Pop music (a term that derives from "popular") is a genre of popular music that originated in its modern form in the Western world during the 1950s and 1960s, deriving from rock and roll. The terms "popular music" and "pop music" are often used interchangeably, although the former describes all music that is popular (and can include any style).
Pop music is eclectic, and often borrows elements from other styles such as urban, dance, rock, Latin, and country; nonetheless, there are core elements that define pop music. Identifying factors include generally short to medium-length songs written in a basic format (often the verse-chorus structure) as well as the common employment of repeated choruses, melodic tunes, and hooks.
David Hatch and Stephen Millward define pop music as "a body of music which is distinguishable from popular, jazz, and folk musics". According to Pete Seeger, pop music is "professional music which draws upon both folk music and fine arts music". Although pop music is seen as just the singles charts, it is not the sum of all chart music. The music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately. Thus "pop music" may be used to describe a distinct genre, aimed at a youth market, often characterized as a softer alternative to rock and roll.
Pop is the ninth studio album by Irish rock band U2. It was produced by Flood, Howie B, and Steve Osborne, and was released on 3 March 1997 on Island Records. The album was a continuation of the band's 1990s musical reinvention, as they incorporated alternative rock, techno, dance, and electronica influences into their sound. Pop employed a variety of production techniques that were relatively new to U2, including sampling, loops, programmed drum machines, and sequencing.
Recording sessions began in 1995 with various record producers, including Nellee Hooper, Flood, Howie B, and Osborne, who were introducing the band to various electronica influences. At the time, drummer Larry Mullen, Jr. was inactive due to a back injury, prompting the other band members to take different approaches to songwriting. Upon Mullen's return, the band began re-working much of their material but ultimately struggled to complete songs. After the band allowed manager Paul McGuinness to book their upcoming 1997 PopMart Tour before the record was completed, they felt rushed into delivering it. Even after delaying the album's release date from the 1996 Christmas and holiday season to March 1997, U2 ran out of time in the studio, working up to the last minute to complete songs.
Happy Tree Friends (HTF) is an American flash cartoon created and developed by Aubrey Ankrum, Rhode Montijo, Kenn Navarro and Warren Graff for Mondo Media. The show is cited as an early example of a popular Internet phenomenon achieving a cult following.
The action and adventure comedy is composed of simple drawings and juxtaposes cute forest animals with extreme graphic violence. Each episode revolves around the characters enduring accidental events of bloodshed, pain, dismemberment, and/or death. At one point, the warning "Cartoon Violence: Not recommended for small children, or big babies" was given on the official website.
The episodes last from 1 to 7 minutes. In 2006, a television series featuring longer episodes aired. A spin-off called Ka-Pow! premiered on September 2, 2008.
Happy Tree Friends features a variety of characters, each with varying appearances and personalities. However, almost all share identical Pac-Man eyes, buckteeth, and pink heart-shaped noses. Lumpy makes up one of the four primary characters along with Cuddles, Giggles and Toothy.
POP-11 is a reflective, incrementally compiled programming language with many of the features of an interpreted language. It is the core language of the Poplog programming environment developed originally by the University of Sussex, and recently in the School of Computer Science at the University of Birmingham which hosts the Poplog website.
POP-11 is an evolution of the language POP-2, developed in Edinburgh University and features an open stack model (like Forth, among others). It is mainly procedural, but supports declarative language constructs, including a pattern matcher and is mostly used for research and teaching in Artificial Intelligence, although it has features sufficient for many other classes of problems. It is often used to introduce symbolic programming techniques to programmers of more conventional languages like Pascal, who find POP syntax more familiar than that of Lisp. One of POP-11's features is that it supports first-class functions.
Pop-11 is the core language of the Poplog system. The fact that the compiler and compiler subroutines are available at run-time (a requirement for incremental compilation) gives it the ability to support a far wider range of extensions than would be possible using only a macro facility. This made it possible for incremental compilers to be added for Prolog, Common Lisp and Standard ML, which could be added as required to support either mixed language development or development in the second language without using any Pop-11 constructs. This made it possible for Poplog to be used by teachers, researchers, or developers who were interested in only one of the languages. The most successful product developed in Pop-11 was the Clementine data-mining system, developed by ISL, as described in the entry on Poplog. After SPSS bought ISL they decided to port Clementine to C++ and Java, and eventually succeeded with great effort (and perhaps some loss of the flexibility provided by the use of an AI language!).
