Bad News may refer to:
"Oblivion" is a song by British band Bastille from their 2013 album Bad Blood. It was released digitally in the UK on 5 September 2014 as the eighth overall and final single from the album. A limited edition 7-inch vinyl edition of the single, featuring the previously unreleased track "bad_news" as the B-side, was also released on 8 September.
The song was featured on an episode of the television series The Vampire Diaries in 2012.
The band confirmed during their headline set at London’s Somerset House on July 15 that "Oblivion" will be the next single from Bad Blood.
The music video was exclusively premiered on MSN Music UK on Monday July 21. It was later published through Bastille's Vevo channel on YouTube the same day. The video was directed by Austin Peters (who previously directed the band's "Flaws" and "Laura Palmer" music videos) and stars actress Sophie Turner (known for her role in the television series Game of Thrones). She is seen lip-syncing to the lyrics of the song, singing in front of a crowd of people at a demolition derby.
Bad News is the self-titled debut album from British heavy metal group Bad News released in October 1987 by EMI. The album features a cover of the famous Queen song "Bohemian Rhapsody" and was produced by Queen's guitarist Brian May. "Bohemian Rhapsody" was released as a single and had a music video created for it, written and directed by Adrian Edmondson, who portrays Vim Fuego in the group. The video was released as a video single by Picture Music International. In 2004, EMI re-released the album with a re-ordered track listing and with additions of tracks derived from the group's follow-up album The Cash In Compilation.
Side 1
Side 2
Status quo is a Latin phrase meaning the existing state of affairs, particularly with regards to social or political issues. In the sociological sense, it generally applies to maintain or change existing social structure and values.
It is the nominal form of the prepositional Latin phrase "in statu quo" – literally "in the state in which", which itself is a shortening of the original phrase in statu quo res erant ante bellum, meaning "in the state in which things were before the war". To maintain the status quo is to keep the things the way they presently are. The related phrase status quo ante, literally "the state in which before", means "the state of affairs that existed previously".
The original phrase from 14th-century diplomatic Latin was in statu quo res erant ante bellum, meaning "in the state in which things were before the war". This gave rise to the shorter form status quo ante bellum "the state in which (it was) before war" (indicating the withdrawal of enemy troops and restoration of power to pre-war leadership), as well as other variations such as status quo itself.
In Israel, the term status quo (or the secular-religious status quo) refers to the political understanding between religious and secular political parties not to alter the communal arrangement in relation to religious matters, in a predominantly secular population. The established Jewish religious communities in Israel desire to maintain and promote the religious character of the state, while the secular community wishes to reduce the impact of religious regulations in their everyday lives. Occasionally, one political side seeks to make changes to inter-communal arrangements, but these are often met by fierce political opposition from the other side. The status quo preserves the established religious relations in Israel, and only small changes are usually made.
The prevailing view attributes the origins of the status quo to a letter sent by David Ben-Gurion, as chairman of the Jewish Agency Executive, on 19 June 1947, to the ultra-Orthodox Agudat Israel, in order to form a united policy to present to the United Nations Special Committee on Palestine (UNSCOP), which had commenced its fact-finding tour 4 days earlier. The letter was meant to address their concerns that the emerging State of Israel will be a secular one, which might hurt the status of religion and religious institutions, as well as the values of their followers.
The status quo of the Holy Land sites resulted from a firman (decree) of Ottoman Sultan Osman III in the 18th century that preserved the division of ownership and responsibilities of various sites important to Christians, Muslims, and Jews to their then current holders or owners. The actual provisions of the status quo were never formally established and represented agreements among the various religions that nothing could be changed from the way it was without upsetting the balance of order in maintaining the religious sites for visits by pilgrims.
When the Greeks launched a Palm Sunday takeover of various Holy Land sites in 1757 the Ottomans subsequently upheld this status quo.
This status quo for Jerusalem meant that certain statuses for the Holy Sites would be kept and were recognized as being permanent or at least the way things should be. The city was divided into four quarters. The Temple Mount became a Muslim holy place, and the Church of the Holy Sepulchre as well as other various Christian sites were recognized as belonging to the Christian world. Despite the arguments over who would control what aspects of these sites, the status quo has remained largely intact from the 17th century to the present. Although claims that this status quo was being violated led to the 1929 Palestine riots, it has not been changed, and the quarters and areas remain roughly as they have been inside Suleiman's walls.
Bad News were an English spoof heavy metal band, created for the Channel 4 television series The Comic Strip Presents.... Its members were Vim Fuego (aka Alan Metcalfe), vocals and lead guitar (played by Ade Edmondson); Den Dennis, rhythm guitar (Nigel Planer); Colin Grigson, bass (Rik Mayall); and Spider Webb, drums (Peter Richardson).
Bad News made their television debut during 1983, in the first series of The Comic Strip Presents... (written by Edmondson, and produced by Michael White/Comic Strip Productions). The episode, "Bad News Tour", took the form of a satirical fly-on-the-wall rockumentary, in which the incompetent band is followed travelling to a gig in Grantham, by an almost equally inept documentary film crew: It seemed to take much inspiration from Mark Kidel's 1976 BBC documentary So You Wanna Be a Rock 'n' Roll Star? that followed the Kursaal Flyers around Scotland and northeast England. The episode was also coincidentally in production at the same time as This Is Spinal Tap, which was released the following year to a much wider audience and subsequently greater acclaim.
( Rossi / Young )
Now you know this ain't the kind of life for you
It's not the way you thought that it would be
If I could change my way to you
If I could change, it wouldn't be me
And you see
I know I never tried the things I should have done
Oh and time is always passing by
I want to do the things I never done before
So I do try not to tell a lie
When I'm so low, when I'm so high
Yet you cry when I say I can't give you more
First you said you'd never try to slow me down
That ev'rything would work out really fine
But as those walls closed in on us
your words just fell right out of line
And behind
I know I never tried the things I should have done
And time is always passing by
I want to do the things I never done before
So I do try not to tell a lie
When I'm so low, when I'm so high
yet you cry when I say I can't give you moreOh, oh, oh, can't give you more
Can't give any more
Oh, oh, oh, can't give you more
Ain't got any more
Did you figure ours would be an easy thing
Like lazy days of lying in the sun
I told you if you wanted me
That ev'ry day just wouldn't be fun
Now it's done
I know I never tried the thing I should have done
And time is always passing by
I want to do the things I never done before
So I do try not to tell a lie
When I'm so low, when I'm so high
Yet you cry when I say I can't give you more
Oh, oh, oh, can't give you more
Can't give you more
Oh, oh, oh, can't give you more
I ain't got any more
Oh, oh, oh, I ain't got any more
I ain't got any more
Oh, oh, oh, can't give you more
I ain't got any more