Group may refer to:
A stratigraphic unit is a volume of rock of identifiable origin and relative age range that is defined by the distinctive and dominant, easily mapped and recognizable petrographic, lithologic or paleontologic features (facies) that characterize it.
Units must be mappable and distinct from one another, but the contact need not be particularly distinct. For instance, a unit may be defined by terms such as "when the sandstone component exceeds 75%".
Sequences of sedimentary and volcanic rocks are subdivided on the basis of their lithology. Going from smaller to larger in scale, the main units recognised are Bed, Member, Formation, Group and Supergroup.
A bed is a lithologically distinct layer within a member or formation and is the smallest recognisable stratigraphic unit. These are not normally named, but may be in the case of a marker horizon.
A member is a named lithologically distinct part of a formation. Not all formations are subdivided in this way and even where they are recognized, they may only form part of the formation.
The 1994 Group was a coalition of smaller research-intensive universities in the United Kingdom, founded in 1994 to defend these universities' interests following the creation of the Russell Group by larger research-intensive universities earlier that year. The 1994 Group originally represented seventeen universities, rising to nineteen, and then dropping to eleven. The Group started to falter in 2012, when a number of high performing members left to join the Russell Group. The 1994 Group ultimately dissolved in November 2013.
The group sought "to represent the views of its members on the current state and the future of higher education through discussions with the government, funding bodies, and other higher education interest groups" and "[made] its views known through its research publications and in the media".
University Alliance, million+, GuildHE and the Russell Group were its fellow university membership groups across the UK higher education sector.
Aya was an Ancient Egyptian king's wife of the Thirteenth Dynasty (between 1803 and 1649 BCE).
She is known from two sources. Aya appears on a stela now in Würzburg. From this source it is clear that she was part of an influential family of high court officials and was related to the Vizier Ankhu.
She also appears in the Papyrus Boulaq 18. This is an administrative account belonging to the Theban palace of a Thirteenth Dynasty king. It was found in the tomb of the scribe of the great enclosure Neferhotep. The name of the king in this papyrus is only partly preserved. Many scholars read the remains as Sobekhotep II, although other dispute that reading. Other suggestions include King Sehetepkare Intef and King Imyremeshaw. Therefore, there is some doubt over the identification of Aya's husband.
AYA (亜矢, Aya) is a female Japanese rock artist from Beach Nine Records. AYA's song Over Night (2006) is used as the ending theme to the Anime Le Chevalier D'Eon. Currently, she is associated with the project band, CruelShe.
Aya was born in Hokkaido, the northernmost island of Japan, in a small town with a population of 2000. Most of her childhood was spent doodling while listening to her parents' oldies. In elementary school, Aya heard electric guitars for the first time at a Ventures' concert, and in junior high she henceforth devoted herself to hard rock and punk. She joined a girl band right after getting her first electric guitar, doing covers of bands like the Sex Pistols. Bored with school and with few friends, she missed half of the term and dropped out of school at 15.
She was introduced to grunge when she heard Nirvana's 1991 album Nevermind, which would have huge stylistic influence on her own musical career. Leaving home, she wandered around various cities in Hokkaido before ending up in Tokyo. While making a living by singing in bars, she was invited to audition for a band at a pop vocal contest. She won, only to have the band's songwriter die just moments before their debut. She considered giving up on becoming a professional musician, but soon immersed herself in song writing when she discovered it came easily to her. The first song she wrote became her debut song, "Hands (AYA song)". Making demo tracks took up a great part of her time, but she also sharpened her skills by performing on American army bases and the streets of Shibuya. By the time she signed with BMG Japan, she had 30 well-crafted songs ready for production. Aya arranged the songs and used an 8-track multi-tape recorder to create all the various effects and harmonies, playing guitar, bass, and drums (machine) herself.
In the blind dimmension
I'm devoting inconsistency
Intern palpitation
Of groundless habits
The poacher of my sights
Thurst unusually crass methods
Partly lost passion
Throughly hidden sentiments
I purvey
Your senses collapse endlessly
I bond
I purse
I pander
There's nothing extreme in this
Only fools can't see
Beauty
In the shadows of