Dionysus

Dionysus (/daɪ.əˈnaɪsəs/; Greek: Διόνυσος, Dionysos) is the god of the grape harvest, winemaking and wine, of ritual madness, fertility, theatre and religious ecstasy in Greek mythology. Alcohol, especially wine, played an important role in Greek culture with Dionysus being an important reason for this life style. His name, thought to be a theonym in Linear B tablets as di-wo-nu-so (KH Gq 5 inscription), shows that he may have been worshipped as early as c. 1500–1100 BC by Mycenean Greeks; other traces of the Dionysian-type cult have been found in ancient Minoan Crete. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In some cults, he arrives from the east, as an Asiatic foreigner; in others, from Ethiopia in the South. He is a god of epiphany, "the god that comes", and his "foreignness" as an arriving outsider-god may be inherent and essential to his cults. He is a major, popular figure of Greek mythology and religion, and is included in some lists of the twelve Olympians. Dionysus was the last god to be accepted into Mt. Olympus. He was the youngest and the only one to have a mortal mother. His festivals were the driving force behind the development of Greek theatre. Modern scholarship categorises him as a dying-and-rising god.

Bacchus (Michelangelo)

Bacchus (1496–1497) is a marble sculpture by the Italian High Renaissance sculptor, painter, architect and poet Michelangelo. The statue is somewhat over life-size and depicts Bacchus, the Roman god of wine, in a reeling pose suggestive of drunkenness. Commissioned by Raffaele Riario, a high-ranking Cardinal and collector of antique sculpture, it was rejected by him and was bought instead by Jacopo Galli, Riario’s banker and a friend to Michelangelo. Along with the Pietà the Bacchus is one of only two surviving sculptures from the artist's first period in Rome.

Bacchus is depicted with rolling eyes, his staggering body almost teetering off the rocky outcrop on which he stands. Sitting behind him is a faun, who eats the bunch of grapes slipping out of Bacchus's left hand. With its swollen breast and abdomen, the Bacchus figure suggested to Giorgio Vasari "both the slenderness of a young man and the fleshiness and roundness of a woman", and its androgynous quality has often been noted (although the testicles are swollen as well). The inspiration for the work appears to be the description in Pliny the Elder's Natural History of a lost bronze sculpture by Praxiteles, depicting "Bacchus, Drunkenness and a satyr". The sense of precariousness resulting from a high centre of gravity can be found in a number of later works by the artist, most notably the David and the figures on the Sistine Chapel ceiling.

Bacchus (grape)

The Bacchus is a white wine grape that was created by viticulturalist Peter Morio at the Geilweilerhof Institute for Grape Breeding in the Palatinate in 1933. He crossed a Silvaner x Riesling cross with Müller-Thurgau. Bacchus received varietal protection and was released for general cultivation in 1972. Its name is taken from Roman name of the Greek wine god Dionysus.

Bacchus can reach high must weights, and has no high requirement for sites it can be planted. It can therefore be used where Riesling, for example, does not ripen reliably. It ripens early, about the same time as Müller-Thurgau, and has a high productivity similar to that variety.

Bacchus wines can have powerful flavours and character, which have even been described as "exuberant", but only if it is allowed to ripen fully. It is however low in acidity, which does not always make it very well suited for varietal wines under typical German growing conditions. Among the new breeds, it is considered to give less elegant wines than Kerner. Therefore, Bacchus is often used for blending into Müller-Thurgau, to give the latter more flavour. Within Germany, Franconia is considered as the source of some of the more successful varietal Bacchus wines.