Ass

Ass may refer to:

ASS may stand for:

Groups

Technology

Taylor Mead's Ass

Taylor Mead's Ass (1964) is a film by Andy Warhol featuring Taylor Mead, consisting entirely of a shot of Mead's buttocks, and filmed at The Factory.

According to Watson's Factory Made: Warhol and the Sixties, Taylor Mead had achieved a degree of fame that "inspired a backlash." One example was a letter to the editors at The Village Voice in August 1964 which complained about "films focusing on Taylor Mead's ass for two hours." Mead replied in a letter to the publication that no such film was found in the archives, but "we are rectifying this undersight." Two days later, Warhol shot the "sixty-minute opus that consisted entirely of Taylor Mead's Ass," during which Mead first exhibits a variety of movement, then appears to "shove a variety of objects up his ass." The film was Mead's last for Warhol "for more than three years", at the end of 1964, "Mead felt betrayed by Warhol for not showing the film."

The film was described as "seventy-six seriocomic minutes of this poet/actor's buttocks absorbing light, attention, debris" by Wayne Koestenbaum, in Art Forum. In his book, Andy Warhol, Koestenbaum writes "Staring at his cleft moon for 76 minutes, I begin to understand its abstractions: high-contrast lighting conscripts the ass into being a figure for whiteness itself, particularly when the ass merges with the blank leader at each reel's end. The buttocks, seen in isolation, seem explicitly double: two cheeks, divided in the centre by a dark line. The bottom's double structure recalls Andy's two-paneled paintings . . . "

Assu, Rio Grande do Norte

Açu (or Assu) is a municipality (município) in the state of Rio Grande do Norte in Brazil. The population is 57,292 (2015 est.) in an area of 1303 km². The Barragem Armando Ribeiro Gonçalves, a reservoir on the Piranhas River, is partly located in the municipality.

References

External links

Types of volcanic eruptions

Several types of volcanic eruptions—during which lava, tephra (ash, lapilli, volcanic bombs and blocks), and assorted gases are expelled from a volcanic vent or fissure—have been distinguished by volcanologists. These are often named after famous volcanoes where that type of behavior has been observed. Some volcanoes may exhibit only one characteristic type of eruption during a period of activity, while others may display an entire sequence of types all in one eruptive series.

There are three different types of eruptions. The most well-observed are magmatic eruptions, which involve the decompression of gas within magma that propels it forward. Phreatomagmatic eruptions are another type of volcanic eruption, driven by the compression of gas within magma, the direct opposite of the process powering magmatic activity. The third eruptive type is the phreatic eruption, which is driven by the superheating of steam via contact with magma; these eruptive types often exhibit no magmatic release, instead causing the granulation of existing rock.

Eruption (instrumental)

"Eruption" is an instrumental rock guitar solo performed by Eddie Van Halen. It is widely considered one of the greatest guitar solos of all time. It segues into "You Really Got Me" on the album Van Halen, and the two songs are often played together by radio stations. The song was also released as the b-side to the "Runnin' with the Devil" single.

"Eruption" starts with a short accompanied intro with Alex Van Halen on drums and Michael Anthony on bass. The highlight of the solo is the use of two-handed tapping. "Eruption" was played on the Frankenstrat, with a MXR Phase 90, an Echoplex, a Univox echo unit and a 1968 Marshall 1959 Super Lead tube amp. The Sunset Sound studio reverb room was also used to add reverb. The Frankenstrat was tuned down a half-step. "Eruption" begins in the key of A flat and ends on a E flat note that is a twelfth fret, 6th string harmonic processed through a Univox EC-80 echo unit.

The "Eruption" introduction is based on the "Let Me Swim" introduction by Cactus. After the intro, an E-flat major quotation of the "Etude No. 2" by Rodolphe Kreutzer is heard. The end section begins with a series of rapid two-handed tapping triads that have a classical like structure and eventually finishes with a repeated classical cadence followed by sound effects generated by a Univox EC-80 echo unit.

Eruption (German band)

Eruption was a short-lived German krautrock or experimental music super group founded by former Tangerine Dream member and then current Kluster member Conrad Schnitzler.

Overview

Core Members

Collaborators

Musical Style

Eruption performed free-form, improvisational, experimental music, some of which resembles industrial music. A few pieces do have discernible melodies and/or strong rhythmic elements, at times resembling Conrad Schnitzler's earlier work with Tangerine Dream on their Electronic Meditation album.

History

Eruption had a rapidly shifting lineup of musicians whom Schnitzler had met and played with at the Zodiak Free Arts Lab in the late 1960s and very early 1970s. At times Eruption included Klaus Schulze, Manuel Göttsching, and Hartmut Enke, who would go on to form the trio Ash Ra Tempel, Dieter Serfas of the jazz band Embryo, Michael Gunther and Lutz Ulbrich of Agitation Free, Christa Runge, who had read the text on the first Kluster album, as well as members of Amon Düül. Schnitzler and Schulze had also previously worked together as members of Tangerine Dream, both appearing on that band's first album, Electronic Meditation. Conrad Schnitzler described Eruption this way: "So anyway we got 10 musicians together; rock musicians, freejazz and electronic musicians - all together. We did some really interesting things."

Fluid

In physics, a fluid is a substance that continually deforms (flows) under an applied shear stress. Fluids are a subset of the phases of matter and include liquids, gases, plasmas and, to some extent, plastic solids. Fluids can be defined as substances that have zero shear modulus or in simpler terms a fluid is a substance which cannot resist any shear force applied to it.

Although the term "fluid" includes both the liquid and gas phases, in common usage, "fluid" is often used as a synonym for "liquid", with no implication that gas could also be present. For example, "brake fluid" is hydraulic oil and will not perform its required incompressible function if there is gas in it. This colloquial usage of the term is also common in medicine and in nutrition ("take plenty of fluids").

Liquids form a free surface (that is, a surface not created by the container) while gases do not. The distinction between solids and fluid is not entirely obvious. The distinction is made by evaluating the viscosity of the substance. Silly Putty can be considered to behave like a solid or a fluid, depending on the time period over which it is observed. It is best described as a viscoelastic fluid. There are many examples of substances proving difficult to classify. A particularly interesting one is pitch, as demonstrated in the pitch drop experiment currently running at the University of Queensland.