Azul may refer to:
Azul were a Cuban baseball team in the Cuban League. They played from 1904 to 1908.
Azul (Blue) is the fourth album by Argentine rock band Los Piojos, recorded at Del Cielito Records studio and released in 1998. This work mixes candombe and murga with the traditional rhythms used by the band and was presented live in Parque Sarmiento and at the All Boys stadium.
The Allmusic review by Victor W. Valdivia awarded the album 4 stars stating "Los Piojos are amazingly eclectic in their approach to music... they incorporate reggae and Caribbean rhythms, but they also show an influence of classic rock and alternative. That's not to say that they don't explore their Latin roots on various instances... The lyrics are also wide-ranging, veering from nakedly revealing self-portraits to Michael Stipe-like inscrutability. As diverse as the album gets, though, nothing ever feels forced or contrived. Azul is the only one of Los Piojos' four albums available in the U.S, but it is a superb introduction to their talent and may inspire listeners to seek out their earlier releases.".
Raíces (Spanish "roots") may refer to:
Raíces ("Roots") is a cover album released by Mexican group Los Tigres del Norte on May 4, 2008. This album became their sixth number-one set on the Billboard Top Latin Albums. It won the Grammy Award for Best Norteño Album at the Grammy Awards of 2009.
The information from Billboard.
The information from Allmusic.
Raíces, música per a un aniversari (Catalan: Roots, music for an anniversary), often referred to as Raíces, is a composition for wind ensemble by Valencian composer Juan J. Colomer. It was commissioned by the Alzira Musical Society and finished on November 1998. It was eventually premiered on December 21, 1998, performed by the Symphonic Band of the Alzira Musical Society and conducted by Ángel Crespo García, in his home town.
The pieces consists of three movements and takes approximately 23 minutes to perform. The movement list is as follows:
The first section of the first movement is an unmeasured part in which Colomer tries to recreate the sounds remembered by himself when he was a student. It consists of extracts from different pieces and lessons for several instruments. The second and the third movement are to be played continuously.
Colomer wrote this composition for symphony wind orchestra. He specified the need for a large group of percussionist, as up to 10 percussionists are required to play this composition. The complete instrumentation is as follows.