The awit is a form of Filipino poetry. Its literal translation into English is "song," although in the context of poetry, it is closer to the narrative.
Alejandro G. Abadilla (March 10, 1906 – August 26, 1969), commonly known as AGA, was a Filipino poet, essayist and fiction writer. Critic Pedro Ricarte referred to Abadilla as the father of modern Philippine poetry, and was known for challenging established forms and literature's "excessive romanticism and emphasis on rhyme and meter". Abadilla helped found the Kapisanang Panitikan in 1935 and edited a magazine called Panitikan. His Ako ang Daigdig collection of poems is one of his better known works.
Abadilla was born to an average Filipino family on March 10, 1906, in Salinas, Rosario, Cavite. He finished elementary school at Sapa Barrio School, then continued for high school education in Cavite City. After graduation, he went abroad and worked for a small printing shop in Seattle, Washington. He edited several section of the Philippine Digest, Philippines-American Review and established Kapisanang Balagtas (Balagtas' Organization). In 1934, he returned to the Philippines where he finished AB Philosophy at the University of Santo Tomas. Until 1934, he became municipal councilor of Salinas before shifting to an insurance selling job.
1st STANZA-
hindi ko na malayan
nagtataka kung bakit laging nasa isipan.
hindi ko mapigilan
kung bakit ba hindi ka kayang kalimutan
REF-
at kahit na pigilan ang sarili
sa isipan ko ikay nananatili
at kahit na anong gawin upang ikay lisanin
ikay mahal parin.
CHO-
lagi kang iingatan
sa puso at isipan
kahit na hindi magkatuloyan
at kahit pa sabihin mo
marami pang pagbabago
bastat para sayo
ang awit nato.
2nd STANZA-
ngayun lang napansin
ikaw parin pala ang nilalaman ng damdamin.
gabi gabi hinihiling sa mga bituin sana ikay muling
makapiling
REF-
at kahit na pigilan ang sarili
sa isipan ko ikay nananatili
at kahit na anong gawin upang ikay lisanin
ikay mahal parin.
CHO-
lagi kang iingatan
sa puso at isipan
kahit na hindi magkatuloyan
at kahit pa sabihin mo
marami pang pagbabago
bastat para sayo
ang awit nato.
(INSTRUMENTAL)
(REPEAT REFRAIN)
CHO-
lagi kang iingatan
sa puso at isipan
kahit na hindi magkatuloyan
at kahit pa sabihin mo
marami pang pagbabago
bastat para sayo
ang awit nato.
lagi kang iingatan
sa puso at isipan
kahit na hindi magka tuloyan
at lahi mong tatandaan pag-ibig koy wlang hanggan
kahit nasan kaman..