Babe was a Dutch girl-pop band in the 1970s and ’80s. Producer was Peter Koelewijn.
Babe is a slang term of endearment. Merriam-Webster states that the word is of Middle English origin, and the first recorded use was in the 14th century. The term may also refer to:
"Babe" is a song by boyband Take That. It was the fourth single from Take That's second album, Everything Changes. Written by Gary Barlow, it features Mark Owen on lead vocals. The production was led by David Clayton who later spent 10 years as keyboard player and backing vocalist with Simply Red.
Released on 13 December 1993, it became Take That's third single in a row to go straight to number one in the UK Singles Chart, knocking Mr Blobby's self-titled novelty single from the number one slot in the process. The following week however, Mr Blobby's single climbed back to number one, denying Take That the Christmas number one place. The single sold 350,000 copies in 1993, and was that year's 14th biggest-selling single. The song was certified platinum on 1 January 1994 for shipments of over 600,000 copies in the UK. The song was featured in the Only Fools and Horses episode "Fatal Extraction" broadcast on 25 December 1993, the day that the song had been knocked off number one in the singles chart.
Babe (Serbian Cyrillic: Бабе; translation: Babushkas) is a Serbian rock supergroup from Belgrade.
The band was formed in 1992 as a side project of Bajaga i Instruktori member Žika Milenković (vocals, guitar), Električni Orgazam member Goran Čavajda (vocals, drums) and Riblja Čorba member Zoran Ilić (guitar). All three being rock veterans, they decided to steadily work within the group during the times when their own bands were taking a work break. Bass guitarist and the initiator of the band formation was Bojan Vasić, who previously played with Ilić in Bezobrazno Zeleno. Milenković's humorous lyrics, stylistically similar to the lyrical style of his former band Mačori (The Cats), and stage performance, based on the experience gained in the long-term activities within the Teatar Levo amateur theatre, soon became the band trademark.
During the recording sessions for the band debut album, Vasić left the band, moving to South Africa and eventually only recording a part of the bass sections for the song "Mirko i Marina" ("Mirko and Marina"), being replaced by a former U Škripcu member Dejan Škopelja. Slike iz života jednog idota (Images From an Idiot's Life), released in 1993 and produced by former Električni Orgazam member Ljubomir Jovanović "Jovec", brought Milenković's humorous songs about drunks, drug dealers and erotomaniacs. The album featured guest appearances by Margita Stefanović, Marija Mihajlović, Vidoja Božinović, Branislav Petrović "Banana", Miša Savić, Nenad Stamatović and Del Arno Band members. After the album release, Babe went on a promotional tour, performing as an opening act for Riblja Čorba.
+/-, or Plus/Minus, is an American indietronic band formed in 2001. The band makes use of both electronic and traditional instruments, and has sought to use electronics to recreate traditional indie rock song forms and instrumental structures. The group has released two albums on each of the American indie labels Teenbeat Records and Absolutely Kosher, and their track "All I do" was prominently featured in the soundtrack for the major film Wicker Park. The group has developed a devoted following in Japan and Taiwan, and has toured there frequently. Although many artists append bonus tracks onto the end of Japanese album releases to discourage purchasers from buying cheaper US import versions, the overseas versions of +/- albums are usually quite different from the US versions - tracklists can be rearranged, artwork with noticeable changes is used, and tracks from the US version can be replaced as well as augmented by bonus tracks.
Bandō may refer to:
A band society is the simplest form of human society. A band generally consists of a small kin group, no larger than an extended family or clan; one definition sees a band as consisting of no more than 100 individuals.
Bands have a loose organization. Their power structure is often egalitarian and has informal leadership; the older members of the band generally are looked to for guidance and advice, and decisions are often made on a consensus basis, but there are no written laws and none of the specialised coercive roles (e.g., police) typically seen in more complex societies. Bands' customs are almost always transmitted orally. Formal social institutions are few or non-existent. Religion is generally based on family tradition, individual experience, or counsel from a shaman. All known band societies hunt and gather to obtain their subsistence.
In his 1972 study, The Notion of the Tribe, Morton Fried defined bands as small, mobile, and fluid social formations with weak leadership that do not generate surpluses, pay taxes nor support a standing army.