Form factor (mobile phones)

The form factor of a mobile phone is its size, shape, and style, as well as the layout and position of its major components. There are three major form factors – bar phones, flip phones, and sliders – as well as sub-categories of these forms and some atypical forms.

Bar

A bar (also known as a slab, block, candybar) phone takes the shape of a cuboid, usually with rounded corners and/or edges. The name is derived from the rough resemblance to a chocolate bar in size and shape. This form factor is widely used by a variety of manufacturers, such as Nokia and Sony Ericsson. Bar type mobile phones commonly have the screen and keypad on a single face. The Samsung SPH-M620 has a unique bar style, offering different devices on either side of the bar: a phone on one side, and a digital audio player on the other. Sony Ericsson also had a well-known 'MarsBar' phone model CM-H333.

Since mid 2010s, almost all the mobile phones come in bar form factor.

Brick

"Brick" is a slang term almost always used to refer to large, outdated bar-type phones, typically early mobile phones with large batteries and electronics. However, "brick" has more recently been applied to older phone models in general, including non-bar form factors (flip, slider, swivel, etc.), and even early touchscreen phones as well, due to their size and relative lack of functionality to newer models. Such early mobile phones, such as the Motorola DynaTAC, have been displaced by newer smaller models which offer greater portability thanks to smaller antennas and slimmer battery packs.

Bar association

A bar association is a professional body of lawyers. Some bar associations are responsible for the regulation of the legal profession in their jurisdiction; others are professional organizations dedicated to serving their members; in many cases, they are both. In many Commonwealth jurisdictions, the bar association comprises lawyers who are qualified as barristers or advocates in particular, versus solicitors (see bar council). Membership in bar associations may be mandatory or optional for practicing attorneys, depending on jurisdiction.

Etymology

The use of the term bar to mean "the whole body of lawyers, the legal profession" comes ultimately from English custom. In the early 16th century, a railing divided the hall in the Inns of Court, with students occupying the body of the hall and readers or benchers on the other side. Students who officially became lawyers crossed the symbolic physical barrier and were "admitted to the bar". Later, this was popularly assumed to mean the wooden railing marking off the area around the judge's seat in a courtroom, where prisoners stood for arraignment and where a barrister stood to plead. In modern courtrooms, a railing may still be in place to enclose the space which is occupied by legal counsel as well as the criminal defendants and civil litigants who have business pending before the court.

Nótt

In Norse mythology, Nótt (Old Norse "night") is night personified, grandmother of Thor. In both the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson, Nótt is listed as the daughter of a figure by the name of Nörvi (with variant spellings) and is associated with the horse Hrímfaxi, while the Prose Edda features information about Nótt's ancestry, including her three marriages. Nótt's third marriage was to the god Dellingr and this resulted in their son Dagr, the personified day (although some manuscript variations list Jörð as Dellingr's wife and Dagr's mother instead). As a proper noun, the word nótt appears throughout Old Norse literature.

Attestations

Poetic Edda

In stanza 24 of the poem Vafþrúðnismál, the god Odin (disguised as "Gagnráðr") asks the jötunn Vafþrúðnir from where the day comes, and the night and its tides. In stanza 25, Vafþrúðnir responds:

In stanza 14 of the Vafþrúðnismál, Odin states that the horse Hrímfaxi "draws every night to the beneficent gods" and that he lets foam from his bit fall every morning, from which dew comes to the valleys. In stanza 30 of the poem Alvíssmál, the god Thor asks the dwarf Alvíss to tell him what night is called in each of the nine worlds, whom "Nórr" birthed. Alvíss responds that night is referred as "night" by mankind, "darkness" by the gods, "the masker" by the mighty Powers, "unlight" by the jötunn, "joy-of-sleep" by the elves, while dwarves call her "dream-Njörun" (meaning "dream-goddess").

Night (Blake)

"Night" is a poem in the illuminated 1789 collection Songs of Innocence by William Blake, later incorporated into the larger compilation Songs of Innocence and of Experience. "Night" speaks about the coming of evil when darkness arrives, as angels protect and keep the sheep from the impending dangers.

Songs of Innocence was written by William Blake in 1789 as part of his Illuminated Books. Blake's aim for his Songs was to depict the two contrary states of human existence: innocence and experience. The Songs speak upon the "innocence" of being a child and the "experience" gained over a lifetime. The Songs are separated into ten different objects, with each object offering a different situation and how it is viewed from a child's perspective.

Background

Blake was a non-conformist. He opposed the British monarchy and aligned his thoughts with Thomas Paine and Mary Wollstonecraft. Blake was an advocate for using the imagination over natural observations. He believed ideal forms should arise from inner visions.

NIGHT (magazine)

NIGHT is an art/fashion/music/literature/nightlife periodical co-edited by Anton Perich and Robert Henry Rubin. Established in Manhattan, New York, in 1978 the magazine was created during the punk-new wave-disco nightclub era of among others; Studio 54, Xenon, Club A, Regine's, The Continental, Hurrah's, Danceteria, and the Mudd Club. Today the magazine continues to focus on the beautiful, the exclusive, the intelligent and the controversial. Among the contributors have been; Charles Plymell, Helmut Newton. Taylor Mead, Victor Bockris, Lee Klein, Charles Henri Ford and countless others. At the dawn of her writing career Sex in the City author Candace Bushnell wrote for NIGHT, stating... " “I wrote for this paper called Night Magazine, which was mainly just a bunch of pictures of people at Studio 54. I would do little interviews and profiles.”...

References

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