Badí‘ (Arabic: ﺑﺪﻳﻊ 1852 – 1869) was the title of Mírzá Áqá Buzurg-i-Nishapuri, also known by the title the Pride of Martyrs. He was the son of `Abdu'l-Majid-i-Nishapuri, a follower of the Báb and Bahá'u'lláh.
Badí‘ is most famous for being the bearer of a tablet written by Bahá'u'lláh to Nasiri'd-Din Shah, for which he was tortured and killed at the age of 17. He is also one of the foremost Apostles of Bahá'u'lláh.
The Kitáb-i-Badí', a book written by Bahá'u'lláh, has no relation to the Badí‘ of this article.
Although Badí's father was a Bahá'í, Badí was originally not touched by the new religion. He was an unruly and rebellious youth, and his father described him as the "despair of the family". It was upon a meeting with Nabíl-i-A`zam that Badí‘ heard a poem by Bahá'u'lláh and began weeping. After finishing his studies, he gave away his possessions and set out on foot for Baghdad, where a significant number of Bahá'ís were under persecution. Finally he set out on foot from Mosul through Baghdad to the prison city of `Akka.
Banyan VINES was a computer network operating system and the set of computer network protocols it used to connect to client machines on the network. The name was an acronym for Virtual Integrated Network Service. Banyan Systems ran as a collection of services on top of AT&T UNIX System V, and based its core network protocols on the archetypical Xerox XNS stack. VINES was one of a group of XNS-based systems that also included Novell NetWare. It has since disappeared from the market, along with Banyan Systems.
James Allchin, who later worked as Group Vice President for Platforms at Microsoft Corporation until his retirement on January 30, 2007, was the chief architect of Banyan VINES.
VINES ran on a low-level protocol known as VIP—the VINES Internetwork Protocol—that was essentially identical to the lower layers of XNS. Addresses consisted of a 32-bit address and a 16-bit subnet that mapped to the 48-bit Ethernet address to route to machines. This meant that, like other XNS-based systems, VINES could only support a two-level internet.
Therapy (1995) is a novel by British author David Lodge.
The story concerns a successful sitcom writer, Laurence Passmore, plagued by middle-age neuroses and a failed marriage. His only problem seems to be an "internal derangement of the knee" but a mid-life crisis has struck and he is discovering angst. His familiar doses of cognitive therapy, aromatherapy, and acupuncture all offer no help, and he becomes obsessed with the philosophy of Kierkegaard. Moreover, Tubby, as Passmore is nicknamed, and referred to by several characters in the novel, undertakes a pilgrimage to Santiago de Compostela in order to find his first love.
The novel is divided into four parts. The first part is written as a journal, the second part is written in dramatic monologues, the third part consists of journal entries and a memoir and the fourth part is a narrative written after the events happened and Tubby has returned to London.
In the first part, Tubby starts writing a journal triggered by a description he had to write for his cognitive behavior therapist. Before that Tubby wrote only screenplays but no narrative texts. During the writing Tubby reflects upon his problems and depression.
"Therapy" is a song by American recording artist Mary J. Blige. It was written by Blige along with British musician Sam Smith and producer Eg White for The London Sessions (2014). Production on the track was hemled by White, Stephen Fitzmaurice, Rodney "Darkchild" Jerkins, and Jimmy Napes. Released as the album's leading single following buzz track "Right Now", it has since the top thirty on Billboard's Adult Contemporary chart.
"Therapy" was written by Blige and English musicians Sam Smith and Eg White. The pair was among a host of young British acts commissioned to work with Blige in London following the success of her version of "F for You", a remake of English electronic music duo Disclosure's fourth single from their debut studio album, Settle (2013), and her duet version of Smith's "Stay with Me". Initially composed for Smith's debut album In the Lonely Hour (2014), "Therapy" was already reference-vocaled when the White and Smith played it for Blige. Upon hearing it, Blige felt inspired: "It was like, 'OK. This is it. This is the first moment. This is the one that says I'm doing something different.' Slight lyrical and tonal changes were made to make it fit for her. On the process, Blige later elaborated: "At the end of the day, I pictured myself singing it. I went and sang the song. And it was perfect, 'cause I just felt like the message was universal. Because I think everybody needs a little bit. And it's not, you know, literally sitting in front of a doctor all the time. It could be whatever your therapy is. What works for you."
Therapy is the debut album from English musician Jim Lea, best known as songwriter, producer, bassist and multi-instrumentalist for the rock group Slade.
"Therapy" is Lea's first full album of solo material although Lea has released other material under various names since the early 1980s. After twenty-five years in Slade, lead vocalist Noddy Holder had become weary of constantly touring and effectively managing the day-to-day running of the band, leaving to pursue other career paths. Rather than take on another singer, Lea effectively retired from Slade, preferring to work alone in the studio as he believed that Slade had to consist of all four members. The two remaining members both guitarist Dave Hill and drummer Don Powell remained in the music business, performing as Slade II.
Since the band's split, Lea had released a few singles of new material and in 1992, Lea's side-project band The Dummies from the early 1980s, released an album of all recorded material titled "A Day in the Life of The Dummies". Although not a Lea solo album, the songs feature lead vocal from Lea.
Mother is a 1914 silent film drama directed by Maurice Tourneur and starring Emma Dunn. The film marked Tourneur's first American made film. Dunn was 39 years old and had starred on Broadway in the play version of the story this film is based on. This film was produced by William A. Brady who also produced the 1910 play. The film has a similar plot to the 1920 Fox film Over the Hill to the Poorhouse.
The Library of Congress has a complete print.
"Mother" is the lead single from Blondie's ninth studio album Panic of Girls and was written by Kato Khandwala, Ben Phillips (Guitarist for The Pretty Reckless) and the band's lead singer Deborah Harry. It was released in the United Kingdom on May 22, 2011 on all major online platforms. It is the first single release from the band since "Good Boys" in 2003.
The song was first performed in 2010 along with several other tracks from Panic of Girls during the band's Australian tour, as well as during festival appearances in the UK.
On December 5, 2010 "Mother" was made available as a free download from the official Blondie website. The track was later remixed with a different vocal take for the album and single release. The track was played for the first time on March 17, 2011 on BBC Radio 2's The Ken Bruce Show. On Amazon.co.uk an explicit version was released alongside the regular one.
The cover artwork for "Mother" was revealed on May 5, 2011. It displays a band picture digitally manipulated to resemble a Chris Berens painting, like the artwork for its parent album. Elements of the Panic of Girls cover art are used. Also the text is inspired by the original writing by Berens.
It’s a beautiful dayBut I don’t see it that wayThe sky’s too brightFor my tired eyes to takeAnd I wish I was homeI’m edgy cramped and cold
Trying to keep down the thingsThat you keep wanting to throw up
You only mean it
Cos you look like JesusYou really mean itWhen you look like Jesus
In your retirement homeWatching your wanting to dieThis thing has suckedAll the dignity from your life
And this used to be fun
This used to be what you wantNow its just the same As everything, you run away
You only mean itIf you look like JesusYou really mean itCos you look like Jesus
The vicious vulgar colours clashLike the twelfth day of JulyLeft abandoned in a fieldEndless wailing scaring meI could see beyond the fieldBeing left alone in lonely summerI am stuck out hereWaiting for you to take me home
You only mean it If you look like Jesus