Aurora is a 1984 Italian drama film directed by Maurizio Ponzi and starring Sophia Loren, Edoardo Ponti and Daniel J. Travanti. In order to raise money for an operation for her son, a woman tells various former wealthy lovers that they are his father. Its Italian title is Qualcosa di biondo.
A desperate woman (Loren), in crisis and poverty, is in search of the cruel husband (Noiret) who abandoned after giving her a son. The boy has now become almost an adult has a serious eye problem and is likely to become completely blind. The mother then choose to leave to go in search of his father, who in the meantime is starting a new life. When the mother finds out where he is, also learns that the cruel man has remade a family by marrying a young girl, who became the mother of a twenty-year-old son who has had the cruel man from another relationship.
Aurora is the eponymously titled debut album by American/British girl group Aurora. It was a big success in the UK and featured the hit single "Mercy Me".
This is a list of Foundation universe planets featured or mentioned in the Robot series, Empire series, and Foundation series created by Isaac Asimov.
The star system 61 Cygni, in the Sirius Sector, is advanced by Lord Dorwin as the potential site for a planet of origin for the human species. Lord Dorwin cites 'Sol' (meaning Earth's Sun) and three other planetary systems in the Sirius Sector, along with Arcturus in the Arcturus Sector, as potential original worlds. (This fact seems to be contradicted by information given in Foundation and Earth). Claims were made as early as 1942 that 61 Cygni had a planetary system, though to date, none has been verified, and Asimov was aware of these claims.
Alpha is a fictional planet orbiting the larger of the two stars in the Alpha Centauri system.
In Asimov's Foundation Series, Alpha Centauri is cited by Lord Dorwin as one of the solar systems where humankind potentially originated. The others are Sol, Sirius, 61 Cygni and Arcturus. Beyond mentioning that it is in the Sirius Sector, Dorwin gives no further details.
Marine: A Guided Tour of a Marine Expeditionary Unit is a 1996 book written by Tom Clancy about the inner workings of a Marine Expeditionary Unit.
Marine is an adjective for things relating to the sea or ocean, such as marine biology, marine ecology and marine geology. As a noun it can be a term for a kind of navy, those enlisted in such a navy, or members of troops attached to a navy, e.g. the United States Marine Corps.
In scientific contexts, the term almost always refers exclusively to saltwater environments, although in other contexts (e.g., engineering) it may refer to any (usually navigable) body of water.
Marine art or maritime art is any form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. In practice the term often covers art showing shipping on rivers and estuaries, beach scenes and all art showing boats, without any rigid distinction - for practical reasons subjects that can be drawn or painted from dry land in fact feature strongly in the genre. Strictly speaking "maritime art" should always include some element of human seafaring, whereas "marine art" would also include pure seascapes with no human element, though this distinction may not be observed in practice.
Ships and boats have been included in art from almost the earliest times, but marine art only began to become a distinct genre, with specialized artists, towards the end of the Middle Ages, mostly in the form of the "ship portrait" a type of work that is still popular and concentrates on depicting a single vessel. As landscape art emerged during the Renaissance, what might be called the marine landscape became a more important element in works, but pure seascapes were rare until later. Marine painting was a major genre within Dutch Golden Age painting, reflecting the importance of overseas trade and naval power to the Dutch Republic, and saw the first career marine artists, who painted little else. In this, as in much else, specialist and traditional marine painting has largely continued Dutch conventions to the present day. With Romantic art, the sea and the coast was reclaimed from the specialists by many landscape painters, and works including no vessels became common for the first time.