Denny's (also known as Denny's Diner on some of the locations' signage) is a full-service pancake house/coffee shop/fast casual family restaurant chain. It operates over 1,600 restaurants in the United States, Puerto Rico, Guam, Canada, Dominican Republic, El Salvador, Curaçao, Costa Rica, Venezuela, Honduras, Japan (transliterated as デニーズ Denīzu), Mexico, New Zealand, Qatar, and the United Arab Emirates.
Denny's is known for always being open, serving breakfast, lunch, dinner, and dessert around the clock. Unlike many other restaurant chains, Denny's does not close on holidays or nights, except where required by law. Many of their restaurants are located in proximity to freeway exits, bars, and in service areas. Denny's started franchising in 1963, and most Denny's restaurants are now franchisee-owned.
Harold Butler and Richard Jezak opened Danny's Donuts in Lakewood, CA in 1953. In 1955, after Jezak's departure from the then-6-store chain, Butler created and changed the concept a year later in 1956, shifting it from a donut shop to a coffee shop with store #8. Danny's Donuts was renamed Danny's Coffee Shops and changed its operation to 24 hours. In 1959, to avoid confusion with Los Angeles restaurant chain Coffee Dan's, Butler changed the name from Danny's Coffee Shops to Denny's Coffee Shops. Two years later, in 1961, Denny's Coffee Shops was simply renamed Denny's. The business continued to expand, and by 1981, there were over 1,000 restaurants in all 50 U.S. states. The company absorbed many of the old Sambo's restaurants, and used their mid-century design in all their future restaurants. In 1977, Denny's introduced the still-popular Grand Slam breakfast. In 1994, Denny's became the largest corporate sponsor of Save the Children, a national charity. All but six Denny's closed for the first time ever on Christmas 1988; many of the restaurants were built without locks, and some had reportedly lost their keys.
An automat is a fast food restaurant where simple foods and drink are served by vending machines.
Originally, the machines in U.S. automats took only nickels. In the original format, a cashier would sit in a change booth in the center of the restaurant, behind a wide marble counter with five to eight rounded depressions in it. The diner would insert the required number of coins in a machine and then lift a window, which was hinged at the top, to remove the meal, which was generally wrapped in waxed paper. The machines were filled from the kitchen behind. All or most New York automats also had a cafeteria-style steam table where patrons could slide a tray along rails and choose foods, which were ladled out of steaming tureens.
Inspired by Max Sielaff's AUTOMAT Restaurants in Berlin, they became among the first 47 restaurants, and the first non-Europeans to receive patented vending machines from Max Sielaff's AUTOMAT GmbH Berlin factory, creators of the first chocolate bar vending machine. The first automat in the U.S. was opened June 12, 1902, at 818 Chestnut St. in Philadelphia by Horn & Hardart. The automat was brought to New York City in 1912 and gradually became part of popular culture in northern industrial cities. Horn & Hardart was the most prominent automat chain.
Automat is an album of instrumental electronic music composed by the Italian musicians Romano Musumarra and Claudio Gizzi. It was produced in 1977 and released in 1978 by EMI Italy, through its Harvest label.
All the sounds in this album were generated by the MCS70, a monophonic analog synthesizer designed, built and programmed by the Italian engineer Mario Maggi.
Automat was Musumarra's initiative – after learning about the new instrument, he proposed to EMI Italy that he produce an album of electronic instrumental music. Although at the time such a project was considered risky, the answer was positive. EMI suggested, however, that Claudio Gizzi, a more experienced composer that already worked with them, also participate in the project.
The composition work was divided: Gizzi contributed to side A, who filled it with a long suite with 3 movements, and Musumarra contributed to side B, who composed three shorter pieces.
They had very little time to complete the project with only four weeks in the studio. As a result, the last track, Mecadence, was left somewhat incomplete.
Automat is a (1927) painting by the American realist painter Edward Hopper. The painting was first displayed on Valentine’s Day 1927 at the opening of Hopper’s second solo show, at the Rehn Galleries in New York. By April it had been sold for $1,200. The painting is today owned by the Des Moines Art Center in Iowa.
The painting portrays a lone woman staring into a cup of coffee in an Automat at night. The reflection of identical rows of light fixtures stretches out through the night-blackened window.
Hopper's wife, Jo, served as the model for the woman. However, Hopper altered her face to make her younger (Jo was 44 in 1927). He also altered her figure; Jo was a curvy, full-figured woman, while one critic has described the woman in the painting as "'boyish' (that is, flat-chested)"
As is often the case in Hopper's paintings, both the woman's circumstances and her mood are ambiguous. She is well-dressed and is wearing makeup, which could indicate either that she is on her way to or from work at a job where personal appearance is important, or that she is on her way to or from a social occasion.