Badí‘ (Arabic: ﺑﺪﻳﻊ 1852 – 1869) was the title of Mírzá Áqá Buzurg-i-Nishapuri, also known by the title the Pride of Martyrs. He was the son of `Abdu'l-Majid-i-Nishapuri, a follower of the Báb and Bahá'u'lláh.
Badí‘ is most famous for being the bearer of a tablet written by Bahá'u'lláh to Nasiri'd-Din Shah, for which he was tortured and killed at the age of 17. He is also one of the foremost Apostles of Bahá'u'lláh.
The Kitáb-i-Badí', a book written by Bahá'u'lláh, has no relation to the Badí‘ of this article.
Although Badí's father was a Bahá'í, Badí was originally not touched by the new religion. He was an unruly and rebellious youth, and his father described him as the "despair of the family". It was upon a meeting with Nabíl-i-A`zam that Badí‘ heard a poem by Bahá'u'lláh and began weeping. After finishing his studies, he gave away his possessions and set out on foot for Baghdad, where a significant number of Bahá'ís were under persecution. Finally he set out on foot from Mosul through Baghdad to the prison city of `Akka.
The cuneiform bad, bat, be, etc. sign is a common multi-use sign in the mid 14th-century BC Amarna letters, and the Epic of Gilgamesh. In the Epic it also has 5 sumerogram uses (capital letter (majuscule)). From Giorgio Buccellati (Buccellati 1979) 'comparative graphemic analysis' (about 360 cuneiform signs, nos. 1 through no. 598E), of 5 categories of letters, the usage numbers of the bad sign are as follows: Old Babylonian Royal letters (71), OB non-Royal letters (392), Mari letters (2108), Amarna letters (334), Ugarit letters (39).
The following linguistic elements are used for the bad sign in the 12 chapter (Tablets I-Tablet XII) Epic of Gilgamesh:
sumerograms:
The following usage numbers for the linguistic elements of sign bad in the Epic are as follows: bad, (0 times), bat, (61), be, (16), mid, (7), mit, (8), sun, (1), til, (11), ziz, (8), BE, (2), IDIM, (2), TIL, (1), ÚŠ, (2), ZIZ, (1).
Instead of a large horizontal, as seen in the (digitized form, but one type of "bad")
, the sign is seen in the Amarna letters as composed of two opposite facing (triangles), the wedges. It can be seen here , Amarna letter EA 153-(lines 153:4, 11), for "King-Lord-mine", "LUGAL, Be-li-ia", or Be-lí-ia", where "bēlu" is Akkadian for "lord".
"Bad" is a song by an American singer Michael Jackson. "Bad" was released by Epic Records in September 7, 1987, as the second single from Jackson's third major-label and seventh overall studio album of the same name. The song was written, composed, and co-produced by Jackson and produced by Quincy Jones. Jackson stated that the song was influenced by a real-life story he had read about.
"Bad" was generally well received by contemporary music critics, with some critics noting that "Bad" helped Jackson's image become edgier during the Bad-era. The song peaked at number one on the Billboard Hot 100, and remained at the top position of the chart for two weeks, becoming Jackson's Bad album's second number one single, and Jackson's seventh number one entry on the chart. Internationally, the song was also commercially successful, charting within the top ten in eleven countries as well as charting within the top five in the United Kingdom, France, Italy, Norwegian, Switzerland and Swedish charts. The song peaked at number one on the Netherlands and European charts.
"Bad" is a song by rock band U2 and the seventh track from their 1984 album, The Unforgettable Fire. A song about heroin addiction, it is considered a fan favourite, and is one of U2's most frequently performed songs in concert.
A performance of the song at 1985's Live Aid was a career breakthrough for the band.
The live version included as the opening track of the Wide Awake in America EP is frequently chosen for airplay by radio DJs ahead of the studio version. The song is featured on the trailer of Brothers and in the opening and closing sequences of Taking Lives.
"Bad" began with an improvised guitar riff during a jam session at Slane Castle where U2 were recording The Unforgettable Fire. The basic track was completed in three takes. Of its immediate and live nature, U2 guitarist the Edge said "There's one moment where Larry puts down brushes and takes up the sticks and it creates this pause which has an incredibly dramatic effect." Producer Brian Eno added the sequencer arpeggios that accompany the song.
