Ass

Ass may refer to:

ASS may stand for:

Groups

Technology

Taylor Mead's Ass

Taylor Mead's Ass (1964) is a film by Andy Warhol featuring Taylor Mead, consisting entirely of a shot of Mead's buttocks, and filmed at The Factory.

According to Watson's Factory Made: Warhol and the Sixties, Taylor Mead had achieved a degree of fame that "inspired a backlash." One example was a letter to the editors at The Village Voice in August 1964 which complained about "films focusing on Taylor Mead's ass for two hours." Mead replied in a letter to the publication that no such film was found in the archives, but "we are rectifying this undersight." Two days later, Warhol shot the "sixty-minute opus that consisted entirely of Taylor Mead's Ass," during which Mead first exhibits a variety of movement, then appears to "shove a variety of objects up his ass." The film was Mead's last for Warhol "for more than three years", at the end of 1964, "Mead felt betrayed by Warhol for not showing the film."

The film was described as "seventy-six seriocomic minutes of this poet/actor's buttocks absorbing light, attention, debris" by Wayne Koestenbaum, in Art Forum. In his book, Andy Warhol, Koestenbaum writes "Staring at his cleft moon for 76 minutes, I begin to understand its abstractions: high-contrast lighting conscripts the ass into being a figure for whiteness itself, particularly when the ass merges with the blank leader at each reel's end. The buttocks, seen in isolation, seem explicitly double: two cheeks, divided in the centre by a dark line. The bottom's double structure recalls Andy's two-paneled paintings . . . "

Assu, Rio Grande do Norte

Açu (or Assu) is a municipality (município) in the state of Rio Grande do Norte in Brazil. The population is 57,292 (2015 est.) in an area of 1303 km². The Barragem Armando Ribeiro Gonçalves, a reservoir on the Piranhas River, is partly located in the municipality.

References

External links

Badí‘

Badí‘ (Arabic: ﺑﺪﻳﻊ‎‎ 1852 – 1869) was the title of Mírzá Áqá Buzurg-i-Nishapuri, also known by the title the Pride of Martyrs. He was the son of `Abdu'l-Majid-i-Nishapuri, a follower of the Báb and Bahá'u'lláh.

Badí‘ is most famous for being the bearer of a tablet written by Bahá'u'lláh to Nasiri'd-Din Shah, for which he was tortured and killed at the age of 17. He is also one of the foremost Apostles of Bahá'u'lláh.

The Kitáb-i-Badí', a book written by Bahá'u'lláh, has no relation to the Badí‘ of this article.

Travels

Although Badí's father was a Bahá'í, Badí was originally not touched by the new religion. He was an unruly and rebellious youth, and his father described him as the "despair of the family". It was upon a meeting with Nabíl-i-A`zam that Badí‘ heard a poem by Bahá'u'lláh and began weeping. After finishing his studies, he gave away his possessions and set out on foot for Baghdad, where a significant number of Bahá'ís were under persecution. Finally he set out on foot from Mosul through Baghdad to the prison city of `Akka.

Banyan VINES

Banyan VINES was a computer network operating system and the set of computer network protocols it used to connect to client machines on the network. The name was an acronym for Virtual Integrated Network Service. Banyan Systems ran as a collection of services on top of AT&T UNIX System V, and based its core network protocols on the archetypical Xerox XNS stack. VINES was one of a group of XNS-based systems that also included Novell NetWare. It has since disappeared from the market, along with Banyan Systems.

James Allchin, who later worked as Group Vice President for Platforms at Microsoft Corporation until his retirement on January 30, 2007, was the chief architect of Banyan VINES.

VINES technology

VINES ran on a low-level protocol known as VIP—the VINES Internetwork Protocol—that was essentially identical to the lower layers of XNS. Addresses consisted of a 32-bit address and a 16-bit subnet that mapped to the 48-bit Ethernet address to route to machines. This meant that, like other XNS-based systems, VINES could only support a two-level internet.

Bad 25 (film)

Bad 25 is a 2012 documentary film about the 25th anniversary of Michael Jackson's 1987 album Bad. The film was directed by Spike Lee who previously directed Jackson in the music video for "They Don't Care About Us", as well as directing the posthumous music video for the song "This Is It". A 25th anniversary edition reissue of the Bad album was also released on September 18, 2012 sharing the same name as the film.

The film was first screened at the 69th Venice International Film Festival on August 2012 and was shown for a limited time in New York and Los Angeles theaters on October 19, 2012. The film made its television premiere on German television channel VOX on October 20, 2012 and in the United Kingdom on BBC2 on December 1, 2012. A 90-minute edited version of the film, running for 64 minutes without commercials, premiered in North America on ABC on November 22, 2012. The film was released on Blu-ray and DVD on July 2, 2013. The film is also available on the iTunes Store.

Song

A song is a single (and often standalone) work of music intended to be sung by the human voice with distinct and fixed pitches and patterns using sound and silence and a variety of forms that often include the repetition of sections. Written words created specifically for music or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs in a simple style that are learned informally are often referred to as folk songs. Songs that are composed for professional singers are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers and lyricists. Art songs are composed by trained classical composers for concert performances. Songs are performed live and recorded. Songs may also appear in plays, musical theatre, stage shows of any form, and within operas.