Wicked!
Wicked! is the third studio album by German band Scooter, released in 1996. It contains two singles, "I'm Raving", and "Break It Up".
Track listing
All songs written by H.P. Baxxter, Rick J. Jordan, Jens Thele, and Ferris Bueller, except "I'm Raving" written by Marc Cohn; and "Don't Let It Be Me" and "Break It Up" written by Nosie Katzmann.
Charts
References
Wicked (musical album)
Wicked is a cast recording containing the majority of the songs from the Tony Award-winning Broadway musical Wicked, with music and lyrics by composer Stephen Schwartz and a book by writer Winnie Holzman. Released on December 16, 2003 by Decca Broadway both in physical and digital releases. The former contains a foreword and a short synopsis, provided by Gregory Maguire, who wrote the 1995 novel on which the musical is based, in addition to lyrics to those songs included.
Composer and lyricist of Wicked, Stephen Schwartz, produced the album aided by Frank Filipetti, Jill Dell'Abate, Jason Spears, Justin Shturtz, Jason Stasium and Ted Jensen. The original cast album of Wicked was recorded on November 10, 2003, with the full cast and orchestra, at then-Right Track Studios and mastered at Sterling Sound in New York City.
The cast recording has received positive reviews and has received substantial commercial success. It received the 2005 Grammy Award for Best Musical Show Album in 2005 and although initially peaking at number 125 on the Billboard 200 in 2003, has since reached the new peak of 77 in 2011. The album was certified platinum on November 30, 2006 by the RIAA, but has since been certified double platinum, four years later, on November 8, 2010. It has sold 2,439,000 copies in the U.S. as of February 2014.
Wicked (Sinitta album)
Wicked is the second studio album by American singer Sinitta. It was released in 1989.
Album information
Following the release of her debut album Sinitta! in 1987 Sinitta moved away from working directly with Stock Aitken Waterman although she continued to record at PWL under the direction of mixmasters Pete Hammond, Phil Harding and Ian Curnow. Her second album, Wicked released in 1989 contained only one SAW track- "I Don't Believe In Miracles", two other tracks recorded with SAW in the same sessions "How Can This Be Real Love" and "Do You Wanna Find Out?" were ultimately shelved. The remaining tracks were produced by the aforementioned Hammond, Harding & Curnow in addition to Nigel Wright and German producer Ralf Rene Maue.
"Wicked" was a minor success on the charts. It missed the top forty in the United Kingdom and peaked at number fifty-two.
Track listing
Notes
Aswad
Aswad may refer to:
Aswad (name)
Aswad is a male Arabic given name that means "Black".
People named Aswad include:
People using it in their patronymic include:
Other uses
Other uses of the word include:
See also
References
Aswad (band)
Aswad ("Black" in Arabic) are a long-lasting British reggae group, noted for adding strong R&B and soul influences to the reggae sound. They have been performing since the mid-1970s, having released a total of 21 albums.
History
The members of Aswad are UK descendants of immigrants from the Caribbean. They attended John Kelly/Holland Park School.
The original members of Aswad were guitarist/vocalist Brinsley "Chaka B" Forde, drummer/vocalist Angus "Drummie Zeb" Gaye, lead guitarist/vocalist Donald "Dee" Griffiths, bassist George "Ras" Oban, and keyboardist Courtney "Khaki" Hemmings. Aswad were the backing band of Burning Spear's 1977 Live album, recorded at the Rainbow Theatre in London. Other contributors included Vin Gordon, and Karl Pitterson.
Initially the band produced music in the Roots Reggae-vein, with members' contributing songs individually and with Forde acting as the band's principle songwriter. The band's dynamic soon began to change however. Shortly after the release of their self-titled debut album in 1976, Hemmings left and was replaced by Tony "Gad" Robinson (the only time in the band's history where a departing member would be replaced by an incoming musician). The band then released their second studio effort, Hulet, in 1978, before Oban departed the band in 1979, with Robinson taking over Oban's role in addition to Hemmings'. The following year saw Griffiths depart, leaving Forde as the band's sole guitarist. During this early period in the band's history they were distinctly different from Jamaican reggae acts, in that they wrote songs that dealt with the issues surrounding the experiences of black youths growing-up in the UK; such as "Three Babylon" and "It's Not Our Wish", and the powerful jazz-influenced instrumental "Warrior Charge".
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