Evil, in a general context, is the absence or opposite of that which is ascribed as being good. Often, evil is used to denote profound immorality. In certain religious contexts, evil has been described as a supernatural force. Definitions of evil vary, as does the analysis of its motives. However, elements that are commonly associated with evil involve unbalanced behavior involving expediency, selfishness, ignorance, or neglect.
In cultures with an Abrahamic religious influence, evil is usually perceived as the dualistic antagonistic opposite of good, in which good should prevail and evil should be defeated. In cultures with Buddhist spiritual influence, both good and evil are perceived as part of an antagonistic duality that itself must be overcome through achieving Śūnyatā meaning emptiness in the sense of recognition of good and evil being two opposing principles but not a reality, emptying the duality of them, and achieving a oneness.
The philosophical question of whether morality is absolute, relative, or illusory leads to questions about the nature of evil, with views falling into one of four opposed camps: moral absolutism, amoralism, moral relativism, and moral universalism.
Bad (Karnataka) is a village in Belgaum district in the southern state of Karnataka, India.
CHORUS:
step, step, we part, we meet
head down to the ground as I move my feet
sidewalkin, I weave through the people
ain't got the time for a nice to meet you
step, step, we part, we meet
I feel the energy between us but you're out of my reach
sidewalkin, I never look you in the eyes
only worry bout myself so I walk to the side
headphones on, ipod in my palm
lace my new kicks and I'm gone
I'm right where I belong so I'm calm
that last thing I need is a need for alarm, so I keep moving on
I got it going on, feeling good, feeling right
fresh to death yes all my gear lookin' tight
so I stay out of sight, out of eye contact
cause why look at me when you can look at all that
I stop by the main strip, cop what I need
or at least what I need to make me feel complete
make me feel fulfilled, I'm lost in my thoughts
I pay the cost, unaware of the major loss
but I keep walkin, to the side as I glide
pickin' up my stride with nobody as my guide
tryin' not to collide with the passer-by's
so if I walk right by you, don't act surprised
CHORUS:
step, step, we part, we meet
head down to the ground as I move my feet
sidewalkin, I weave through the people
ain't got the time for a nice to meet you
step, step, we part, we meet
I feel the energy between us but you're out of my reach
sidewalkin, I never look you in the eyes
only worry bout myself so I walk to the side
I keep on sidewalkin' like I'm in a rush
maneuvering and staying out of touch
but just as I turn the corner this guy surprised me
told me to hold up, thought he recognized me
I feel like I know him, feel like I've seen him around
and I ain't ever sidewalked to this part of town
he told me he could see me and that he knew me well
it wasn't hard to tell that this guy could use some help
I said look I don't know you, I don't really
care what you go through, I ain't gotta do nothin' for you
I didn't approach you, I don't do that
I don't owe you, look I'm sidewalkin' on my own two
...he just stood there and smiled, looked me in my eyes
like he could see past my disguise
so why was I still trying to hide
the only thing I knew how to do was turn to the side
CHORUS:
step, step, we part, we meet
head down to the ground as I move my feet
sidewalkin, I weave through the people
ain't got the time for a nice to meet you
step, step, we part, we meet
I feel the energy between us but you're out of my reach
sidewalkin, I never look you in the eyes
only worry bout myself so I walk to the side
streets is dangerous, so I stay on the sidewalk
where I got my own space outlined in chalk
but that'll fade away with just a little rain
a temporary drug for the pain
side effects including losing identity
short-term serenity prescribed by the enemy
I can't deal with anything after this moment in time
this remedy ain't everything I was hoping to find
I sidewalk with a mask on, but what for
when I've been designed to do so much more
I know it when I write to the beat
the fact that I'm still on my feet makes my cypher complete
whether cruisin', or walking, man I'm never losing
I want you to see me let there be no confusion
if walkin' on this side means I cant be human
...then I best keep moving
CHORUS:
step, step, we part, we meet
head down to the ground as I move my feet
sidewalkin, I weave through the people
ain't got the time for a nice to meet you
step, step, we part, we meet
I feel the energy between us but you're out of my reach
sidewalkin, I never look you in the eyes