Attitude is Japanese Pop singer and actress Meisa Kuroki's first EP. It was released on January 1, 2010, by her record label Studioseven Recordings.
All lyrics written by Momo "Mocha" N., all music composed by U-Key Zone.
Attitude is the second album by new jack swing group Troop released by Atlantic Records on October 13, 1989. The album features numerous debuts by a few well known musicians. The songs "My Music" and "I Will Always Love You" marked the debut of record producer Dallas Austin, who co-produced the songs with his mentor Joyce "Fenderella" Irby - a former member of the band Klymaxx. A then-unknown Trent Reznor appeared as one of the recording engineers on the Gerald Levert produced songs "That's My Attitude" and "For You". The video version of the single "Spread My Wings" was the one of the first songs remixed by hip hop producer Clark Kent.
Attitude was the highest charting album from Troop, peaking within the Top 5 on the Top R&B Albums chart and received a gold certification. It spawned the group's first two R&B hits to peak at number-one: "Spread My Wings" and the cover of the Jackson 5 song, "All I Do Is Think of You," both of which was produced by singer and producer Chuckii Booker. Booker originally wanted to keep "Spread My Wings" for his 1989 debut Chuckii, but group member Steve Russell insisted on recording it for Attitude.Attitude remains as Troop's highest selling album to date.
Attitude is the thirteenth studio album by the Canadian rock band April Wine, released in October 1993 (see 1993 in music). It was the band's first album since their break-up in the 1980s. The boy on the front cover of the album is Myles Goodwyn's son.
All tracks written by Myles Goodwyn unless otherwise noted.
Ventura is a passenger rail station in downtown Ventura, California. The station is served by Amtrak's Pacific Surfliner from San Luis Obispo to San Diego. Ten Pacific Surfliner trains serve the station daily. Of the 73 California stations served by Amtrak, Ventura was the 33rd-busiest in FY2010, boarding or detraining an average of approximately 125 passengers daily. The single platform is located on the south of the tracks with a view of the Santa Barbara Channel and the Channel Islands. The Ventura Freeway (Hwy 101) is parallel with and on the north side of tracks.
The Metrolink Ventura County Line terminus is in Montalvo at the East Ventura Metrolink Station since commuters traveling towards Los Angeles are better served by that station and overnight storage of trains in the downtown was impractical. Special service trains may come to this station such as service to the Ventura County Fair, in season.
Ventura was a brand of stringed instruments imported from Japan by C. Bruno and Company during the 1960s and 1970s. C. Bruno was bought by Kaman (Ovation) in the early 1980s, after which the brand disappeared. Many of the guitars built during this time frame were known as lawsuit guitars due to the tendency of imported guitars to mimic the well-known American brands such as Martin and Gibson. Some of the Ventura guitars were knock-offs of the Martin line, such as the Ventura V-35 appearing similar to the Martin D-35.
The Ventura line included guitars (classical, western, folk, concert, electric, electro-acoustic), banjos, mandolins, and bass guitars.
Kaman Industries (parent company of Ovation) actually acquired C Bruno & Son in 1971. Although there isn't much in the way of records from this period, it is believed that Kaman contracted with manufacturers such as "Matsumoku" (parent company of brands such as Aria) from '71 until the brand was discontinued in 1982. There is also evidence that C. Bruno contracted with other companies before the '71 Kaman acquisition such as "Kasuga" and others.
Ventura is a live album by the rock band Phish. It contains two complete concerts on six CDs. It was recorded on July 30, 1997, and July 20, 1998, at the Ventura County Fairgrounds in Ventura, California. Packaged as a box set, it was released by JEMP Records on June 18, 2013.
On Allmusic, Stephen Thomas Erlewine said, ".. both [concerts] arrived during the two-year gap separating 1996's Billy Breathes and 1998's The Story of the Ghost — two years where the band's popularity was on the rise and it certainly seemed like a crossover was perhaps within their sites [sic]. That crossover never happened and these two shows indicate the band never seriously thought about moving into the mainstream, preferring to ride a sweet, hazy, sun-soaked vibe that fits Southern California in the late summer. A few covers surface... and soundcheck jams round out the third disc of each show, but the appeal of Ventura is, as always, how Phish tackle their core catalog..."
On All About Jazz, Doug Collette wrote, "The relative comfort level [of a particular venue] can inspire or relax a bit too much, and both dynamics are on display over the course of these six compact discs.... Though not all the music is as vivid as the evocative wrap-round inside and outside graphics, the most memorable moments are nevertheless compelling.... During set two of '97, as the band wends its way into "Free", drummer Jon Fishman hits harder, bassist Mike Gordon holds back to hit only bedrock notes, guitarist Trey Anastasio redefines shredding, and all the while keyboardist Page McConnell frames the increasingly subtle four-way dynamics. A circular segue through "David Bowie" and Talking Heads' "Cities" is a singularity the like of which distinguishes Phish to this day: four virtually equally skilled players simultaneously inspiring each other to increasingly intense heights of improvisation."