BE is the second and final studio album by the English rock band Beady Eye, released on 10 June 2013 (2013-06-10). It was recorded between November 2012 and March 2013. The album was produced by Dave Sitek who has previously produced records for Yeah Yeah Yeahs, TV on the Radio and Jane's Addiction. BE debuted at number 2 on the UK Albums Chart behind Black Sabbath's 13. Despite receiving mixed reviews from contemporary critics BE is considered by many fans to be an improvement from their debut album Different Gear, Still Speeding and is notable for showcasing a rare experimental approach which departs from the sound of previous Beady Eye and Oasis albums.
The first song released from the album was "Flick of the Finger", which music video was premiered at Beady Eye's official website. The song peaked at number 138 in the UK, however, the song was not the first single from the album. The first official single from the album was "Second Bite of the Apple". It was due to receive its first UK Radio airplay on Zane Lowe's BBC Radio 1 programme on 15 April 2013, but Zane Lowe then announced it has been rescheduled to the 29 April. "Second Bite of the Apple" charted at number 112 in the UK. It was also performed live on BBC talent show The Voice UK semi-final on Saturday 15 June 2013. The double A-side "Shine a Light" / "The World's Not Set in Stone" was released on 19 August. Their new double A-side "Iz Rite" / "Soul Love" was released on 25 November.
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
The following people were involved in the making of !:
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
+ (the plus sign) is a binary operator that indicates addition, with 43 in ASCII.
+ may also refer to:
Eyes are the organs of vision. They detect light and convert it into electro-chemical impulses in neurons. In higher organisms, the eye is a complex optical system which collects light from the surrounding environment, regulates its intensity through a diaphragm, focuses it through an adjustable assembly of lenses to form an image, converts this image into a set of electrical signals, and transmits these signals to the brain through complex neural pathways that connect the eye via the optic nerve to the visual cortex and other areas of the brain. Eyes with resolving power have come in ten fundamentally different forms, and 96% of animal species possess a complex optical system. Image-resolving eyes are present in molluscs, chordates and arthropods.
The simplest "eyes", such as those in microorganisms, do nothing but detect whether the surroundings are light or dark, which is sufficient for the entrainment of circadian rhythms. From more complex eyes, retinal photosensitive ganglion cells send signals along the retinohypothalamic tract to the suprachiasmatic nuclei to effect circadian adjustment and to the pretectal area to control the pupillary light reflex.
For the Toronto-based weekly see Eye Weekly.
Eye magazine, the international review of graphic design, is a quarterly print magazine on graphic design and visual culture.
First published in London in 1990, Eye was founded by Rick Poynor, a prolific writer on graphic design and visual communication. Poynor edited the first twenty-four issues (1990-1997). Max Bruinsma was the second editor, editing issues 25–32 (1997–1999), before its current editor John L. Walters took over in 1999. Stephen Coates was art director for issues 1-26, Nick Bell was art director from issues 27-57, and Simon Esterson has been art director since issue 58.
Frequent contributors include Phil Baines, Steven Heller, Steve Hare, Richard Hollis, Robin Kinross, Jan Middendorp, J. Abbott Miller, John O’Reilly, Rick Poynor, Alice Twemlow, Kerry William Purcell, Steve Rigley, Adrian Shaughnessy, David Thompson, Christopher Wilson and many others.
Other contributors have included Nick Bell (creative director from issues 27-57), Gavin Bryars, Anne Burdick, Brendan Dawes, Simon Esterson (art director since issue 58), Malcolm Garrett, Anna Gerber, Jonathan Jones, Emily King, Ellen Lupton, Russell Mills, Quentin Newark, Tom Phillips, Robin Rimbaud, Stefan Sagmeister, Sue Steward, Erik Spiekermann, Teal Triggs, Val Williams and Judith Williamson.
Eye (1985) is a collection of thirteen short stories written by science fiction author Frank Herbert. All of the works had been previously published in magazine or book form, except for "The Road to Dune."
Herbert discusses David Lynch's film Dune and his own participation in the production, and lists scenes that were shot but cut from the released version.
Psychological thriller originally serialized as Under Pressure in Astounding magazine from December 1955 through February 1956, then reworked and published as a book in 1956.
First appearing in Fantastic Universe magazine in 1958, this short story is notable for the introduction of the character Jorj X. McKie, saboteur extraordinary.
First appearing in Galaxy Science Fiction magazine in 1964 and later republished in The Worlds of Frank Herbert in 1971, this novelette is notable for establishing the setting for Herbert's ConSentiency universe.