The axilla (or underarm, or oxter) is the area on the human body directly under the joint where the arm connects to the shoulder. It also provides the under-arm sweat gland.
In humans, the formation of body odor happens mostly in the axillary region. These odorant substances serve as pheromones which play a role related to mating. The underarm regions seem more important than the genital region for body odor which may be related to human bipedalism.
Anatomically, the boundaries of the axilla are:
The lower posterior boundary is called the posterior axillary fold and this is a compound structure consisting of the latissimus dorsi and teres major muscles.It can descend after weight loss.
The anterior boundary is called the anterior axillary fold and this is rounded in shape and formed by the lower border of the pectoralis major. Some sources also include the pectoralis minor.It can elongate after weight loss.
The contents of the axilla include the axillary vein and artery, as well as the brachial plexus, lymph nodes and fat. The axilla is the space between the side of the thorax and the upper arm.
Hoist (stylized as (Hoist)) is the fifth official studio album by the American rock band Phish, released on March 29, 1994, by Elektra Records. At the time of its release, Hoist was Phish's best selling album to date, peaking at #34 on the Billboard 200 albums chart.
The band suggested a few ideas for the album's title before finally settling on Hoist; one of the alternative suggestions was Hung Like a Horse. The band ruled this out, but decided to keep the visual joke intact for the album's cover. The horse is also a reference to "The Horse," the only song not visually depicted on the cover of Rift, the band's previous album.
Hoist features guest appearances from Alison Krauss, Béla Fleck and a host of other musicians, as well as actor Jonathan Frakes on trombone. With its jazz, blues, soul and bluegrass influences, the album is marked by more stripped-down, straightforward songwriting and pop-friendly hooks, a somewhat new approach for Phish.
However, the album's final track, "Demand", segues into an extended instrumental excerpt from the April 21, 1993, live performance of the song "Split Open and Melt", followed by the first verse and refrain of the Hebrew song "Yerushalayim Shel Zahav (Jerusalem of Gold)."
I dropped the buzzard in the sand and trudged off slowly toward the town,
I needed dinner and a place where I could throw my weight around,
I detected faint axilla scent that put me off my appetite,
But mouflon warring where I went renewed in me a need to fight,
Then reveling in mirror mask I soon was lost in foggy ditch,
Without a feather gray or white to tickle that piano witch,
Fearing that I must expose my worm to holographic haze,
My Clinometer error rose and spawned in her new mawkish ways,
I woke the witch with reverence reserved for serpents, snails, and slugs,
I pulled the witch from out the ditch and turned to face the furry thugs,
The sheep they smiled with teeth agleam,
The weapons in their hooves revolved I detected a prostatic ream,