Tavares

Tavares may refer to:

People

General

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Tavares, Florida

Tavares is a city located in the central portion of the U.S. state of Florida. It is the county seat of Lake County. The population in 2015 was 14,583, with a total of 5,000 households and an average household income of $40,000. It is part of the Orlando–Kissimmee–Sanford Metropolitan Statistical Area. The name is a popular Portuguese surname and toponym. Pronounced Tuh-vair-ees.

History

The city was founded by newspaper and railroad man Alexander St. Clair-Abrams in 1880 and named for a Portuguese ancestor. In 1883 a post office was established, which was followed by a hotel, three stores, a sawmill, and eight cottages in 1884. While St. Clair-Abrams did not achieve his dream that Tavares become the state capital of Florida (Tallahassee has held the spot since 1823), in 1887 the city was named the seat of Lake County. St. Clair-Abrams later chartered a railroad to run from Tavares to Orlando. In 1919, Tavares incorporated as a town.

Geography

Tavares is located at 28°48′6″N 81°44′1″W / 28.80167°N 81.73361°W / 28.80167; -81.73361 (28.801670, -81.733548)

Tavares (restaurant)

The Tavares restaurant, in Lisbon, Portugal, continuously open since 1784 in the same location (though not the same building), claims to be the second oldest in the Iberian Peninsula.

References

Badí‘

Badí‘ (Arabic: ﺑﺪﻳﻊ‎‎ 1852 – 1869) was the title of Mírzá Áqá Buzurg-i-Nishapuri, also known by the title the Pride of Martyrs. He was the son of `Abdu'l-Majid-i-Nishapuri, a follower of the Báb and Bahá'u'lláh.

Badí‘ is most famous for being the bearer of a tablet written by Bahá'u'lláh to Nasiri'd-Din Shah, for which he was tortured and killed at the age of 17. He is also one of the foremost Apostles of Bahá'u'lláh.

The Kitáb-i-Badí', a book written by Bahá'u'lláh, has no relation to the Badí‘ of this article.

Travels

Although Badí's father was a Bahá'í, Badí was originally not touched by the new religion. He was an unruly and rebellious youth, and his father described him as the "despair of the family". It was upon a meeting with Nabíl-i-A`zam that Badí‘ heard a poem by Bahá'u'lláh and began weeping. After finishing his studies, he gave away his possessions and set out on foot for Baghdad, where a significant number of Bahá'ís were under persecution. Finally he set out on foot from Mosul through Baghdad to the prison city of `Akka.

Bad (album)

Bad is the seventh studio album by American singer Michael Jackson. It was released on August 31, 1987, by Epic Records, nearly five years after Jackson's previous studio album, Thriller. As of 2012 Bad itself has sold between 30 to 45 million copies worldwide, was certified 9 times Platinum in the United States alone, and has been cited as one of the 30 best-selling albums of all time. The album produced a record five Billboard Hot 100 number one singles, the first and one of only two albums to do so, the second being Katy Perry's 2010 album Teenage Dream.

Bad was recorded during the first half of 1987. The lyrical themes on the record relate to media bias, paranoia, racial profiling, romance, self-improvement and world peace. The album is widely regarded as having cemented Jackson's status as one of the most successful artists of the 1980s, as well as enhancing his solo career and being one of the best musical projects of his career. Nine of the eleven songs on Bad were released as singles; one was a promotional single and another was released outside of the United States and Canada. Five of the singles hit number one in the United States, while a sixth charted within the top ten, and a seventh charted within the top twenty on the Hot 100. Bad peaked at number one in thirteen countries and charted within the top twenty in other territories. The only songs on the album which were not released as a single were "Speed Demon" and "Just Good Friends", the latter being the only song on the album to also not have a music video accompanying it.

Bad (economics)

An economic bad is the opposite of an economic good. A "bad" is anything with a negative value to the consumer, or a negative price in the marketplace. Refuse is an example of a bad.

A bad is a physical object that lowers a consumer's level of happiness, or stated alternately, a bad is an object whose consumption or presence lowers the utility of the consumer.

With normal goods, a two-party transaction results in the exchange of money for some object, e.g. money is exchanged for a car. With a bad, however, both money and the object in question go the same direction, e.g. a household loses money and the garbage. The waste collector is being compensated to take the object from the consumer. In this way, garbage has a negative price; the waste collector is receiving both garbage and money, and thus is paying a negative amount for the garbage.

Goodness and badness are an inherently subjective declaration, however. As an example: two diners at a restaurant discover that the "secret ingredient" in the house specialty is peanuts. One of the diners is a peanut-lover, and the other is allergic to peanuts. In this case, peanuts are, in the same time and in the same place, both a good and a bad in economic terms.

Times New Roman

Times New Roman is a serif typeface commissioned by the British newspaper The Times in 1931 and created by Victor Lardent in collaboration with the British branch of the printing equipment company Monotype. Although no longer used by The Times, Times New Roman is still very common in book and general printing. Through distribution with Microsoft products and as a standard computer font, it has become one of the most widely used typefaces in history.

Times New Roman's creation took place through the influence of Stanley Morison of Monotype. Morison was an artistic director at Monotype, historian of printing and informal adviser to the Times, who recommended that they change typeface from the spindly and somewhat dated nineteenth-century Didone typeface previously used to a more robust, solid design, returning to traditions of printing from the eighteenth century and before. This matched a common trend in printing of the period.

Morison proposed an older Monotype typeface named Plantin as a basis for the design, but revisions were made to increase legibility and economy of space. The new font was drawn by Victor Lardent, an artist from the advertising department of The Times, with Morison consulting, before refinement by the experienced Monotype drawing office team.The new design made its debut in the 3 October 1932 issue of The Times. After one year, the design was released for commercial sale. The Times stayed with Times New Roman for 40 years, but new production techniques and the format change from broadsheet to tabloid in 2004 have caused the newspaper to switch typeface five times since 1972. However, all the new fonts have been variants of the original New Roman typeface.