Jamal

Jamal (Arabic: جمال‎ Jamāl/Ǧamāl ) is an Arabic masculine given name, meaning beauty. The use of this name is widespread across the Muslim world.

In Egypt the name is pronounced [ɡæˈmæːl] and so is normally spelled Gamal . Tunisians may spell it Jamel. In Turkish, the name is transliterated as Cemal, Albanian as Xhemal and in Bosnian as Džemal.

People with the given name Gamal, Jamal, or Džemal

Jamal (rapper)

Jamal Phillips (born April 26, 1978), who performs under the mononym Jamal, is an American rapper and music producer. He started his career as one-half of rap duo Illegal, the rap act formed by Dallas Austin in the early 1990s.

Illegal and going solo

Phillips' tenure with Illegal was short-lived; following the lukewarm response to 1993's The Untold Truth — the group's full-length debut — Phillips embarked on a solo career. He teamed up with Erick Sermon of the Def Squad to release 1995's Last Chance, No Breaks, his debut release.

The album (produced by Easy Mo Bee, Redman, Rockwilder and Sermon) peaked at #10 and #37 on Billboard magazine's Heatseekers and Top R&B/Hip-Hop Albums charts respectively. The album also spawned a pair of hit singles — "Fades Em All", which sampled The Notorious B.I.G.'s 'Ready To Die' and "Keep It Real", which sampled Stevie Wonder's 'Ribbon In The Sky'.

Smoke-A-Lot Records

In 2006, Jamal signed a deal with rapper Yukmouth to be a part of his Smoke-A-Lot Records label. An as yet to be titled album is due out in the near future.

Jamal (band)

Jamal is a Polish raggamuffin, reggae and dancehall music group from Radom. At various times, it included members Gienia, Księżyc, LUU, EMZK and Siekierka.

The group was founded in 1999 by Łukasz Borowiecki and Tomasz Mioduszewski. The duo started initially as a hip hop band and performed mainly in Polish. The band reformed in 2005 and on June 18 that year, they released a debut album Rewolucje on EMI, with a strong influence of reggae, dancehall and raggamuffin.

Their debut single from the album was "Tubaka" During the annual national Nagroda Muzyczna Fryderyk Awards (known for short as the Fryderyks), their album was nominated for "Best Hip Hop / R&B Album of the Year" in Poland. The band's vocalist Tomasz "Miodu" Mioduszewski credited as Miodu was appeared in Molesta's 2006 music video for "Tak miało być" with the single featuring Jamal and charting in Polish Radio official chart Szczecińska Lista Przebojów (SLiP) reaching #31 in addition to hits Policeman (reaching #25) and "Rewolucje" (reaching #29).

Automat

An automat is a fast food restaurant where simple foods and drink are served by vending machines.

Concept

Originally, the machines in U.S. automats took only nickels. In the original format, a cashier would sit in a change booth in the center of the restaurant, behind a wide marble counter with five to eight rounded depressions in it. The diner would insert the required number of coins in a machine and then lift a window, which was hinged at the top, to remove the meal, which was generally wrapped in waxed paper. The machines were filled from the kitchen behind. All or most New York automats also had a cafeteria-style steam table where patrons could slide a tray along rails and choose foods, which were ladled out of steaming tureens.

Inspired by Max Sielaff's AUTOMAT Restaurants in Berlin, they became among the first 47 restaurants, and the first non-Europeans to receive patented vending machines from Max Sielaff's AUTOMAT GmbH Berlin factory, creators of the first chocolate bar vending machine. The first automat in the U.S. was opened June 12, 1902, at 818 Chestnut St. in Philadelphia by Horn & Hardart. The automat was brought to New York City in 1912 and gradually became part of popular culture in northern industrial cities. Horn & Hardart was the most prominent automat chain.

Automat (album)

Automat is an album of instrumental electronic music composed by the Italian musicians Romano Musumarra and Claudio Gizzi. It was produced in 1977 and released in 1978 by EMI Italy, through its Harvest label.

All the sounds in this album were generated by the MCS70, a monophonic analog synthesizer designed, built and programmed by the Italian engineer Mario Maggi.

Automat was Musumarra's initiative – after learning about the new instrument, he proposed to EMI Italy that he produce an album of electronic instrumental music. Although at the time such a project was considered risky, the answer was positive. EMI suggested, however, that Claudio Gizzi, a more experienced composer that already worked with them, also participate in the project.

The composition work was divided: Gizzi contributed to side A, who filled it with a long suite with 3 movements, and Musumarra contributed to side B, who composed three shorter pieces.

They had very little time to complete the project with only four weeks in the studio. As a result, the last track, Mecadence, was left somewhat incomplete.

Automat (painting)

Automat is a (1927) painting by the American realist painter Edward Hopper. The painting was first displayed on Valentine’s Day 1927 at the opening of Hopper’s second solo show, at the Rehn Galleries in New York. By April it had been sold for $1,200. The painting is today owned by the Des Moines Art Center in Iowa.

The woman

The painting portrays a lone woman staring into a cup of coffee in an Automat at night. The reflection of identical rows of light fixtures stretches out through the night-blackened window.

Hopper's wife, Jo, served as the model for the woman. However, Hopper altered her face to make her younger (Jo was 44 in 1927). He also altered her figure; Jo was a curvy, full-figured woman, while one critic has described the woman in the painting as "'boyish' (that is, flat-chested)"

As is often the case in Hopper's paintings, both the woman's circumstances and her mood are ambiguous. She is well-dressed and is wearing makeup, which could indicate either that she is on her way to or from work at a job where personal appearance is important, or that she is on her way to or from a social occasion.