not have to be, and sometimes one of the other pitches of the chord will be found in the bass. See: inversion (music).

In pre-tonal theory (Early music), root notes were not considered and thus the bass was the most defining note of a sonority. See: thoroughbass. In pandiatonic chords the bass often does not determine the chord, as is always the case with a nonharmonic bass.

Bass (sound)

Bass (/ˈbeɪs/ BAYSS; Italian: basso, deep, low) describes tones of low frequency or range from 16-256 Hz (C0 to middle C4). In musical compositions, these are the lowest parts of the harmony. In choral music without instrumental accompaniment, the bass is supplied by adult male bass singers. In an orchestra, the bass lines are played by the double bass and cellos, bassoon and/or contrabassoon, low brass such as the tuba and bass trombone and the timpani (kettledrums). In many styles of traditional music such as Bluegrass, folk, and in styles such as Rockabilly and jazz, the bass role is filled by the upright bass. In most rock and pop bands and in jazz fusion groups, the bass role is filled by the electric bass. In some 20th and 21st century pop genres, such as 1980s pop and Electronic Dance Music, the bass role may be filled with a bass synthesizer.

Musical role

Played in a musical ensemble such an orchestra, such notes are frequently used to provide a counterpoint or counter-melody, in a harmonic context either to outline or juxtapose the progression of the chords, or with percussion to underline the rhythm. In popular music the bass part most often provides harmonic and rhythmic support, usually playing the root or fifth of the chord and stressing the strong beats. "The bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the larger harmonic organization of a entire work."

Cone

A cone is a three-dimensional geometric shape that tapers smoothly from a flat base (frequently, though not necessarily, circular) to a point called the apex or vertex.

More precisely, it is the solid figure bounded by a base in a plane and by a surface (called the lateral surface) formed by the locus of all straight line segments joining the apex to the perimeter of the base. The term "cone" sometimes refers just to the surface of this solid figure, or just to the lateral surface.

The axis of a cone is the straight line (if any), passing through the apex, about which the base (and the whole cone) has a circular symmetry.

In common usage in elementary geometry, cones are assumed to be right circular, where circular means that the base is a circle and right means that the axis passes through the centre of the base at right angles to its plane. Contrasted with right cones are oblique cones, in which the axis does not pass perpendicularly through the centre of the base. In general, however, the base may be any shape and the apex may lie anywhere (though it is usually assumed that the base is bounded and therefore has finite area, and that the apex lies outside the plane of the base).

Conical hill

A conical hill (also cone or conical mountain) is a landform with a distinctly conical shape. It is usually isolated or rises above other surrounding foothills, and is often, but not always, of volcanic origin.

Conical hills or mountains occur in different shapes and are not necessarily geometrically-shaped cones; some are more tower-shaped or have an asymmetric curve on one side. Typically, however, they have a circular base and smooth sides with a gradient of up to 30°. Such conical mountains are found in all volcanically-formed areas of the world such as the Bohemian Central Uplands in the Czech Republic, the Rhön in Germany or the Massif Central in France.

Term

Cone cell

Cone cells, or cones, are one of two types of photoreceptor cells in the retina of the eye. They are responsible for color vision and function best in relatively bright light, as opposed to rod cells, which work better in dim light. Cone cells are densely packed in the fovea centralis, a 0.3 mm diameter rod-free area with very thin, densely packed cones which quickly reduce in number towards the periphery of the retina. There are about six to seven million cones in a human eye and are most concentrated towards the macula.

A commonly cited figure of six million in the human eye was found by Osterberg in 1935. Oyster's textbook (1999) cites work by Curcio et al. (1990) indicating an average close to 4.5 million cone cells and 90 million rod cells in the human retina.

Cones are less sensitive to light than the rod cells in the retina (which support vision at low light levels), but allow the perception of colour. They are also able to perceive finer detail and more rapid changes in images, because their response times to stimuli are faster than those of rods. Cones are normally one of the three types, each with different pigment, namely: S-cones, M-cones and L-cones. Each cone is therefore sensitive to visible wavelengths of light that correspond to short-wavelength, medium-wavelength and long-wavelength light. Because humans usually have three kinds of cones with different photopsins, which have different response curves and thus respond to variation in colour in different ways, we have trichromatic vision. Being colour blind can change this, and there have been some verified reports of people with four or more types of cones, giving them tetrachromatic vision. The three pigments responsible for detecting light have been shown to vary in their exact chemical composition due to genetic mutation; different individuals will have cones with different color sensitivity. Destruction of the cone cells from disease would result in blindness.