Sabzi (Persian: سبزی, lliterally "greenness; greens") may refer to:
Alexei Saba Mohajerjasbi, stage name Sabzi, is a Seattle-based producer and DJ. His genre is listed as alternative hip hop, due to its association with hip hop through the use of rap lyrics. He has collaborated three times to form different bands:
He has also guest produced for Das Racist.
Sabzi's first act, Blue Scholars, was formed with George Quibuyen (A.K.A. MC Geologic), whom he met at the University of Washington where they were students. They both belonged to the student group S.H.O.W. (the Student HipHop Organization of Washington). Blue Scholars soon become a Seattle Underground staple, and declared itself a group dedicated to forward thinking and youth empowerment.
In 2004, Sabzi began working with solo artist RA Scion on his album Live and Learn. By October 2005, the two had released a self-titled album as the duo Common Market. The group found success, as Scion contributed questions about religion, politics and the state of mainstream hip-hop to Sabzi's beats. While there are overt similarities between Blue Scholars and Common Market, the two groups have distinct differences, and "their styles seem to be diverging more".
Mahmood Sabzi, professionally known as Sabzi, is an Iranian artist known for his abstract impressionist paintings.
Sabzi was born in Ahvaz, Iran. He began painting when he was twelve years old, but eventually earned a bachelor's degree in agricultural engineering at the University of Jundi Shapur.
Initially, Sabzi made realistic paintings inspired by his country's history and culture. He went to exile during the regime of Ruhollah Khomeini, settling in Germany and the United States. During this period, he experimented with figurative and abstract styles. He eventually settled in southern California. Each of his moves was reflected in changes in his style to reflect changes in his environment.
According to Sabzi, he draws inspiration from the Persian rugs created by his mother.
Sabzi's painting style is influenced by the Modernist works of Paul Cézanne and Henri Matisse, as well as by the poet Rumi. Majority of his works feature women in various moods and poses, implying internal conflict.
"Attached" is the 160th episode of the science fiction television series Star Trek: The Next Generation. The eighth episode of the seventh season.
Captain Picard and Dr. Crusher prepare to look into a diplomatic request from the Kes, one of the planet Kesprytt's two societies, who want entrance into the Federation. This is unprecedented because the planet's other society, the Prytt, wish no contact with the Federation or anyone else. Worf attempts to transport Crusher and Picard to the Kes, but they end up in a Prytt prison cell, where strange electronic devices are implanted in their necks. Minister Lorin of the Prytt informs Picard and Crusher that they are being held because of suspected conspiracy with the Kes and that the devices in their necks will reveal the truth. Back aboard the Enterprise, Riker sets up a meeting with Kes Ambassador Mauric to address the abduction. Meanwhile, Beverly mysteriously receives her tricorder hidden in a tray of food. She notices that a map has been added to her directory and, sensing it may come from the Kes, she and Picard use it to escape.
Snivilisation is the third album and the first named album by Orbital. It was released in 1994. The album reached #4 and spent 4 weeks in the UK albums chart in 1994. By April 1996 it had sold 80,000 copies in the UK..
The band released the album at the time of the launch of the Criminal Justice Act, the legislation that gave British Police greater legal powers to break up unlicensed raves that gave Orbital its name. The Are We Here? single featured the track "Are We Here? (Criminal Justice Bill?)", four minutes of complete silence.
"Philosophy By Numbers" samples Sidney Stratton chemistry experiment from the film The Man in the White Suit.
"Are We Here?" samples a part of "Man At C&A" by The Specials. Track's vocals by Alison Goldfrapp, as on "Sad But True". "Are We Here?" is also on Work 1989-2002.
The album was included in Q magazine's "The 25 Best Dance Albums Ever" in October 1997. It also made Q's end-of-year top 10 best albums list in 1994. It is also featured in the book 1001 Albums You Must Hear Before You Die