Plácido Domingo has made hundreds of opera performances, music albums, and concert recordings throughout his career as an operatic tenor. From his first operatic leading role as Alfredo in La traviata in 1961, his major debuts continued in swift succession: Tosca at the Hamburg State Opera and Don Carlos at the Vienna State Opera in 1967; Adriana Lecouvreur at the Metropolitan Opera, Turandot in Verona Arena and La bohème in San Francisco in 1969; La Gioconda in 1970; Tosca in Royal Opera House, Covent Garden in 1971; La bohème at the Bavarian State Opera in 1972; Il trovatore at the Paris Opéra in 1973 and Don Carlo at the Salzburg Festival in 1975,Parsifal in 1992 at the Bayreuth Festival; and the list continues until today; the same role is often recorded more than once.
Other than full-length opera performance recordings, Domingo has also made many music albums, recording opera arias, live opera performances and concerts, and crossover songs in solo and duet. His albums have simultaneously appeared on Billboard charts of best-selling classical and crossover recordings; contributing to many gold and platinum records and nine Grammy awards.
A song is a musical composition for voice or voices.
Song or songs or The Song may also refer to:
Kate Micucci (pronounced /mᵻˈkuːtʃi/; born March 31, 1980) is an American actress, comedian, singer-songwriter, and artist. She is one half of the musical comedy duo Garfunkel and Oates. Her first major television exposure was her role as Stephanie Gooch in Scrubs. Later she portrayed Shelley in Raising Hope and Raj's girlfriend, Lucy in The Big Bang Theory. She also provides the voice of Velma Dinkley in Be Cool, Scooby-Doo!, and Sadie in Steven Universe.
Born in Jersey City, New Jersey, of Italian ancestry, Micucci was raised in Nazareth, Pennsylvania, in the Lehigh Valley region of the state, where she first learned to play classical piano, taught by her mother. She graduated alongside rock musician Jordan White in 1998 from Nazareth Area High School. Micucci then received an A.A. in Fine Arts from Keystone College in La Plume, Pennsylvania, and a B.A. in Studio Art in 2003 from Loyola Marymount University, Los Angeles.
Micucci's TV credits include numerous television commercials, as well as Toni the barista on NBC's Four Kings, guest roles on Malcolm in the Middle, 'Til Death, How I Met Your Mother, Cory in the House, and Campus Ladies, and recurring roles on Scrubs and Raising Hope. Her film credits include The Last Hurrah, Bart Got a Room and When in Rome. She plays "Lily the IT girl" on Elevator produced by HBO's Runawaybox. In early 2009, she released a five-track EP entitled Songs.
I hate Pop Songs
They think they're clever, I think they're wrong
I hate bubble gum punk
They got the look but the music is junk
I hate anyone that savors
The foul stench of this months flavor
And hell is a place that you can go
If you like disco or techno
Pop songs
Pop songs
Pop songs
Pop songs
Hi boys and girls
come on and get happy
I hate Puff Daddy
And his friend the dead fatty
I hate the grateful dead
But I'll be grateful when the rest of them are dead
I feel like I'm on pins and needles
How many bands can rip off the Beatles?
And every day there is another
Band that got big by playing a cover
I hate pop songs
I hate pop songs
I hate pop songs
I hate pop songs
lala, lala, lalalalalalalala
I hate Celine Dion
Titanic Song makes me wanna moan
And if I hear another love ballad
I think I'm gonna have to toss my salad and
I hate teen idols
they got signed by old farts with fancy titles
There's nothing worse at least to me
Than stupid lyrics with a lame ass melody
I hate pop songs, pop songs
I hate pop songs, pop songs
I hate pop songs, pop songs
I hate pop songs, pop songs
Pop songs, I hate pop songs
Pop songs, I hate pop songs