Bara (薔薇, "rose"), also known by the wasei-eigo construction "Men's Love" (ML, メンズラブ, "menzu rabu"), is a Japanese technical term for a genre of art and fictional media that focuses on male same-sex love usually created by gay men for a gay audience. The bara genre began in the 1950s—ADONIS was launched in 1952—with fetish magazines featuring gay art and content. Besides bara manga, also called gei komi (ゲイ コミ, "gay comics"), and illustration, a number of bara erotic games exist, as well as novels and memoirs. Bara is mostly a Japanese phenomenon, with limited western exposure through manga scanlations and online homoerotic art communities. While bara faces difficulties finding western publishers, it has been described as "the next big porn wave coming out of Japan".
Bara can vary in visual style and plot, but typically features masculine men with varying degrees of muscle, body fat, and body hair, akin to bear culture (熊, kuma) in gay culture. While bara usually features hentai (adult content, sometimes violent or exploitative) and gay romanticism, it often has more realistic or autobiographical themes, as it acknowledges the varied reactions to homosexuality in modern Japan.
Bara or Barah may refer to:
Bara (Kannada: ಬರ English: Drought) is a 1982 Kannada film directed and produced by M. S. Sathyu. It is based on the story written by U. R. Ananthamurthy. The film starred Ananth Nag, C. R. Simha and Loveleen Madhu in lead roles. The film won many laurels upon release including the National Film Award for Best Feature Film in Kannada for its script of an incisive analysis of the socio-political situation in a drought affected district. The film went on floors in 1980 and made its theatrical release in 1982. The Hindi version of the film Sookha was released in 1983. However, unlike the Kannada version, the film couldn't get a theatrical release, and was shown on Doordarshan.
The music was composed by Mysore Ananthaswamy and Siddalingaiah with lyrics by K. S. Nissar Ahmed and Siddalingaiah.
The Bara people are a Malagasy ethnic group living in the southern part of the central plateaus of Madagascar, in the Toliara Province, concentrated around their historic capital at Ihosy. The Bara are the largest of the island's zebu-herding clans and have historically lived a semi-nomadic lifestyle, although an increasing proportion are practicing agriculture. Bara society is highly patriarchal and endogamy and polygamy are practiced among some Bara sub-clans. Young men practice cattle rustling to prove their manhood before marriage, and the kilalaky musical and dance tradition associated with cattle rustlers has gained popularity across the island.
Historically the Bara were organized into numerous affiliated kingdoms ruled by nobles of the Zafimanely line. They were largely united under a single king in the late 18th century before again dissolving into competing kingdoms. Over the 19th century, Bara participation in slave and cattle trading and raids into neighboring territories saw their wealth and power increase despite the group's fragmented political organization. This economic power enabled the Bara to maintain independence from the expanding authority of the Kingdom of Imerina and resist French authority for nearly a decade following colonization in 1896. Andre Resampa, a powerful political leader in the transition to independence for Madagascar in 1960, hailed from the Bara ethnic group. There were an estimated 520,000 Bara in Madagascar in 2000 constituting roughly three percent of the population, and they remain the island's predominant zebu herders and traders.
Genre (/ˈʒɒ̃rə/, /ˈʒɒnrə/ or /ˈdʒɒnrə/; from French genre [ʒɑ̃ʁ(ə)], "kind" or "sort", from Latin genus (stem gener-), Greek γένος, gés) is any category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria. Genres form by conventions that change over time as new genres are invented and the use of old ones is discontinued. Often, works fit into multiple genres by way of borrowing and recombining these conventions.
Genre began as an absolute classification system for ancient Greek literature. Poetry, prose, and performance each had a specific and calculated style that related to the theme of the story. Speech patterns for comedy would not be appropriate for tragedy, and even actors were restricted to their genre under the assumption that a type of person could tell one type of story best. In later periods genres proliferated and developed in response to changes in audiences and creators. Genre became a dynamic tool to help the public make sense out of unpredictable art. Because art is often a response to a social state, in that people write/paint/sing/dance about what they know about, the use of genre as a tool must be able to adapt to changing meanings. In fact as far back as ancient Greece, new art forms were emerging that called for the evolution of genre, for example the tragicomedy.
A literary genre is a category of literary composition. Genres may be determined by literary technique, tone, content, or even (as in the case of fiction) length. The distinctions between genres and categories are flexible and loosely defined, often with subgroups.
The most general genres in literature are (in loose chronological order) epic, tragedy,comedy, and creative nonfiction. They can all be in the form of prose or poetry. Additionally, a genre such as satire, allegory or pastoral might appear in any of the above, not only as a subgenre (see below), but as a mixture of genres. Finally, they are defined by the general cultural movement of the historical period in which they were composed.
Genre should not be confused with age categories, by which literature may be classified as either adult, young-adult, or children's. They also must not be confused with format, such as graphic novel or picture book.
Just as in painting, there are different types: the landscape, the still life, the portrait; there are different types of literary works. These types tend to share specific characteristics. Genres describe those works which share specific conventions.
Genre magazine (ISSN 1074-5246) was a New York city-based monthly periodical from 1992 to 2009 written for gay men. It was owned by gay press publisher Window Media.
Launched in 1992 as a quarterly, Genre originally billed itself as a LGBT lifestyle magazine with a focus on gay men with primary coverage on entertainment, travel and an occasional acknowledgement of political issues. As the magazine evolved, increasing to bi-monthly in 1992, and monthly as of 1993, it focused more on entertainment and less on politics.
Facing increasing competition from Out, Details magazine and The Advocate for advertiser dollars in 2000, publisher Richard Settles changed editorial and art direction to became more of an urban magazine with a focus on New York's post gay movement fostered by an aging Generation X and former club kids, as well as those who outgrew the popular circuit party lifestyle of the 1990s. As such the publication began winning over mainstream companies such as Ford Motors, thereby proving that alternative lifestyles were a viable consumer market of society, dispelling notions of risk by association.