Barbara Hendricks (born November 20, 1948) is an African-American operatic soprano and concert singer. Hendricks has lived in Europe since 1977, and in Switzerland in Basel since 1985. She is a citizen of Sweden following her marriage to a Swedish citizen.
Hendricks was born in Stephens, Arkansas. She graduated from the University of Nebraska–Lincoln with a bachelor's degree in mathematics and chemistry at the age of 20. She attended the Aspen Music Festival and School and then attended Juilliard School of Music in New York, where she studied with mezzo-soprano Jennie Tourel and participated in master classes led by soprano Maria Callas. She graduated with a bachelor's degree in music.
In 1974, Hendricks made her professional operatic debut in Europe at the Glyndebourne Festival and in America at the San Francisco Opera. During her career, she has appeared at major opera houses throughout the world, including the Opéra National de Paris, the Metropolitan Opera, the Royal Opera House, Covent Garden, and La Scala. In 1998 she sang Liu in the historical performance of Turandot at the Forbidden City in Beijing. Hendricks has performed more than twenty roles, twelve of which she has recorded.
Barbara Anne Hendricks (born 29 April 1952) is a German politician and member of the SPD.
Since 17 December 2013 she has been Federal Minister for the Environment, Nature Conservation and Nuclear Safety. From 2007 to 2013, she was Federal Treasurer of the SPD, and from 1998 to 2007 she was Parliamentary Secretary of State at the Federal Ministry of Finance.
Barbara Hendricks was born in Kleve.
After obtaining her Abitur in 1970 at the Johanna Sebus Gymnasium in Kleve, Barbara Hendricks studied History and Social Sciences in Bonn, passing the Staatsexamen examination for high school teachers in 1976. She then worked for the Association for Student Affairs until 1978. After that, until 1981, she was a deputy press secretary at the press office of the Bundestag parliamentary party of the SPD. In 1980 she was awarded a doctorate based on a thesis entitled Die Entwicklung der Margarineindustrie am unteren Niederrhein [The development of the margarine industry on the lower Rhine]. She was then press secretary of the minister of finance of the state of North Rhine-Westfalia until 1990. In 1991 she was appointed Permanent Secretary at the Ministry of the Environment, Spatial Planning and Agriculture of the State of North Rhine-Westfalia.
The Bachianas Brasileiras (Portuguese pronunciation: [bakiˈɐ̃nɐz bɾaziˈlejɾɐs]) are a series of nine suites by the Brazilian composer Heitor Villa-Lobos, written for various combinations of instruments and voices between 1930 and 1945. They represent not so much a fusion of Brazilian folk and popular music on the one hand, and the style of Johann Sebastian Bach on the other, as an attempt freely to adapt a number of Baroque harmonic and contrapuntal procedures to Brazilian music (Béhague 1994, 106; Béhague 2001). Most of the movements in each suite have two titles: one "Bachian" (Preludio, Fuga, etc.), the other Brazilian (Embolada, O canto da nossa terra, etc.).
Scored for orchestra of cellos (1930):
Scored for orchestra (1930). There are four movements, the third later transcribed for piano, and the others for cello and piano (Appleby 1988, 64–65).
Amazing grace, how sweet the sound
That saved a wretch like me.
I once was lost, but now I'm found.
Was blind, but now I see.
'Twas grace that taught my heart to fear
And grace my fears relieved.
How precious did that grace appear
The hour I first believed.
Through many dangers toils and snares
We have already come
it was Grace that brought us safe dot far
And Grace will bring us home
Amazing grace, how sweet the sound
That saved a wretch like me.
I once was lost, but now I'm found.
Was blind, but now I see
we've all been here ten thousand years
Bright shining like the sun,
We've no less days to sing God's praise
Than when we first begun.
Amazing grace, how sweet the sound
That saved a wretch like me.
I once was lost, but now I'm found.
Was blind, but now I see.