Bara

Bara or Barah may refer to:

People

Places

India

Pakistan

Romania

Elsewhere

Bara (film)

Bara (Kannada: ಬರ English: Drought) is a 1982 Kannada film directed and produced by M. S. Sathyu. It is based on the story written by U. R. Ananthamurthy. The film starred Ananth Nag, C. R. Simha and Loveleen Madhu in lead roles. The film won many laurels upon release including the National Film Award for Best Feature Film in Kannada for its script of an incisive analysis of the socio-political situation in a drought affected district. The film went on floors in 1980 and made its theatrical release in 1982. The Hindi version of the film Sookha was released in 1983. However, unlike the Kannada version, the film couldn't get a theatrical release, and was shown on Doordarshan.

Cast

Soundtrack

The music was composed by Mysore Ananthaswamy and Siddalingaiah with lyrics by K. S. Nissar Ahmed and Siddalingaiah.

Awards

Bara (genre)

Bara (薔薇, "rose"), also known by the wasei-eigo construction "Men's Love" (ML, メンズラブ, "menzu rabu"), is a Japanese technical term for a genre of art and fictional media that focuses on male same-sex love usually created by gay men for a gay audience. The bara genre began in the 1950s—ADONIS was launched in 1952—with fetish magazines featuring gay art and content. Besides bara manga, also called gei komi (ゲイ コミ, "gay comics"), and illustration, a number of bara erotic games exist, as well as novels and memoirs. Bara is mostly a Japanese phenomenon, with limited western exposure through manga scanlations and online homoerotic art communities. While bara faces difficulties finding western publishers, it has been described as "the next big porn wave coming out of Japan".

Bara can vary in visual style and plot, but typically features masculine men with varying degrees of muscle, body fat, and body hair, akin to bear culture (熊, kuma) in gay culture. While bara usually features hentai (adult content, sometimes violent or exploitative) and gay romanticism, it often has more realistic or autobiographical themes, as it acknowledges the varied reactions to homosexuality in modern Japan.