Averi

Averi is a rock band that formed in Boston, Massachusetts in 1998 while the members were students at local colleges and universities. The band grew in local popularity rather quickly, and even had a strong national following. It was no mystery that the band was one of few bands in Boston, at the time, that garnered a lot of label attention. However, due to member changes and other events, the band has been inactive since early 2007. The band was composed of Mike Golarz (vocals and guitar), Michael Currier (saxophone and vocals), Stuart Berk (lead guitar), Chris Tilden (bass), and Matt Lydon (drums). Chad Perrone was the former lead singer. He left the band in late 2005.

History

Averi was founded in 1998 on the campus of Suffolk University in Boston, MA by Matt Lydon and Michael Currier. After inviting Chad Perrone into the group, Averi was born. At Wits End was the band's debut EP. Featuring five funk and sax heavy tunes, At Wits End became very popular within the local scene and helped the band gain support from producer Mike Denneen for their debut LP, Direction of Motion. With the addition of Chris Tilden and Stuart Berk, Direction of Motion had a distinctive pop sound. The album sold thousands of copies without any label representation. The band went out on the road in support of the album playing colleges up and down the east coast of the US and numerous clubs around Boston.

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End

End or Ending may refer to:

End

End (philosophy)

In mathematics:

End (category theory)

End (topology)

End (graph theory)

End (endomorphism)

End (American football)

End, a division of play in the sports of curling and target archery

End key on a modern computer keyboard

End Records, a record label

"End", a song by The Cure from Wish

"End", a song from Silent Night Fever by Dimension Zero

End, in weaving, a single thread of the warp

END

European Nuclear Disarmament

Endoglin, a glycoprotein

Equivalent narcotic depth, a concept used in underwater diving

Environmental noise directive

Ending

Ending (linguistics)

Alternate ending

End of a part of a baseball game

Conclusion (music)

In music, the conclusion is the ending of a composition and may take the form of a coda or outro.

Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."

For example:

The slow movement of Bach's Brandenburg Concerto No. 2, where a "diminished-7th chord progression interrupts the final cadence."

The slow movement of Symphony No. 5 by Beethoven, where, "echoing afterthoughts", follow the initial statements of the first theme and only return expanded in the coda.

Varèse's Density 21.5, where partitioning of the chromatic scale into (two) whole tone scales provides the missing tritone of b implied in the previously exclusive partitioning by (three) diminished seventh chords.

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End (graph theory)

In the mathematics of infinite graphs, an end of a graph represents, intuitively, a direction in which the graph extends to infinity. Ends may be formalized mathematically as equivalence classes of infinite paths, as havens describing strategies for pursuit-evasion games on the graph, or (in the case of locally finite graphs) as topological ends of topological spaces associated with the graph.

Ends of graphs may be used (via Cayley graphs) to define ends of finitely generated groups. Finitely generated infinite groups have one, two, or infinitely many ends, and the Stallings theorem about ends of groups provides a decomposition for groups with more than one end.

Definition and characterization

Ends of graphs were defined by Rudolf Halin (1964) in terms of equivalence classes of infinite paths. A ray in an infinite graph is a semi-infinite simple path; that is, it is an infinite sequence of vertices v₀, v₁, v₂, ... in which each vertex appears at most once in the sequence and each two consecutive vertices in the sequence are the two endpoints of an edge in the graph. According to Halin's definition, two rays r₀ and r₁ are equivalent if there is another ray r₂ (not necessarily different from either of the first two rays) that contains infinitely many of the vertices in each of r₀ and r₁. This is an equivalence relation: each ray is equivalent to itself, the definition is symmetric with regard to the ordering of the two rays, and it can be shown to be transitive. Therefore, it partitions the set of all rays into equivalence classes, and Halin defined an end as one of these equivalence classes.

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WITS

WITS or Wits may refer to:

WITS (AM), an AM radio station in Sebring, Florida

Water Industry Telemetry Standard, a communications protocol

Wellsite Information Transfer Specification, used by the petroleum industry

Wisconsin Institute for Torah Study, an orthodox Jewish yeshiva in Milwaukee, Wisconsin

Workshop on Information Technologies and Systems, an academic conference on information systems

Bidvest Wits F.C., a South African football club

Herman Wits (1636–1708), Dutch theologian

University of the Witwatersrand, in Johannesburg, South Africa

World Integrated Trade Solution, a trade database provided by the World Bank

WITS (AM)

WITS is a commercial radio station in Sebring, Florida, United States, broadcasting to the Sebring area on 1340 AM. WITS features Dial Global's adult standards format called America's Best Music, with an emphasis on vocalists such as Nat King Cole, Andy Williams, Barbra Streisand and Frank Sinatra, and light pop such as Barry Manilow, Carpenters, Kenny Rogers, Celine Dion and Anne Murray. WITS is one of the more popular stations in the Sebring market, consistently placing among the top four stations in the market.