Assault (March 26, 1943 – September 2, 1971) was an American Hall of Fame Thoroughbred racehorse who won the U.S. Triple Crown in 1946.
Foaled at King Ranch in Texas, Assault was sired by Bold Venture, who had won the Kentucky Derby and Preakness Stakes. His dam was the unraced Igual, by Horse of the Year Equipoise. Assault's third dam was Masda, who was a full sister to Man o' War. His full-brother was Air Lift.
Described as being "on the delicate side" by his later jockey, Eddie Arcaro, Assault was plagued with injuries and illnesses from the start. As a youngster, he stepped on what is believed to have been a surveyor's stake, driving it through his front right hoof. The hoof was permanently deformed, and the colt developed a limp to accommodate the odd shape of his foot; however, the "Club-footed Comet", as he was later dubbed, showed no signs of abnormality when he was at a full gallop. Throughout his career, Assault also overcame kidney, splint bone, fetlock, knee and bleeding problems.
In common law, assault is the tort of acting intentionally, that is with either general or specific intent, causing the reasonable apprehension of an immediate harmful or offensive contact. Because assault requires intent, it is considered an intentional tort, as opposed to a tort of negligence. Actual ability to carry out the apprehended contact is not necessary. In Criminal Law an assault is defined as an attempt to commit battery, requiring the specific intent to cause physical injury.
As distinguished from battery, assault need not involve actual contact; it only needs intent and the resulting apprehension. However, assault requires more than words alone. For example, wielding a knife while shouting threats could be construed as assault if an apprehension was created. A battery can occur without a preceding assault, such as if a person is struck in the back of the head. Fear is not required, only anticipation of subsequent battery.
An assault can be an attempted battery.
Assault (アサルト Asaruto) is a multi-directional shooter arcade game released by Namco in 1988 and licensed to Atari Games for US manufacture and distribution. It is the last Namco game that was licensed to Atari, even though their logo still appears on the Mejā Stadium scoreboard in World Stadium '89 Kaimakuban and '90.
What makes Assault unique is that the player's tank always points toward the top of the screen, and when the tank turns the entire playfield rotates around the tank. It can be interpreted as rotating the world rather than the tank. Assault made early use of hardware sprite scaling (preceded by at least Sega's Space Harrier in 1985) and may be the first game to use hardware rotation of sprites and the background.
The player controls a futuristic tank, attacking the surface forces of an alien environment. The tank is controlled by two four-way joysticks. The standard movements, such as "forward" and "turn left", are executed in the same manner as those of other tank driving games, like Battlezone. That is, the player pushes both joysticks away for "forward", pull the left joystick towards and push the right one away for "turn left". But since the joysticks are four-way, two other moves can be executed. Pushing both joysticks away from one another (i.e. the left to the left and the right to the right) causes the tank to rear up on its back end for a moment. When up in this position, the player can fire a lethal nuclear blast, instead of the standard shots when in the normal position. Afterwards, the tank returns to its standard stance. If both joysticks are pushed right or left, the tank shall roll (or "strafe") to that direction.
The horse (Equus ferus caballus) is one of two extant subspecies of Equus ferus. It is an odd-toed ungulate mammal belonging to the taxonomic family Equidae. The horse has evolved over the past 45 to 55 million years from a small multi-toed creature, Hyracotherium, into the large, single-toed animal of today. Humans began to domesticate horses around 4000 BC, and their domestication is believed to have been widespread by 3000 BC. Horses in the subspecies caballus are domesticated, although some domesticated populations live in the wild as feral horses. These feral populations are not true wild horses, as this term is used to describe horses that have never been domesticated, such as the endangered Przewalski's horse, a separate subspecies, and the only remaining true wild horse. There is an extensive, specialized vocabulary used to describe equine-related concepts, covering everything from anatomy to life stages, size, colors, markings, breeds, locomotion, and behavior.
Horses' anatomy enables them to make use of speed to escape predators and they have a well-developed sense of balance and a strong fight-or-flight response. Related to this need to flee from predators in the wild is an unusual trait: horses are able to sleep both standing up and lying down. Female horses, called mares, carry their young for approximately 11 months, and a young horse, called a foal, can stand and run shortly following birth. Most domesticated horses begin training under saddle or in harness between the ages of two and four. They reach full adult development by age five, and have an average lifespan of between 25 and 30 years.
A horse is a hoofed mammal of the species Equus ferus caballus.
Horse or Horses may also refer to:
Uma (馬, also known as Horse) is a 1941 black-and-white Japanese film directed by Kajiro Yamamoto and starring Hideko Takamine, whom Yamamoto had directed in his film Composition Class (Tsuzurikata Kyōshitsu) three years before. Uma was actually completed by assistant director Akira Kurosawa. It follows the story of Ine Onoda, the eldest daughter of a poor family of farmers, who raises a colt from birth and comes to love the horse dearly. When the horse is grown, the government orders it auctioned and sold to the army. Ine struggles to prevent the sale.
The film is a tale about a young girl and the colt she raises from its birth. But it is also about the struggle of farmers existing on the edge of poverty. Akira Kurosawa is credited as the film's production coordinator, which is equivalent to first assistant director. But Kurosawa's signature is all over this work and is the last film he was to work on as an assistant before starting his own directing career. The film took three years to plan and a year to film. Kajiro Yamamoto had to commute to the far mountainous location but had to turn his attention to his money making comedies in Tokyo and so he left production in the hands of his assistant, Kurosawa.