David Lindup (10 May 1928 – 7 January 1992) was an English composer, arranger and orchestrator best known for his collaborations with Johnny Dankworth and his library music (often for KPM). Although credited as the composer of TV theme tunes such as The Informer and Rising Damp, and occasional film scores such as Games That Lovers Play (1971), White Cargo (1973), Shatter (1974) and The Spiral Staircase (1975), as a composer of library music, his pieces usually appear uncredited in films and TV programmes, for example The Full Monty, The Persuaders!, The Box. He is similarly uncredited for his orchestration in musical films such as Scrooge and Goodbye, Mr. Chips.
Lindup was born in East Preston, West Sussex. He was married to Nadia Cattouse; their son Mike is the keyboardist for Level 42. Lindup died in Southampton in 1992.
At Risk is a 1994 film about a woman named Lara, after spending a year in Mexico unsuccessfully trying to save her marriage to Steven, returns to the U.S. to find Max, her lover in this AIDS cautionary tale.
At Risk is a 2010 American TV Movie directed by Tom McLoughlin and starring Andie MacDowell and Daniel Sunjata. It is based on the book of the same name by Patricia Cornwell, who has a small role as a waitress.
Win Garano, an Apache nicknamed "Geronimo", is working for Monique "Money" Lamont in the Boston DA's department. Lamont is running for Governor of Boston using the concept of "at risk" to try to gain votes, saying that everyone is at risk from crime but when she becomes governor it is the criminals who will be at risk. To promote her political campaign she re-opens and assigns Garano to a cold case concerning the murder of a 90-year-old woman 35 years previously, demonstrating to voters that she can clear up old crimes as well as new ones.
Jesus Baptista, a criminal, has recently been acquitted of drug dealing and arson. One evening he goes to Lamont's house and lies in wait for her. At the same time, Garano is visiting his grandmother "Nana", where he sees TV coverage of a press conference called by Lamont, during which she agrees in answer to an aggressive questioner that the investigator on the cold case is called "Geronimo". Upset by this he sends a text to Lamont submitting his resignation but immediately afterwards he receives a text threatening Nana's life unless he drops the case. He changes his mind and calls Lamont to tell her that he wishes to continue the investigation. At this point Baptista snatches Lamont and drags her into the house causing her to drop her mobile. Unable to contact her, Garano drives to her house where a fight ensues, resulting in Baptista being shot dead by Garano. Evidence is discovered that Baptista had apparently been paid to kill Lamont. Facts about the cold case are difficult to find and police corruption is suspected. It then emerges that there is a connection between the murder and the attack on Lamont.
David (Bulgarian: Давид) (died 976) was a Bulgarian noble, brother of Emperor Samuel and eldest son of komes Nicholas. After the disastrous invasion of Rus' armies and the fall of North-eastern Bulgaria under Byzantine occupation in 971, he and his three younger brothers took the lead of the defence of the country. They executed their power together and each of them governed and defended a separate region. He ruled the southern-most parts of the realm from Prespa and Kastoria and was responsible for the defence the dangerous borders with Thessalonica and Thessaly. In 976 he participated in the major assault against the Byzantine Empire but was killed by vagrant Vlachs between Prespa and Kostur.
However, there's also another version about David’s origin. David gains the title "comes" during his service in the Byzantine army which recruited many Armenians from the Eastern region of the empire. The 11th-century historian Stepanos Asoghik wrote that Samuel had one brother, and they were Armenians from the district Derjan. This version is supported by the historians Nicholas Adontz, Jordan Ivanov, and Samuil's Inscription where it’s said that Samuel’s brother is David. Also, the historians Yahya and Al Makin clearly distinguish the race of Samuel and David (the Comitopouli) from the one of Moses and Aaron (the royal race):
David (Spanish pronunciation: [daˈβið]) officially San José de David is a city and corregimiento located in the west of Panama. It is the capital of the province of Chiriquí and has an estimated population of 144,858 inhabitants as confirmed in 2013. It is a relatively affluent city with a firmly established, dominant middle class and a very low unemployment and poverty index. The Pan-American Highway is a popular route to David.
The development of the banking sector, public construction works such as the expansion of the airport and the David-Boquete highway alongside the growth of commercial activity in the city have increased its prominence as one of the fastest growing regions in the country. The city is currently the economic center of the Chiriqui province and produces more than half the gross domestic product of the province, which totals 2.1 billion. It is known for being the third-largest city in the country both in population and by GDP and for being the largest city in Western Panama.
David is a life-size marble sculpture by Gian Lorenzo Bernini. The sculpture was one of many commissions to decorate the villa of Bernini's patron Cardinal Scipione Borghese – where it still resides today, as part of the Galleria Borghese It was completed in the course of seven months from 1623 to 1624.
The subject of the work is the biblical David, about to throw the stone that will bring down Goliath, which will allow David to behead him. Compared to earlier works on the same theme (notably the David of Michelangelo), the sculpture broke new ground in its implied movement and its psychological intensity.
Between 1618 and 1625 Bernini was commissioned to undertake various sculptural work for the villa of one of his patrons, Cardinal Scipione Borghese. In 1623 – only yet 24 years old – he was working on the sculpture of Apollo and Daphne, when, for unknown reasons, he abandoned this project to start work on the David. According to records of payment, Bernini had started on the sculpture by mid–1623, and his contemporary biographer, Filippo Baldinucci, states that he finished it in seven months.