Automatons is the second solo album by Svoy. It was originally released in Japan August 19, 2009, on historic P-Vine Records/Blues Interactions. U.S./International release followed on November 2, 2010, on Sixteenth Republic Records.
Automatons expands upon artist's signature diverse sound by simultaneously paying tribute to his broad scope of musical influences and the sonic language of so-called "processed humanity". Svoy created 15 new selections of music and lyrics (including original cover of the Bee Gees' classic "Lonely Days" and an excerpt from "Silentium!", a poem by Fyodor Tyutchev). Two songs on Automatons were written and performed in collaboration with Adam Levy (multi platinum-selling songwriter/singer/guitarist for Tracy Chapman, Amos Lee and Norah Jones' Handsome Band), as well as Ilya Lagutenko (frontman/leader of Russia's superstar rock band Mumiy Troll, MTV Award winner, legendary multi-hit songwriter/singer/actor, whose acting credits include "Night Watch" (2005), international blockbuster by director Timur Bekmambetov ("Wanted", 2008; "Wanted 2", 2011).
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
The following people were involved in the making of !:
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
All compositions by John Zorn and Thurston Moore
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
Automatons is a 2006 black-and-white horror film about a war against robots. The movie was made under the working title Death to the Automatons. Christine Spencer, Angus Scrimm, and Brenda Cooney star. John Levene, Don Wood and Executive Producer Larry Fessenden have supporting roles. The film was directed by James Felix McKenney. The tagline was, "Men started this war. The machines will finish it."
Somewhere in the distant future, The Girl is living alone in a bunker. She continues to fight with the generations-long war with the assistance of a group of antiquated robot helpers and soldiers.
Her only connection to her people is a collection of recorded journal entries made by the scientist who cared for her as a baby. His is the only friendly human face she’s ever seen. These entries gradually disclose the fall of mankind: escalating war that destroyed Earth's atmosphere, human reproductive abilities, and all hope for future. The Girl is revealed to be a clone, created as a last attempt to restore the humanity's dwindling numbers.