Bandini (film)

Bandini (Hindi: बन्दिनी, Urdu: بندِنی, translation: Imprisoned) is a 1963 Hindi drama film directed and produced by Bimal Roy, the man who directed classics like Do Bigha Zameen and Devdas. Bandini stars Nutan giving one of the finest performances of her career, along with Ashok Kumar and Dharmendra as leads, and explores the human conflicts of love and hate intertwined in the mind of Kalyani (Nutan).The lead female role was offered to one of Roy's favourite actress Vyjayanthimala who earlier worked with Roy in Devdas and Madhumati. However due to her busy schedule she refused the role which later went to Nutan, who had worked with Roy in Sujata (1959). The movie tells the story of a woman prisoner serving life imprisonment for murder, Kalyani, the all suffering, selfless, sacrificing, and strong yet weak Indian woman. She must make a choice between two very different men, Devendra (Dharmendra), the loving prison doctor, and Bikash (Ashok Kumar), a man from her past.

The film is based on a Bengali novel Tamasi by Jarasandha (Charu Chandra Chakrabarti), a former jail superintendent who spent much of his career as a jailor in Northern Bengal, and wrote many fictional versions of his experiences.

Bandini

Bandini as a surname may refer to:

Bandini may also refer to:

Bandini (TV series)

Bandini (English: Female) was an Indian soap opera produced by Ekta Kapoor of Balaji Telefilms. The show aired Monday to Friday evenings. It starred Ronit Roy and Aasiya Kazi and was set against the backdrop of Gujarat in Dharampur a village near Surat in Gujarat. The show premiered on 19 January 2009 on NDTV Imagine.From 28 September, 2015 the show re-runs on Zee Anmol.

Plot Summary

Santu Waghela is a poor but spirited girl who lives in the village of Dharampur with her maternal grandfather, Madhav Solanki, an experienced diamond cutter working for the middle-aged diamond merchant Dharamraj Mahiyavanshi. As an incentive to his best worker, Dharamraj offers to arrange and sponsor Madhav's granddaughter's marriage. Hours before the wedding, the bridegroom backs out and Madhav's fellow workers get agitated. Dharamraj, a widower, comes forward to marry the bride, Santu. For Dharamraj, the decision to marry Santu is purely a business calculation for appeasing his workforce. Dharamraj is still in love with his dead wife Subhadra, who has left him with 5 children: Hiten, Kadambari a.k.a. Kaddu, Maulik, Birwa and Suraj. Once home, he ignores Santu and she is constantly abused by his older sister, Tarulata a.k.a. Taru. After a long time, however, Dharamraj and most of his family members accept Santu as a member of the Mahiyavanshi family. Dharamraj finds his long-lost son Arjan. But eventually, because of some misunderstandings and complications, Arjan assaults Dharamraj. Birwa, trying to save her father, accidentally kills Arjan. To save Birwa, Santu takes the blame for the murder and goes to jail.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.