Badí‘ (Arabic: ﺑﺪﻳﻊ 1852 – 1869) was the title of Mírzá Áqá Buzurg-i-Nishapuri, also known by the title the Pride of Martyrs. He was the son of `Abdu'l-Majid-i-Nishapuri, a follower of the Báb and Bahá'u'lláh.
Badí‘ is most famous for being the bearer of a tablet written by Bahá'u'lláh to Nasiri'd-Din Shah, for which he was tortured and killed at the age of 17. He is also one of the foremost Apostles of Bahá'u'lláh.
The Kitáb-i-Badí', a book written by Bahá'u'lláh, has no relation to the Badí‘ of this article.
Although Badí's father was a Bahá'í, Badí was originally not touched by the new religion. He was an unruly and rebellious youth, and his father described him as the "despair of the family". It was upon a meeting with Nabíl-i-A`zam that Badí‘ heard a poem by Bahá'u'lláh and began weeping. After finishing his studies, he gave away his possessions and set out on foot for Baghdad, where a significant number of Bahá'ís were under persecution. Finally he set out on foot from Mosul through Baghdad to the prison city of `Akka.
"Bad" is a song by rock band U2 and the seventh track from their 1984 album, The Unforgettable Fire. A song about heroin addiction, it is considered a fan favourite, and is one of U2's most frequently performed songs in concert.
A performance of the song at 1985's Live Aid was a career breakthrough for the band.
The live version included as the opening track of the Wide Awake in America EP is frequently chosen for airplay by radio DJs ahead of the studio version. The song is featured on the trailer of Brothers and in the opening and closing sequences of Taking Lives.
"Bad" began with an improvised guitar riff during a jam session at Slane Castle where U2 were recording The Unforgettable Fire. The basic track was completed in three takes. Of its immediate and live nature, U2 guitarist the Edge said "There's one moment where Larry puts down brushes and takes up the sticks and it creates this pause which has an incredibly dramatic effect." Producer Brian Eno added the sequencer arpeggios that accompany the song.
Evil, in a general context, is the absence or opposite of that which is ascribed as being good. Often, evil is used to denote profound immorality. In certain religious contexts, evil has been described as a supernatural force. Definitions of evil vary, as does the analysis of its motives. However, elements that are commonly associated with evil involve unbalanced behavior involving expediency, selfishness, ignorance, or neglect.
In cultures with an Abrahamic religious influence, evil is usually perceived as the dualistic antagonistic opposite of good, in which good should prevail and evil should be defeated. In cultures with Buddhist spiritual influence, both good and evil are perceived as part of an antagonistic duality that itself must be overcome through achieving Śūnyatā meaning emptiness in the sense of recognition of good and evil being two opposing principles but not a reality, emptying the duality of them, and achieving a oneness.
The philosophical question of whether morality is absolute, relative, or illusory leads to questions about the nature of evil, with views falling into one of four opposed camps: moral absolutism, amoralism, moral relativism, and moral universalism.
Rotunda or The Rotunda may refer to:
The Rotunda on Woolwich Common, in south-east London, is an artillery museum which was established in 1820. The building was originally a very large bell tent erected in St. James's Park in 1814 for a special exhibition and premature victory reception of the allied sovereigns in the Napoleonic Wars but its architect John Nash turned it into a permanent structure with a lead roof and central supporting pillar.
Since most of its exhibits were transferred to the Firepower museum at the Royal Arsenal in 2001, the Rotunda has ceased to be open to the public, except by special arrangement. The building is now used as a boxing ring by the King's Troop, Royal Horse Artillery in nearby Napier Lines Barracks.
Obsolete sign near the entrance
Obsolete sign near the entrance
Rotunda and Napier Lines corral
Rotunda and Napier Lines corral
Tent-roof detail
Tent-roof detail
View from the east
View from the east
Coordinates: 51°29′03″N 0°03′11″E / 51.4842°N 0.0530°E / 51.4842; 0.0530
A rotunda (from Latin rotundus) is any building with a circular ground plan, and sometimes covered by a dome. It can also refer to a round room within a building (a famous example being within the United States Capitol in Washington, D.C.). The Pantheon in Rome is a famous rotunda. A Band Rotunda is a circular bandstand, usually with a dome.
The rotunda has historical and architectural value because it was widespread in medieval Central Europe. A great number of parochial churches were built in this form in the 9th to 11th centuries BCE in Central Europe. This type of circular shaped parochial building can be found in great number in Hungary, Poland, Slovakia, Croatia, Austria, Bavaria, Dalmatia, Germany, and the Czech Republic. It was thought of as a structure descending from the Roman Pantheon. However, it can be found mainly not on former Roman territories, but in Central Europe. Generally its size was 6–9 meters inner diameter and the apsis was directed toward the east. Sometimes 3 or 4 apsides were glued to the central circle and this type has relatives even in the Caucasus.
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Gut is a German grindcore band, often credited as fathers of pornogrind, and known for their over-the-top vocals and morbid, pornographic imagery. Natalie Purcell, in her book Death Metal Music: The Passion and Politics of a Subculture, suggests that pornogrind is defined solely on the basis of its lyrical content and unique imagery, its focus on pornographic content. Purcell does note, however, that bands like Gut include "simpler, slower, and more rock-like songs".
On Gut's 2006 release, The Cumback 2006, the band began combining grindcore with elements of hip hop, hardcore punk, and electronic music.