Aster (typeface)

The Aster typeface, which originated in Italy, was designed in 1958 by Francesco Simoncini for Simoncini to be used in newspapers and books. This typeface is fairly wide with detailed, delicate serifs; it also has short ascenders and descenders for economy of space. The New Aster font family offers a few distinguishing marks, like the spurs of capitals A, N, V and W.

References

Aster

Aster may refer to:

Plants

People

Aster (genus)

Aster is a genus of flowering plants in the family Asteraceae. Its circumscription has been narrowed, and it now encompasses around 180 species, all but one of which are restricted to Eurasia; many species formerly in Aster are now in other genera of the tribe Astereae.

Circumscription

The genus Aster once contained nearly 600 species in Eurasia and North America, but after morphologic and molecular research on the genus during the 1990s, it was decided that the North American species are better treated in a series of other related genera. After this split there are roughly 180 species within the genus, all but one being confined to Eurasia. The name Aster comes from the Ancient Greek word ἀστήρ (astér), meaning "star", referring to the shape of the flower head. Many species and a variety of hybrids and varieties are popular as garden plants because of their attractive and colourful flowers. Aster species are used as food plants by the larvae of a number of Lepidoptera species—see list of Lepidoptera that feed on Aster. Asters can grow in all hardiness zones.

Aster (automobile)

The Aster was an English automobile manufactured from 1922 to 1930. The companies car roots can be traced to 1899 when Begbie Manufacturing of Wembley, in north London became British licensees of the French Aster company (Ateliers de Construction Mecanique l'Aster) making mainly stationary engines. In 1913 they became Aster Engineering Co (1913) Ltd and during World War I made aircraft engines.

Models

18/50, 20/55, 21/60

The first Aster cars were made in 1922 with the luxurious 18/50, which had a 2618 cc six cylinder overhead valve engine driving the rear wheels through a four speed gearbox. The 126 inch wheelbase chassis had semi elliptic springing at the front and cantilevered springs at the rear with four wheel brakes as an early option. The car was listed at £850 in 1923 and about 50 were made before in 1924 the engine was enlarged to 2890 cc by increasing its bore from 69.5 to 73 mm in the 20/55 model. One was bought by the Duke of York. About another 50 of the larger cars were made. In 1926 the engine was further bored out to 75 mm, the stroke stayed at 115 mm throughout, making the 3042 cc 21/60.

Typeface

In typography, a typeface (also known as font family) is a set of one or more fonts each composed of glyphs that share common design features. Each font of a typeface has a specific weight, style, condensation, width, slant, italicization, ornamentation, and designer or foundry (and formerly size, in metal fonts). For example, "ITC Garamond Bold Condensed Italic" means the bold, condensed-width, italic version of ITC Garamond. It is a different font from "ITC Garamond Condensed Italic" and "ITC Garamond Bold Condensed," but all are fonts within the same typeface, "ITC Garamond." ITC Garamond is a different typeface from "Adobe Garamond" or "Monotype Garamond." (These are all alternative updates or digitisations of the typeface Garamond, originally created in the 16th century.) There are thousands of different typefaces in existence, with new ones being developed constantly.

The art and craft of designing typefaces is called type design. Designers of typefaces are called type designers and are often employed by type foundries. In digital typography, type designers are sometimes also called font developers or font designers.

List of Spider-Man enemies

Spider-Man is a fictional superhero in the Marvel Universe debuting in the anthology comic book series issue Amazing Fantasy #15 (August 1962) in the Silver Age of Comics published by Marvel Comics. After his debut he would get his own comic book entitled The Amazing Spider-Man. The comic book series would introduce many of what would become his major supervillain adversaries. Spider-Man would then be popular enough for more Spider-Man comic spinoffs (The Spectacular Spider-Man, Marvel Team-Up, Web of Spider-Man, Peter Parker: Spider-Man etc.) which potentially introduced more recurring antagonists of the web-slinger.

As with Spider-Man, the theme behind the villains' powers originate with scientific accidents or the misuse of scientific technology and also tend to have animal-themed costumes or powers (Vulture, Doctor Octopus, Lizard, Rhino, Scorpion, Jackal and Black Cat). There also consists supervillains with the powers of the elements (Sandman, Electro, Molten Man and Hydro-Man), some that are horror-themed (the Goblins, Morbius, the Symbiotes and Morlun) and some that are crime lords (Kingpin, Hammerhead and Silvermane). His rogue also consisted of some that are masters of trickery and deception such as the Chameleon and Mysterio. These villains oftentimes form teams such as the Sinister Six and the Sinister Syndicate to oppose the superhero.

Typeface (film)

Typeface is an independent documentary film, produced by Kartemquin Films, about visual culture, technology and graphic design, centered on the Hamilton Wood Type and Printing Museum in Two Rivers, Wisconsin. Typeface the film focuses on a rural Midwestern museum and print shop where international artists meet retired craftsmen and together navigate the convergence of modern design and traditional technique. Directed by Justine Nagan, it was released in 2009 after two sold-out sneak previews at the Walker Art Center in Minneapolis, MN.

Its international premiere was at the Breda International Film Festival in The Netherlands. Since that time, the film has toured around the world for screenings in select theatres, museums, universities and film festivals, including the Yerba Buena Center for the Arts in San Francisco, The Alamo Drafthouse Cinema in Austin, a sold-out week run at the Gene Siskel Film Center in Chicago, and the Denver Art Museum in Denver. Musician Josh Ritter provided the film’s soundtrack. Typeface won “Best Documentary” at the Flyway Film Festival in October 2009. The film was a 2010 Regional Emmy (Chicago/Midwest Chapter of the Academy of Arts and Sciences) nominee for Best Documentary.